Directed By: LP Written By: Ellen Rapoport Cinematography: Tim Orr Editor: Christian Hoffman
Cast: Nasim Pedrad, Anna Camp, Sarah Burns, Lamorne Morris, Robbie Amell, Heather Graham, Jessica Chaffin, Jessica Lowe
A panicked young woman, with her reluctant friends in tow, rushes to Mexico to try and delete a ranting email she sent to her new boyfriend.
It’s Nice to see Nasim Pedrad in the lead. Even if from the beginning we notice her character is disturbed and throughout the movie seems to get worse and more desperate. That it is hard at times to have any sympathy for her.
But just as she really barely had time to make her mark on Saturday night love this film doesn’t seem to be the best material for her it gives her more to do but nothing really to do to make a mark. She is attractive and entertaining. Though just as the film
Focuses on later. It’s hard to age. Any sympathy for her and you wonder why her friends do either.
As they have real problems but while having humorous scenes. They barely have anything to do but sit back and watch her and at times get pulled into the ridiculousness.
At times the film gets a little raunchy but it more stays ridiculous than gross
As the script isn’t really that great it seems like a script talking down to the audience as even the premise seems strange for a feature that just like the main character reeks of desperation.
Maybe as it comes off more like a stereotype a more male one about how they truly believe women view relationships basically needy
That seems like a female version of the movie OVERNIGHT DELIVERY. Whereas this film has more the feel of early Netflix premiere movies. This film Works but strangely feels haphazardly put together.
Which makes sense as this was originally meant to be made in 2009 with Isla Fisher starring. As the material does feel dated.
Even if it is refreshing To see a female character be quite messy as the lead and having the male love interest more, have it altogether more and love her for being herself and be there to try and keep everything on the straight and narrow. Even if he has a minor problem But is willing. To get over it for her
In the end, the film shows that there is somebody for everybody. Even those who you might not expect. Unfortunately, I doubt that the same can be said when it comes to this movie and an audience.
Directed By: McG Written by: Dan Laguna, McG, Brad Morris & Jimmy Warden Based on characters created by: Brian Duffield Cinematography: Scott Henriksen Editor: Martin Bernfield
Cast: Judah Lewis, Jenna Ortega, Emily Alyn Lind, Bella Thorne, Andrew Bachelor, Robbie Amell, Hana Mae Lee, Ken Marino, Chris Wylde, Leslie Bibb, Samara Weaving,
Two years after Cole survived a satanic blood cult, he’s living another nightmare: high school. And the demons from his past? Still making his life hell.
I was wasn’t expecting this but there was a part of me that was expecting this movie. Now while I enjoyed the first film in this franchise a lot more than expected. I didn’t know if it really had legs for more sequels.
This film is just as fun as the first film but a lot dumber than the first film. This film seems to know what type of film it is and goes full tilt with its own distractions and humor. No matter how stupid or illogical it could be.
If you are a fan of these types of films and want to have a good time and be entertained then this film is for you. As it seems to continue In Director McG’s wheelhouse of horror and sci-fi films for Netflix that have teenagers or preteens at the center of everything. Though this film and the first babysitter film feel more money he works or inspired by director Joseph Kahn(DETENTION)(BODIED) who has more of visual flair and quicker cuts when it comes to editing.
As this film seems to be missing a certain element. Maybe the dynamic of having Samara weaving on screen more made the film a little more believable and watchable if even just for her charisma in the role.
Here it is almost a repeat of the first film only at a different and bigger location and a twist in the story that seems there to make room for a new character and leading lady for the main character. Though we have the same characters returning from the dead to try to sacrifice the main character for a blood ritual that will make them Immortal.
This is an interesting premise, but as they return they are just as easy to kill as in the first film. So again they are dispatched in a similar manner only here more gruesome and grotesque.
The new main villain is just as close as the babysitter was int he first film and the film tries to also sex her up more in tight and revealing clothes which is the first amongst other clues in the film before the big reveal that they have become evil. What is interesting is that at least they kept the new leading lady Jenna Ortega cute but dressed normally and sarcastic but a hard ass. So she is the opposite of the villain though has the dirtier look.
We see How the original crew was recruited which offers a distraction. Visually but seems like they were recruited in the 1980s more even as the film and the last one was more modern. This just seems out there as a stylistic choice but then also disrupts the continuity of what we know from the original film, but then again this isn’t the type of film to take seriously.
Though most of the cast from the original returns. It is actually nice to see them and their characters. As they remain hilarious and it is nice to catch up with them and learn a little more about them and their pasts.
The film never takes itself seriously and doesn’t expect the audience to either. As the film constantly shows or uses inspiration from the past or other movies to power scenes and the soundtrack.
This movie feels lien CRANK 2 where it takes all that was from the first film And cranks it up as more for a spectacle that while not going to make any cinematic elitist lists is a fun time and a proper guilty pleasure. That you wish was just a bit better though that might take away the charm.
The film tries but doesn’t come close because it seems to kind of pander to what it believes the audience wants more of rather than have more of a clear plan and structure.
So it becomes kind of what it is parodying. Where you can tell when someone is trying to be something or someone that they aren’t to try and impress and while it’s entertaining at first it becomes sad and obvious quickly. Whereas if maybe it was itself from the get-go the audience would come and get to k ow it and appreciate it for it’s sincerity and truths. Though if you are a fan of splatter and gore in your horror. You have come to the right place.
Samara weaving does return for this film in more of an extended cameo. The film needed more of her. As whenever she comes on screen she seems so smooth and takes over her scenes. That when she is gone it only exposes how hard others are trying to just be as good and memorable.
It seems like in most teen horror films I see Bella Thorne always has a death scene. It would be nice to see her survive in a horror film. As here yet again she seems typecast.
The title seems to imply there is a queen when in fact it just seems to have that title as either claiming Samara Weaving’s character is a queen of the kill or tied into the and Queen’s recent popularity or trying to imply that this film is full of campiness. While the film is full of humor, sarcasm, and cynicism. Nothing is truly campy in this film
Cut To The Chase 