THE LAST RUN (1971)

Directed By: Richard Fleischer 

Written By: Alan Sharp

Cinematography: Sven Nykvist 

Editor: Russell Lloyd 

Cast: George C. Scott, Trish Van Devere, Tony Mustane, Colleen Dewhurst, Aldo Sandrell, Robert Coleby 

A former getaway driver from Chicago has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous crook and his girl-friend to France. However, the job turns out to be a double-cross and the trio are pursued back to Portugal where they make one last stand on the coast while the enemy assassins attempt to gun them down.

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This might seem typical for its time period. A getaway driver working on his last job after a semi retirement while it has its fair share of car chasing action sequences this film actually seems a little bit more existential.

Though this film had a lot going on behind the scenes. As originally it was set to be directed by John Boorman, until he and Scott disagreed on the script and then John Huston was brought into direct and filmed a few days before him and Scott’s arguing got so big and constant that he quit the film. Usually about the screenplay. Then finally Richard Fleishser was hired to direct the film but, as he was not considered an auteur as the other directors before him. He was never given Final Cut.

The other piece of trivia about this film is that this film spelled the end for his marriage to Colleen Dewhurst. As he met and fell in love with his co-star Trish Van Devere on this film and married her a year later. She wasn’t even the first choice of leading lady. Original director John Huston had hired another actress and Scott and him fought over re-casting the female lead and ended up with Van Devere. So that the relationships his character has with these two ladies on screen, mirrors his personal life in real life at the time.

So that this film is almost like George C. Scott’s. Person of THE GETAWAY in front of and behind the scenes.

That is pretty much said by the end of the film. As Scott’s character is pretty much almost a ghost having a last hurrah on a mission that he knows isn’t necessarily gonna be a suicide mission, but suspects that it might be and this is really the only time where he feels alive on the edge as the desire for survival awakens him, even though he’d rather be dead, especially after losing a child. 

there are points in the story where he could survive and surrender to romantic delusions of the safecracker who he busted out of jail girlfriend as a safe cracker seems to be pretty much a career criminal and wants to be one who idolizes the lifestyle, but is sloppy and not exactly respectful and see George C.  Scott’s character more as ancient and on his way out whereas himself he is one of the new players

Throughout the film, there are constant double crosses, triple crosses, and surprises that keep the story lively, but the film is strangely a lot more greedy and grounded than expected even with international localales 

The film has very few cast members and stay small scale, but feels bigger than just the story it’s telling. It feels more soulful than it should and one wonders is it the script or is it the cast under the direction of Randall Fleischer?

As the director adds plenty of great visuals, but it’s the performance is that really ground the film and make it more noteworthy and effective than expected 

Grade: B 

MR. MAJESTYK (1974)

Directed By: Richard Fleischer 
Written By: Elmore Leonard 
Cinematography: Richard H. Kline 
Editor: Ralph E. Winters 

Cast: Charles Bronson, Al Lettieri, Linda Cristal, Lee Purcell, Paul Koslo, Alejandro Rey, Frank Maxwell, Jordan Rhodes 

Vietnam veteran Vince Majestyk just wants to grow his watermelons and live in peace on his farm. But the local mob boss has different ideas. When his workers are threatened Mr. Majestyk decides to lend them a hand but then the wrath of the mob is turned onto Mr. Majestyk himself. The poor mobsters don’t stand a chance.


This is an infamous Charles Bronson starring film that I am only recently catching up with and I can see why the film has such a following.

It is one of the better Charles Bronson films. As it is is again him versus the mob this time or at least a gangster/hit-man 

As usual Charles Bronson comes off as a more stiff, cheaper Clint Eastwood. This film was originally written for by Elmore Leonard not based on any of his novels. 

When we are introduced to the character we learn he is a decent man, when he sticks up for Mexicans to use the bathroom at a local gas station. As well as him exuding a tough center.

The first half of the movie really moves and feels exciting but the second half slows down. As we are forced to wait for things to build up for the finale. While impressive isn’t quite the scope we are hoping for.

As far as the action even though it is violent and full of car chases. It also gives off a western vibe where men are men. There are bare-fisted fights and shootouts and a sense of honor and over-the-top revenge for a slight.

It also doesn’t help that the main character is so single-minded. That for a character who seems smart and intuitive to continuously make mistakes. Where we know there will be hell to pay for and he seems shocked when it does happen. 

Even when he is in jail and doesn’t recognize the hitman and keeps bothering him for food and smokes and then his questionable plan after he escapes with him. 

At least the film set’s up more of a surprise villain than the original one we thought he was going to have to deal with, who came off less as a menace than an annoyance. 

Al Latteri is the main villain as when he shows up in a movie you know there will be trouble. Was kind of hoping that there was going to be a switch and that even though he looks like he might be an ally. But now he is his usual and as always impressive and repulsive in the role.

One wishes the females had more to do on screen as Linda Kristal who plays Bronson’s kind of love interest tries to help but even though written strongly and played strongly. The film still relegates her to the background and Lee Purcell the HITMAN’S Girlfriend is so prim and proper who Carries a Bible that you wonder how they got together and while those details could have led to an interesting story. She is more fully dressed eye candy and the villains are the same.

It also makes you wonder why such a high-priority criminal would be locked up in such a small town. 

The film plays pretty basic or how you expect it to. Though Charles Bronson’s character is such a gentleman to most that even when he goes to the general store and is speaking to the cashier there is a sweetness and charm that shows through. That shows the little piece of the humanity of the character and the chink in the armor of Charles Bronson in general that he seems to rarely want to show or play. It’s those moments that make the film a little different or give it humanity. 

Sure we have seen this type of film before and might expect someone like Steve McQueen to play In it. I’m not saying this one is better or worse than any other but it is quite entertaining and one of the better Bronson films I have watched, short of his known classics, such as THE DIRTY DOZEN or THE GREAT ESCAPE. This film shows why he is a screen legend and the types of roles he is known for 

Grade: C+