Tag: Robin Sherwood

TOURIST TRAP (1979)

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Directed By: David Schmoeller

Written By: David Schmoeller and J. Larry Carroll

Cinematography: Nicholas Von Sternberg

Editor: Ted Nicolaou 

Cast: Chuck Connors, Tanya Roberts, Jocelyn Jones, Jon Van Ness, Robin Sherwood, Keith McDermott, Dawn Jeffory 

Four people go in search of their missing friend. What they find is Slausen’s Lost Oasis, and mannequin-dressed museum, and a seemingly abandoned mansion owned by gentle old Mr. Slausen. He agrees to help with their car trouble, but some of the girls decide to look for a working phone inside the house even though Mr. Slausen warned them not to. Hidden within the home is Mr. Slausen’s misunderstood mask-hidden younger brother. What they learn is that the mannequins seem very much alive, or is there something much more terrifying behind the mask?

A great old-school horror of the 1980s. That was a video store heyday that haunted the shelves. It took me this long to finally watch and it’s a shame as this is definitely a film that stays on your mind.

This is one of those films you think you have seen a long time ago then when watching realize you never did. Even as you have seen the poster title for the longest time.

This film at first seems like it will be run off like the poster that could be for any 1980s generic horror film, but this one set itself apart with a kind of creepy puppet tree. That leads to a disturbing atmosphere throughout.

The characters/victims are the usual suspects. You never get to really know them and barely care about them. You were just appalled that they have to go through this torturous violence for nothing. 

The mask of a character from an episode of the Nickelodeon show  SALUTE YOUR SHORTS. The episode was creepy out of nowhere and didn’t seem to be as intentional as it is in this film.

Were it not for the originality and creepy atmosphere the characters and kills are pretty basic and almost not eventful. Except for most of the cast, conveniently short summer outfits.

Especially Tonya Roberts cleavage heavy, and tube top that only adds to its exploitation factor.

This is a shame, considering its originality and other aspects as it becomes more and more unsettling 

There are some action sequences, though they are slow and it seems like the characters wound,  very easily.

The film is not too far off. it’s believable at least in the first half of the film. 

The film seems to be designed to be more atmospheric with a smaller number of characters which leads to the film feeling more intimate. When there is a Chase the film has more time like the killer to stalk.

As a fan of Chuck Connors, this film is quite enjoyable as he is clearly having fun in his role and he is truly the big-name star of the film, especially at the time of its release.

The film is inventive when it does things that are there to surprise you like switching around the final girl you might expect. The survivor truly ends up, becoming someone you would least expect. By the end, the film still offers something that makes it feel even creepier.

That makes you wonder in the end if there is still a certain psychosis meaning that the killer has succeeded. it certainly leaves the audience with something unexpected and unsettling. 

Grade: B 

DEATH WISH II (1982)

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Directed By: Michael Winner 
Written By: David Engelbach 
Based On Characters Created By: Brian Garfield
Cinematography: Tom Del Ruth and Richard H. Kline 
Editor: Arnold Crust and Julian Semian 

Cast: Charles Bronson, Jill Ireland, Vincent Gardenia, Anthony Franciosa, Laurence Fishburne, Ben Frank, J.D. Cannon, Robin Sherwood, Robert F. Lyons, Silvena Gallardo 

Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.

While I will admit I am not a man of the first film for many reasons. I have to say the first one is definitely better than this sequel. At least it had dramatic tension and tried to be somewhat of a character piece.

This film is exploitative even when watching the theatrical version and not the unrated edition. It’s sleazy and a retread of the original. Only without any of the drama or moral questions that might have been raised before.

No, here as soon as a tragedy happens he goes right into action without a second thought and not trying to stop crime necessarily. Here Charles Bronson’s character is on a revenge mission. So while other crimes happen around him. He lets them go. 

This seems to be more of the same, only in a new location. 

This feels more like an even more Hollywood version of the bloodletting wish-fulfillment fantasy. That the audience for this franchise wants. Whereas the first film tried to be more a character-driven thriller. This is our and our action.

One of the film’s main problems is that it feels so sleazy and exploitative. Not necessarily the violence but the sexual assaults and nudity throughout. That feels gratuitous even when edited down. Even In some scenes, there is just nudity when not really needed. 

The rape and murder of the maid seem to be shown and filmed graphically mainly to show the ugliness of not only the crime but also to make the audience mad at the brutality and show how savage these characters truly are. 

The film is under 90 minutes and is never subtle and Vincent Gardenia’s character seems wasted and only as another way to link back to the first film and explain why he is in Los Angeles instead of Chicago. Though here he seems almost like comedic relief rather than as a strong character from the first film. 

Grade: C