IN FABRIC (2018)

Written & Directed By: Peter Strickland 

Cinematography: Ari Wegner 

Editor: Matyas Fekete

Cast: Sidse Babett Knudsen, Marianne Jean-Baptiste, Julian Barrett, Steve Oram, Richard Bremmer, Fatma Mohamed, Gwendoline Christie, Hayley Squires, Jaygann Ayeh 

In Fabric is a haunting ghost story set against the backdrop of a busy winter sales period in a department store and follows the life of a cursed dress as it passes from person to person, with devastating consequences.


Visually stylish, surreal, and fashionable. 

I wanted to like it more than I actually did. I adore the director Peter Strickland and this seems like it should be a slam dunk.

As it has its peculiarities it ultimately seems to Try for the director to be too mainstream. Which seems to either dull his impulses or feel like he is holding back. While offering quite a visual feast.

The film feels enriched more like literature. It feels like a truly dark fairytale.

As it tries to say something more Than it is letting on. As an object leads to the owners of it unraveling. After They have never felt more beautiful or special. It’s downhill from there literally.

The film does offer a sense of humor and is self-referential. It also seems to be bizarre at times with little or no real reason. It just wants to be that way. 

In the end, the film seems to be about obsession and fetish. How obsessions with objects can become all-consuming and eventually destroy us. 

Literally, this plays like a storybook. That by the end feels like nothing. As it leaves us with little to care about and still confused. There is not too much to take away from it or the experience.

Grade: C

FLUX GOURMET (2022)

Written & Directed By: Peter Strickland
Cinematography: Tim Sidell
Editor: Matyas Feketem

Cast: Makis Papadimitriou, Fatma Mohamed, Asa Butterfield, Ariane Labed, Gwendoline Christie, Richard Bremmer

Set at an institute devoted to culinary and alimentary performance, a collective finds themselves embroiled in power struggles, artistic vendettas, and gastrointestinal disorders.

This feels like almost self-parody and wanting to say something about artistic institutions.
Though it almost feels that with each new film Of Writer-Director Peter Strickland. He goes step by step away from conformity and genre with Jisnfilms and into his own interests and inspirations showing himself to be a true auteur with any care to please his audience

As his films are always visually Stunning and captivating as far as production especially when it comes to surreal visions and the same Goes along with costuming

Whereas previous films seem to take aim at breaking down genres. This film Feels like a satire and exploration of the artistic creation of his own imagination. As at least this is captivating instead of confusing even if only visually and thematically

It is always a film That will Appeal to Or repulse the senses. Also offering a look at the absurdity of it and creation and expressing it. So beautiful that the Film Looks like it is Constantly Taking Place during a photoshoot.

I Don’t Understand what was going on half the time but I liked it and its Visuals if looking for some sense exactly This might not be the Film For you.

The power struggles involved in collaboration the drama inside of it and how your creation is perceived by the outside world as well as directing and guiding it For the best way for it to be remembered.

How Much even when you Investigate and try to examine the art or get to the heart of it. how easily it can be pulled into the creation and become a part of it. As you have input me can help shape it even just by being a witness and spreading the word about it affecting its development

As journalists can do in profiling a celebrity becoming Part Of Their Lives for Short Periods of Time but still having that experience and bonding for short periods of time. Persuasions participation, Now even when trying to be a fly On the wall and just document you Can’t help But be pulled into the orbit and be part of that universe

Where the Audiences appreciation and feedback we barely get Glimpses of and are more like a sexual orgy. Getting more and more absurd, not as strictly Over the top comedy, but more detached and obscure as it Goes along even as we learn more information about everybody.

Though constantly Stays avant-garde and close To its art-house roots

The film Almost Feels Like a chronicle of a band at each other’s throats as they try to make their next album and all The fears coming to a head during the process, especially when trying

To work It out with others you know so well and need one another but also desire space though feel like you are the only ones who know and understand one another.

Done it plenty of times but this time feels different and somehow more important. Always on the edge of the perverse and even fetishism

Just as the head of the institute comes across as either the Producer or record exec trying to shape the product and collective themselves while Trying To Be part of the creative process thing offering nothing of more creatively and if anything trying to water down or Make it

More accessible which goes against everything the collective seems to be about. Even if it means using seduction to get insider information and flip a member to have a person on the inside and being able to use them To spread their influence.

Each act seems to focus on a different member of the group or so it would seem as one character barely Gets center stage but is always shown and in the background and the character who seems to Come To More Prominence in the second act soon seems To be a major focus event high in the front act barely Spoke

Though the third act is the shortest maybe it makes sense that the character who It seems To focus on feels underserved throughout but is the glue practically the middle child Also the most Melodramatic. While the doctor represents the old-school Patriarchy.

The filmmaker Exerts himself as a filmmaker of His own unique vision and view.

How in art you Seem To reveal Yourself though only when it feels Personal do truly Realize maybe you revealed too much or See how Power and jealousy are at the heart of everything

Cooking Food Is its Own Art It takes Steps In the form Of Recipes and you are always struggling to get it right and is Essential in survival and is used by most as an expression of Care for health. Yet also is A process in which someone can be kissed and can mean something to so Many Others who follow and Look at it for insight.

You Can Also look at it as an examination of the relationship between the artist, the enthusiastic backers and Money men, fans, critics, and The Audience

High concept and our reporter man on the inside all of this half the time Of more insight into his farts and stomach problems rather than exposing his findings.

This film Was definitely an experience. Where it makes little sense to me. Though I admire the craft & stays interesting. Peter Strickland goes more into his artistic interests and visions. I look at this as a film about creation. Almost like a band trying to finish an album and what they have to face to finish. To truly reach their artistic vision and breakthrough

A movie only director Peter Strickland could make, sticking to his vision, interests, and instincts. Displaying his talent and unwavering in his direction. Even when it seems the film will go for conventional methods, it resists. Though dealt with seriously the film can be seen as a comedy of sorts. It’s not vague but has many ways of looking at it and finding definition in the details

Grade: B

CONTROL (2007)

CONTROL

Directed By: Anton Corbijn
Written By: Matt Greenhalgh
Based On The Book By: Deborah Curtis
Cinematography By: Martin Ruhe
Editor: Andrew Hulme
Music By: New Order 


 Cast: Sam Riley, Samantha Morton, Alexandria Maria Lara, Joe Anderson, James Anthony Pearson, Harry Treadaway, Toby Kebbell, Andrew Sheridan, Richard Bremmer

Ian Curtis is a quiet and rather sad lad who works for an employment agency and sings in a band called Warsaw. He meets a girl named Debbie whom he promptly marries and his band, of which the name in the meantime has been changed to Joy Division, gets more and more successful. Even though Debbie and he become parents, their relationship is going downhill rapidly and Ian starts an affair with Belgium Annik whom he met after one of the gigs and he’s almost never at home. Ian also suffers from epilepsy and has no-good medication for it. He doesn’t know how to handle the feelings he has for Debbie and Annik and the pressure the popularity of Joy Division and the energy performing costs him.

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