ARGYLLE (2024)

Directed By: Matthew Vaughn 

Written By: Jason Fuchs 

Cinematography: George Richmond 

Editor: Lee Smith, Tom Harrison-Read and Col Goudie 

Cast: Bryce Dallas Howard, Sam Rockwell, John Cena, Henry Cavill, Catherine O’Hara, Bryan Cranston, Samuel L. Jackson, Sophia Boutella, Rob Delaney, Ariana Debose, Richard E. Grant, Dua Lipa 

A reclusive author who writes espionage novels about a secret agent and a global spy syndicate realizes that the plot of the new book she’s writing starts to mirror real-world events in real time.


Watching this movie, one constantly is wondering is this supposed to be a parody, spoof or do they honestly expect us to think of it as an action-comedy. Unfortunately, by the end that question is never answered. It is obviously supposed to be based on spy novels and espionage stories. More the fanciful ones that take place in movies and fantasy. Rather than the Tom Clancy para-military and political type stories.

As The scary part is that if this film came out in the early 2000’s. it might have to be considered  of as stylish and be thought of as smart. This plays like more like THE AVENGERS (the classic British show) as there is a lot of spectacle. But not much sense to follow. Which is why one wonders what exactly is it trying to be or aiming for. Maybe as it comes across more comic book like and goofy than anything else. 

I would say this is a perfect Netflix movie, but it looks way better and doesn’t rely on so much green screen or a muted look. It’s actually colorful and you can see the budget onscreen. 

With all the dancing involved I believe this role was specifically written for Sam Rockwell. As that is something that he is known to with his characters on screen. Though the role he plays here feels familiar. As he played a similar role in the movie MR. RIGHT. As he can do action and seem like a more deranged comedic character.

The joke here is that he doesn’t seem like an action hero type. Just as lead Bryce Dallas Howard doesn’t usually come across that way. Not quite as the sexy seductress. Though by the end you beleive or at least are forced to. Though the film doesn’t embarrass them. 

as that seems to be one of the films aim, whereas in the fantasy, we see more of the type of actors we would expect to play these types of roles effortlessly, but in the reality we get more stunt, casting or miss casted actors who are the real life counterparts and the leads of this film so it seems a little bit more often comedic watching them do action sequences, and thriller situations

The film unfortunately gets more ridiculous as it goes along and more confusing. As it keeps building where the film doesn’t even necessarily know if it all makes sense. As the film is trying to keep topping itself with surprise, after surprise after surprise and then many twits, double and triple crosses. Although it seems to want to have a. ROMANCING THE STONE vibe. Done better in films such as THE LOST CITY 

it seems practically to be a reunion for director Matthew Vaughn and some cast members, like Samuel L. Jackson and Sophia Boutiella, but it still didn’t need to be this long. 

It’s also hard to take the film too seriously. When there are comedic actresses like Catherine O’Hara playing someone dangerous.

By the end Dua Lipa’s cameo is the only thing interesting, entertaining or dazzling in this film overall. Other than some nicely choreographed and lit action sequences. That deserve to be in a better movie. 

Even The ending makes no sense. As it is shocking this was not only supposed to be the first in a trilogy, but also supposed to be interconnected with the Kingsman franchise also directed by Matthew Vaughn. 

So while throughout the film looks gorgeous. It just feels kind of misdirected like someone who doesn’t know how to do comedy trying to make one but knows how to do. The action sequence is really well and it’s a shame I was really rooting for this film.

Grade: D+

THE HITMAN’S WIFE’S BODYGUARD (2021)

 Directed By: Patrick Hughes 
Written By: Brandon Murphy & Phillip Murphy 
Based On Characters Created By & Story By: Tom O’Connor 
Cinematography: Terry Stacey 
Editor: Jack Hutchings & Michael J. Duthie

Cast: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Frank Grillo, Antonio Banderas, Tom Hopper, Caroline Goodall, Richard E. Grant, Morgan Freeman, Alice McMillan 

The bodyguard, Michael Bryce, continues his friendship with assassin, Darius Kincaid, as they try to save Darius’ wife Sonia


This is a movie that seems rushed to make money off the surprise hit of the first film and this time offers more Salma Hayek that the first film. Where she was a memorable supporting character.

This film offers a lot more of her including in her low-cut outfits and even a sex scene that is more comedic than sexy. Though the film gives her a chance to shine. 

The film is more aimed at being a comedy with action in it rather than the other way around and as hilarious as the film is you never take it seriously and just try to have fun. As much as the cast seems to be having.

This film offers up recognizable cast members new to the franchise in surprising supporting roles. Though luckily it seems as soon as they wear out their welcome they either disappear or are dispatched. 

They try to sideline Ryan Reynolds a little. as once again his character is going through confidence problems and here he has decided to not be violent throughout. He is involved in the action sequences. As more the straight man who keeps getting punished violently while all around him kill and fight. Which might be to make room for Salma Hayek to have more to do and be part of the action. He for the most part is abused throughout 

What works for these films is that while they are silly and quite stupid. They stay entertaining and are never boring and come off as guilty pleasures more than anything else. Especially by the end which is just ridiculous.

These films feel like the CRANK movies only not as over the top, campy or low brow. They are dirty And they all feel like they have the energy of an energized bunny or play out like violent love action cartoons more than anything anyone can really identify with. 

Grade: C+

READY TO WEAR (PRET-A-PORTER) (1994)

Directed By: Robert Altman 
Written By: Robert Altman & Barbara Shulgasser
Cinematography: Jean Lepine & Pierre Mignot
Editor: Suzy Elmiger & Geraldine Peroni

Cast: Julia Roberts, Tim Robbins, Marcello Mastroianni, Sophia Loren, Lili Taylor, Forest Whitaker, Richard E. Grant, Rupert Everett, Kim Basinger, Sally Kellerman, Tracy Ullman, Lauren Bacall,  Linda Hunt, Stephen Rea, Ute Lemper, Lyle Lovett, Teri Garr, Danny Arielle, Jean-Pierre Cassel, Amouk Aimee, Chiara Mastroianni, Rossy De Palma, Michel Blanc, Jean Rochefort, Francois Cluzet, Sam Robarbs, Georgianna Robertson 

A fashion show in Paris draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Lots of unconnected stories which all revolve around this show, and an all-star cast.


This was my third official Robert Altman movie to see. Though unfortunately not in a row. I remember the film having a successful music video and soundtrack before it even came out. Unfortunately the movie didn’t match the soundtrack’s success. That included the hit single “HERE COMES THE HOT STEPPER” 

After the success of THE PLAYER it seemed like Robert Altman was having a comeback and he wanted to take on another world/culture. His last film was SHORT CUTS and that was more interlocking stories then taking a look into or try to dismantle another popular subculture from the inside. That was more foreign abs international but also glamorous.

Allowing him to use his dual methods of ensemble casts. Where even though the actors are playing characters here it feels more like an out and out comedy. So they are all over the top. Not as serious, nor are there any serious moments throughout. 

It might be understandable him taking on this movie after the more serious and sad SHORT CUTS, but while this is more lighthearted it also is a challenge. As this would be his most mainstream film in a while. As he was taking on a subject that was very popular and most audiences might not be used to his films and their outlook. 

This film is set in that world of fashion to tell ongoing stories and big inertia where the characters cross paths. All in all, it stays humorous with Kim Basinger playing an on air television reporter. Who comes in and out to explain certain relationships but is clueless about fashion. So that it feels like a replay of the reporter in the film NASHVILLE.

The film ultimately never encapsulates any meaning or why we are so enraptured by the glitz, glamour and celebrity of the fashion world. So that in the end it comes across as misguided and empty as the world he is capturing. As fashion constantly reinvents itself. It proves there are No rules and seemingly no depth. Not to mention watching this film feels dated. It’s very episodic. 

Marcello Mastroianni and Sophia Loren get to reference classic scenes and relationships from their career and previous collaborations and give a scene where you believe they are remaking a classic moment only for it to end with a joke. 

Which is pretty much the mood of the film. As all plots and stories seem to end in that kind of manner. 

The film’s cast as usual is filled with stars. The biggest of whom seem here in an unneeded story but help make it more commercial. As Tim Robbins and Julia Robert’s seem stuck here in a bad afterthought of a romantic comedy plot line.

This film seems to find Robert Altman riding his high horse. This film goes for more populism but leaves viewers puzzled. As it is more artistic and voyeuristic than plotted.

This film is like a bunch of short stories stretched over fashion week. 

The film is flashy and appeals to itself but ultimately is frustrating, especially with all the talent involved. Where you are left to wonder what could have been. 

Everyone is well dressed but we are left as confused as Kim Basinger’s reporter. Where we wonder what this was all about. 

It seems like the director was unfocused but having fun. Filled with recognizable names, good actors, supermodels and models of the time. Where the film feels flirtatious as it always has a wink to give off 

Can’t tell if the film was rushed or cut together fast with a murder mystery in the middle that largely takes a backseat or is forgotten. Ultimately the film comes across as a farce. That feels like it is being made up as it goes along. Though with a stylish hand guiding it. Who leaves to perplex the audience. 

Grade: C+

THE HITMAN’S BODYGUARD (2017)

hitmans

Directed By: Patrick Hughes
Written By: Tom O’Connor
Cinematography By: Jules O’Loughlin
Editor: Jake Roberts 


Cast: Samuel L. Jackson, Ryan Reynolds, Salma Hayek, Gary Oldman, Elodie Yung, Joaquim De Almeida Richard E. Grant 


With his reputation in tatters after a painfully unsuccessful delivery of a distinguished Japanese client, former triple-A executive protection agent, Michael Bryce, two long years after the disgraceful incident, is now reduced to a mere second-class bodyguard for hire. Under those circumstances, Bryce would do anything to prove his worth once again, and as a result, it won’t be long before he accepts an offer from Interpol to escort the renowned international assassin Darius Kincaid from Manchester to the Hague. The task seems simple: Bryce only needs to transport the contract killer from point A to point B, nevertheless, Kincaid, as the only one with the guts and enough hard evidence to testify against a tyrannical Belarusian dictator, is an obvious target, while the trip to the Netherlands is long and hazardous. Without a doubt, this a race against the clock as the mismatched duo will have to put aside their grudges, in a non-stop concerto for bullets.

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