LETHAL WEAPON 4 (1998)

Directed By: Richard Donner

Written By: Channing Gibson 

Story By: Jonathan Lemkin, Alfred Gough, and Miles Millar 

Based On Characters Created By: Shane Black

Cinematography: Andrzej Bartkowiak

Editor: Dallas Puett, Kevin Stitt, Eric Strand and Frank J. Urioste 

Cast: Mel Gibson, Danny Glover, Jet Li, Rene Russo, Joe Pesci, Chris Rock, Kim Chan, Steve Kahan, Darlene Love, Traci Wolfe, Eddy Ko, Jack Kehler, Richard Riehle, Michael Chow, Roger Yuan, Mary Ellen Trainor 

With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders from prison and onto American soil.


This is the only lethal weapon movie so far that I have seen on the big screen. 

While satisfyingly, it closes out the franchise with a message of familiarity. This is definitely the most formulaic and cartoonish of the series. it feels like they are just adding things to make it relevant the formula, familiar and add some flavor so that the film comes fresh

The film also represents the aging of the characters as it shows Mel Gibson‘s character Riggs to have more weaknesses, and not be as sharp and invincible as he used to be . As well as becoming a new father and having a wife, which would actually give him more weaknesses than he is used to. In fact they are so much older that half the time they have to use laser pointers to aim their guns in a target.

Chris Rock seems out of place and thrown in here as he was a hot ticket at the time and added to help with the office and put butts in seats and give it some more flair with a side story is hard to believe and just adds to a sitcom sense of discovery And off-color humor. As he is barely in any of the scenes where action takes place.

Which kind of force is Joe Pesci’s character of Leo gets out of the picture as the main comedic relief though he is still here, and in the end is a dramatic moment, though he does actually have the best chemistry with Chris Rock throughout the film

Again, like the last film, this plays more comedic than dangerous or even action oriented as again this is more of a comedy with action in it. It seems like the first half of the series was more action with comedy. This half is more comedic with action sequences. 

The one addition that does make this film, memorable and come alive is Jet Li, as he is exciting as a villain, but other than his action scenes, he is left with nothing to do, though, is a good distraction, and a perfect adversary for Mel Gibson’s character (which with his gruff and viciousness in the past. You can see why fans at the time wanted him to play Wolverine if they ever made an x-men movie) and he actually wins most of the time in the fights on screen, as he truly comes across as invincible, almost like a machine with the speed of his moves Where you do wonder, how are they going to defeat this guy and with him.

I hate to say it, but he is really one of the only reasons to watch this film to see him in action. As this serves Moore as his introduction to Hollywood and a great showcase for him to star in action films, though this film managed to capture him unlike his other American or Hollywood films where he just seems so amazing vicious the only one that comes close that I can think of is unleashed, which also goes by the title Danny the dog

The comedy is just too broad and damn near almost takes over. Just as this film is definitely far from how dangerous Riggs his character was he was unpredictable and crazy. Now he’s still a little crazy yet more careful, and is showing his age. Though still manages to have a memorable chase sequence on the highway.

Just like the previous films, this film has at least one memorable action sequence, and a separate character scene that endears it and makes it can.

Though this film will certainly have a nostalgia and sentimental factor for those who are fans of the franchise and characters. As this Is their last hurrah together. Especially with the passing of directior Richard Donner. 

Grace: C

CASINO (1995)

Directed by: Martin Scorsese
Written By: Nicholas Pileggi & Martin Scorsese
Based on the Book “Casino” By: Nicholas Pileggi
Cinematography: Robert Richardson 
Editor: Thelma Schoonmaker 

Cast: Robert DeNiro, Joe Pesci, Sharon Stone, James Woods, Frank Vincent, Don Rickles, Alan King, Kevin Pollak, Pasquale Cajano, Richard Riehle, L.Q. Jones, John Bloom, Dick Smothers, Vinny Vella, Melissa Prophet, Bill Allison, Steve Allen, Jayne Meadows, Frankie Avalon, Jerry Vale, 

A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast-living and fast-loving socialite.


This movie is a grand opera. Though its stage seems grand, you can tell at heart it has a central story that is a drama. That concerns a core small group but their actions affect way too many for it to barely be noticed. It charts everyone’s downfall. As really the film is a tragedy.

It feels like it might pack too much into the story and take as it tries to be partially a history lesson. As well as tell a story to these particular characters and how their Affairs and behavior brought down or exposed the mafia in Las Vegas. 

Now while this film is epic and told In Quite the same way what makes it so strong and magical is how much in the small details everything feels right and paid close attention to. It might not be as satisfying a gangster film as his previous film GOODFELLAS, but this is more a tale of greed and corruption that happens to have gangsters in it.

Everything presented here is over the top, even the cast. Which is peppered with Las Vegas entertainers in various roles. As well as big names sprinkled throughout. 

The film stays true to the true story being told but also has many subplots that might seem like distractions at first but eventually come together to show that these minute seeming trivialities are what makes everything come together to a clash eventually. 

Sharon Stone has never been better than Playing ginger. The hustler wife to Robert DeNiro’s casino runner. At first idealistic beauty and then is slowly addicted to alcohol and drugs who proves to be a bad bet for him. Who has always been a winner and picked them and as soon as he gets involved with her. Slowly things begin to crumble due to excess and ego.

It has been a little too familiar for Joe Pesci playing a likable killer sociopath again who is as funny as he is scary. Even though a different temperament and Robert DeNiro is quieter and less violent a character but more know it. Whose ego is his worst problem.

While this film Shows how Las Vegas and the mob rules Las Vegas with an iron fist. So that the house always won. It also shows how things have changed over time and how drugs and morals began to affect everything. Went so far as to include an ending where at the time they show how my body Vegas has changed and that the time they ruled was the end of an era. Even if corrupt how much fun it was or could be.

This film is certainly a grand vision painted with a paintbrush of all colors. As cinematographer Robert Richardson seems to go all out with lenses, filters, scopes to emphasize how crazy and exact things were at the time. At that point usually worked for director Oliver Stone. This was his first collaboration with Martin Scorsese and it seems a match made it. Heaven especially with this tale.

Though for as big as the film is it couldn’t be told any other way. Even when it tries to stay on certain stories and characters it can’t help but give the audience the whole picture so that they can understand exactly what all went into actions and decisions. Even throughout the film the narration changes to certain characters, even minor ones to help explain situations.

The soundtrack almost runs over each other in the changing scenes, moods, and tones. Though always seem to be playing the right song and cue 

While not exactly a masterpiece this is a big picture. That is hard to describe but it has all the elements that are needed for a soap opera only here treated more seriously. Filled with flawed and shady characters where the only close to innocent ones are just less shady than others.

The film tries to show that not all that glitters is gold and even if you try and gold plate it the tarnish is never quite fixed.

GRADE: B

187 (ONE EIGHT SEVEN) (1997)

Directed By: Kevin Reynolds
Written By: Scott Yagemann
Cinematography: Ericson Core
Editor: Stephen Semel

Cast: Samuel L. Jackson, John Heard, Kelly Rowan, Clifton Collins Jr., Karina Arroyave, Tony Plana, Lobo Sebastian, Jack Kehler, Jonah Rooney, Method Man, Richard Riehle, Antwon Tanner 

15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim anymore.


This is the story of a man, a teacher pushed over the line. A vigilante tale that shows the bloody aftermath. Rather then it just solving everything. That revenge can make some things worse m. As there will always be someone else to take the place of the initial problem. 

It seems in the end all this was meant to teach his tormentors enemies a lesson. One way or another. To make characters who were actually willing to see past all of this and understand this is not a lifestyle.

By the end even in death, there seem to be everlasting enemies.

The film seems to want to make a point but by the end. The lesson seems kind of empty 

The film seems to have a dry and saturated style and film style. That keeps things interesting and vivid. At times it makes the look seem all the More desperate and offers a kind of stuck-in-the-dumps look for the character’s surroundings.

The film shows not all the Villains are criminals but also the so-called do-gooders. It plays it’s morality like a modern-day western. Where once the hero has let the villains get to him that he behaves like them he has been infected with their propensity towards violence and menace. While trying to show that some hope can grow in the middle of nihilism.

Though this is more of a character study with Star Samuel L. Jackson in the starring role. One of his first. It also is a character study of two characters bound to clash. As each raises the stakes against one another.

This also allows him to be an orator and raise his voice which is one of his strengths as an actor.

Though the film is filmed and treated more as a thriller. Most of the time it speaks more through emotions and moods rather than physical. 

This is one of the first movies where Samuel L. Jackson is in the leading roles. Which was one of the reasons at the time that inspired me to see it In Theaters on opening weekend. Where I ended up loving the style of the film but by the end felt mildly disappointed.

Here his character is ambivalent about the danger he faces from his students before he is actually attacked by one. He decides to relocate to what looks like another rundown urban school. Where things are on at first and even has a kind of blossoming friendship/romance until she sees his scars so that rejection eats at him couples with threatening and menaces at school all over again. Triggers him and when the principal is more screwed of being sued then protecting his staff. He feels that he so left with only one other option. 

The film also offers Karina Arroyave one of the biggest roles of her career. As most do her career before this film she had been playing small roles in these types of films where an educator makes a difference. (LEAN ON ME, STAND AND DELIVER) in smaller roles. Here she gets a string vulnerable role where she gets to make a mark as one of the mroe innocent characters. Where her character is treated mroe like property of the gang in a more sexual way. (This might be why as she in real life is older than her character but still looks young. Why she got the role instead of someone who might have been age-appropriate.)  In this battle fo wills between the teacher and Clifton Collins Jr. (in only the second I had seen him in a film) 

I remember him from his first role in THE STONED AGE and then an about-face in this film.  so just him  showing range in his first roles so early was impressive. As soon he would be all over the place in different roles though usually Criminals. Though none ever felt the same as the last. 

He has had a long career, sometimes he can be bland as in light it up where you expect him to do more as it I was one fo the roles he can do easily and bring Charisma maybe not his fault maybe the script or director’s fault 

One of the big calling cards of the movie’s promotion was the casting of rapper Method Man in the film. At the time he was the hot new rapper part of the Wu-Tang Clan at the time. Here he has a small cameo role in the film. The same thing happened when he was cast in the film COPLAND.

The last act of the film that is based around the movie THE DEER HUNTER. Is truly bonkers even as it tries to be run of the mill.

As this is a film that you can easily write off as simplistic or one-note as just another Vigilante thriller but the film is much more interested in the characters, motivations, guilt, and morality behind their actions and decisions.

This was also director Kevin Reynolds follow-up film to WATERWORLD. Where obviously he was trying to make a much smaller and more dramatic film. 

In The end, this comes off as the Los Angeles version of a street movie and a skewered look at the teacher who makes a difference genre. Showing more the dangers they face in the day today. 

Grade: C+

SPORK (2010)

spork

Written & Directed By: JB Ghuman Jr.
Cinematography By: Bradley Stonesifer
Edited By: Phillip J. Bartell

Cast: Savannah Sthelin, Sydney Park, Rachel G. Fox, Rodney Eastman, Beth Grant, Elaine Hendrix, Keith David, Yeardley Smith, Chad Allen, Richard Riehle

A colorful and foul-mouthed feature musical comedy. A film about a frizzy-haired, pink-cheeked outcast named Spork who is trying to navigate her way through the annals of junior high. When a school dance show provides a chance for Spork to show up a mean girls gang, her trailer-park neighbor steps up to coach her with some “booty-poppin” moves. Featuring a vintage ’90s soundtrack (that includes 2-Live Crew, JJ Fad’s “SuperSonic,” Dimples T’s “Get It Girl”), a score by Casey James and the Staypuft Kid; and extended school hall dance sequences, Spork is a film about standing out and fitting in.

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PEE-WEE’S BIG HOLIDAY (2016)

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Directed By: John Lee
Written By: Paul Reubens & Paul Rust
Cinematography By: Tim Orr
Editor: Jeff Buchanan 


Cast: Paul Reubens, Alia Shawkat, Richard Riehle, Leo Fitzpatrick, Brad William Henke, Robert R. Schafer, Stephanie Beatriz, Josh Myers, Diane Salinger, Joe Manganiello, David Arquette, Nicole Sullivan, Paul Rust, Lynne Marie Stewart

A fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny.

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LETHAL WEAPON 4 (1998)

lethalw4

Directed By: Richard Donner
Written By: Channing Gibson
Story By: Jonathan Lemkin, Alfred Gough & Miles Millar
Based On Characters Created By: Shane Black
Cinematography: Andrzej Bartkowiak
Editor: Dallas Puett, Kevin Stitt, Eric Strand & Frank J. Urioste 


Cast: Mel Gibson, Danny Glover, Jet Li, Joe Pesci, Chris Rock, Rene Russo, Kim Chan, Steve Kahan, Darlene Love, Richard Riehle, Mary Ellen Trainor, Ebonie Smith 


With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
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HALLOWEEN 2 (2008)

Robzombie

Written & Directed By: Rob Zombie
Cinematography By: Brandon Trost
Editor: Glen Garland & Joel Pashby
Music by: Tyler Bates 


Cast: Scout Taylor-Compton, Tyler Mane, Sherri Moon Zombie, Danielle Harris, Malcolm McDowell, Brad Dourif, Caroline Williams, Octavia Spencer, Margot Kidd
er, Richard Riehle, Sean Whalen, Brea Grant, Mary Birdsong, Angela Trimbur, Howard Hesseman, Duane Whitaker, Mark Boone Junior, Daniel Roebuck, Chris Hardwick, Weird Al Yankovich

Michael Myers is still at large and no less dangerous than ever. After a failed reunion to reach his baby sister at their old home, Laurie Strode is immediately taken to a hospital to be treated by the wounds that had been afflicted by her brother a few hours ago. However, Michael isn’t too far off and will continue his murdering ‘Halloween’ rampage until he gets his sister all to himself

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BODY OF EVIDENCE (1992)

bodyofevid

Directed By: Uli Edel
Written By: Brad Mirman
Cinematography: Douglas Milsome
Editor: Thom Noble 


Cast: Madonna, Willem Dafoe, Joe Mantegna, Julianne Moore, Anne Archer, Frank Langella, Stan Shaw, Richard Riehle, Michael Forest, Charles Hallahan, Mark Rolston, Jurgen Prochnow, Jeff Perry 


A millionaire is found dead of heart failure handcuffed to the bed with a home video tape of him and his lover. When cocaine is found in his system, and his will leaves $8 million to his lover, they arrest her on suspicion of murder. Her lawyer succumbs to her charms, and he begins a torrid and kinky affair with her. As new evidence turns up during trial, he begins to wonder if he’s defending a murderer.

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NOWHERE MICHIGAN (2018)

nowherem

Directed By: Robert Vornkahl
Written By: Andrew Beguin
Cinematography: Brian C. Harnick
Editor: Mike Api & Robert Vornkahl


Cast: Tequan Richmond, Jenna Boyd, Christina Scherer, Ashlie Atkinson, Richard Riehle, Seth Kirschner


David is fleeing from a murder, a pair of deadly con-men, and is inadvertently toting a bag full of crystal meth and cash with him. On the run, he ends up in a small, frozen, nowhere town in the heart of the Upper Peninsula of Michigan.

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