LETHAL WEAPON 4 (1998)

Directed By: Richard Donner

Written By: Channing Gibson 

Story By: Jonathan Lemkin, Alfred Gough, and Miles Millar 

Based On Characters Created By: Shane Black

Cinematography: Andrzej Bartkowiak

Editor: Dallas Puett, Kevin Stitt, Eric Strand and Frank J. Urioste 

Cast: Mel Gibson, Danny Glover, Jet Li, Rene Russo, Joe Pesci, Chris Rock, Kim Chan, Steve Kahan, Darlene Love, Traci Wolfe, Eddy Ko, Jack Kehler, Richard Riehle, Michael Chow, Roger Yuan, Mary Ellen Trainor 

With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders from prison and onto American soil.


This is the only lethal weapon movie so far that I have seen on the big screen. 

While satisfyingly, it closes out the franchise with a message of familiarity. This is definitely the most formulaic and cartoonish of the series. it feels like they are just adding things to make it relevant the formula, familiar and add some flavor so that the film comes fresh

The film also represents the aging of the characters as it shows Mel Gibson‘s character Riggs to have more weaknesses, and not be as sharp and invincible as he used to be . As well as becoming a new father and having a wife, which would actually give him more weaknesses than he is used to. In fact they are so much older that half the time they have to use laser pointers to aim their guns in a target.

Chris Rock seems out of place and thrown in here as he was a hot ticket at the time and added to help with the office and put butts in seats and give it some more flair with a side story is hard to believe and just adds to a sitcom sense of discovery And off-color humor. As he is barely in any of the scenes where action takes place.

Which kind of force is Joe Pesci’s character of Leo gets out of the picture as the main comedic relief though he is still here, and in the end is a dramatic moment, though he does actually have the best chemistry with Chris Rock throughout the film

Again, like the last film, this plays more comedic than dangerous or even action oriented as again this is more of a comedy with action in it. It seems like the first half of the series was more action with comedy. This half is more comedic with action sequences. 

The one addition that does make this film, memorable and come alive is Jet Li, as he is exciting as a villain, but other than his action scenes, he is left with nothing to do, though, is a good distraction, and a perfect adversary for Mel Gibson’s character (which with his gruff and viciousness in the past. You can see why fans at the time wanted him to play Wolverine if they ever made an x-men movie) and he actually wins most of the time in the fights on screen, as he truly comes across as invincible, almost like a machine with the speed of his moves Where you do wonder, how are they going to defeat this guy and with him.

I hate to say it, but he is really one of the only reasons to watch this film to see him in action. As this serves Moore as his introduction to Hollywood and a great showcase for him to star in action films, though this film managed to capture him unlike his other American or Hollywood films where he just seems so amazing vicious the only one that comes close that I can think of is unleashed, which also goes by the title Danny the dog

The comedy is just too broad and damn near almost takes over. Just as this film is definitely far from how dangerous Riggs his character was he was unpredictable and crazy. Now he’s still a little crazy yet more careful, and is showing his age. Though still manages to have a memorable chase sequence on the highway.

Just like the previous films, this film has at least one memorable action sequence, and a separate character scene that endears it and makes it can.

Though this film will certainly have a nostalgia and sentimental factor for those who are fans of the franchise and characters. As this Is their last hurrah together. Especially with the passing of directior Richard Donner. 

Grace: C

LETHAL WEAPON 3 (1992)

Directed By: Richard Donner 

Written By: Jeffrey Boam and Robert Mark Kamen

Based on characters created by: Shane Black

Cinematography: Jan De Bont

Editor: Battle Davis and Robert Brown 

Cast: Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Stuart Wilson, Nick Chinlund, Alan Scarfe, Mark Pellegrino, Sven-ole Thorson, Miguel Nunez Jr., Paul Hipp, Stephen T. Kay, Delores Shell, Steve Kahan, Traci Wolfe, Damon Hines, Ebonie Smith, Mary Ellen Trainor

Archetypal buddy cops Riggs and Murtaugh are back for another round of high-stakes action, this time setting their collective sights on bringing down a former Los Angeles police lieutenant turned black market weapons dealer. Lorna Cole joins as the beautiful yet hard-nosed internal affairs sergeant who catches Riggs’s eye.


This was my introduction to the movie franchise. Which, for a time, was truly dyslexic, as I never watch many franchises in order. Though at least watching this film pieces of the puzzle come together. As I had seen the previous two movies, in pieces. just never all the way through. Until after seeing this one which made me wanna go back and finally actually watch the first two films’ info.

Having seen all of the movies, I have to say that disappointingly this film doesn’t advance the characters. It kind of lets them stay the same and maybe review or remind the audience of the death of their friendship at this point, as partners. 

It feels like it’s trying to be contemporary. It still feels a little bit like a throwback just following a formula. I mean just look at Joe Pesci‘s Leo character who is now a bottle blonde with a crew cut. Also, the introduction of hollow point bullets known on the streets as cop killers, feels like something taken from the news reports of an escalating danger.

Don’t know if the cliché came first or if this helped create them as throughout the formula, feels like a sitcom, almost that Hass to hit certain beats, and show certain scenes and behavior of characters. At least in the previous films, we were getting to know or learn about the characters and see how their partnership developed here we just assume they’ve had a kind of standstill, and it is expected

It’s a film where you don’t really feel any suspense. Just can’t help but seem familiar.

As my first LETHAL WEAPON film, it was exciting and new though it didn’t offer anything I hadn’t seen before. The quality kind of dips in quality in comparison . as if not for the foul language and violence, could’ve easily been a typical PG-13 film as it is definitely made for an audience more than anything. There is no need truly for this film other than for the studio to need money.

Unfortunately, this was a sign of the beginning of the end that felt fun, but a minor effort as there was one more sequel after this.

In serious scenes, the actors seem more silly than serious, except for the chase scene through the subway. That might be one of the film’s main problems is that it plays like a comedy with action in it rather than an action film that happens to have funny moments it’s not as vicious as the previous films either 

Watching this film, one’s favorite pastime might be noticing how many times Mel Gibson slips out of his American accent to his more natural Australian one. this film is also the first where Martin Riggs, Mel Gibson’s character, isn’t as scary or dangerous. He’s actually mellowed.  

Another Hallmark of this franchise, this one just seems to color in the lines, but offers nothing new, just adding an addition to the overall picture that wasn’t necessarily needed, but isn’t that bad? No, I will say it’s the last classic of the old-time sequels as the next film part four comes across as more cartoonish.

The franchise is familiar enough, so this is almost like just another episode, but lacks the stakes of the other films. It does offer as it adds a character, just as part two introduced us to Joe Pesci Leo Getz, who became a fan favorite enough that he returns for the remaining sequels here, Renée Russo’s character, is introduced, and ultimately stays and survives so that Riggs finally fall for and keeps a love interest.

The film offers a crafty, smart villain that makes his mark but alas, slimy doesn’t have as many memorable scenes, acts, or punch lines as previous villains.

The teenagers with the guns and ammo who are supposed to be part of this gang that hits close to home for Danny Glover, Roger, as one of them has a connection to his son. Nick feels thrown in to give Danny Glover a dramatic second act so that he can make a return, triumphant in the third act.

The film doesn’t offer anything new nor for the characters to do as the first two films did. The violence seems much lighter and less severe than in the first and especially the second film.

It seems like they are supposed to be homicide detectives, but they seem to get involved in every other type of case.

This franchise is one of the last where you can check your head at the door and be purely entertained and feel like at least you were served something well-cooked. Though in the end the film and franchise are meant to be entertainment above all else 

Grade: C+

TWO FOR THE MONEY (2005)

Directed By: D.J. Caruso
Written By: Dan Gilroy
Cinematography By: Conrad W. Hall
Editor: Glen Scantlebury

Cast: Al Pacino, Matthew McConaughey, Rene Russo, Jaime King, Armand Assante, Jeremy Piven, Ralph Garman, Gedde Watanabe, Carly Pope

Brandon Lang loves football: an injury keeps him from the pros, but his quarterback’s anticipation makes him a brilliant predictor of games’ outcomes. Needing money, he leaves Vegas for Manhattan to work for Walter Abrams advising gamblers. Walter has a doting wife, a young daughter, and a thriving business, but he has problems: a bum heart, a belief he’s a master manipulator, and addictions barely kept in check. He remakes Brandon, and a father-son relationship grows. Then, things go awry. Walter may be running a con. The odds against Brandon mount.


This film feels like a classic Don Simpson/Jerry Bruckheimer film of the 80’s. Where they try to jazz up a subject that they over produce and make everything about the subject wise, spiritual and artistic. A way of life that at any moment can bring life or death. The subject here… Professional sports betting. So it ends up being Much ado about nothing. Though it makes it feel like it’s important what we are watching.

Based on the true story of Brandon Long.

The film is so far-fetched, but at times wants you to take it very seriously there’s no real stakes. Though the film tries to make the audience feel like there are big ones. As there is no real plot. There is a story, but not much. It’s just ridiculous while taking itself so seriously.

I give Matthew McConaughey credit for momentarily at the time breaking out of his usual romantic comedies to try something that requires a little more skill. Before he broke out more majorly around 2012. Too bad this dramatic material isn’t any better than the films he was starring in at the time. By rest assured the film still finds a reason to have him half naked half the time. Because other than being a genius bookie. He is a workout fanatic.

Though it has plenty of scenes showing Matthew McConaughey working out intensely that has nothing to do with the story. It’s a nice character trait, though we don’t really need as much time devoted to it. Though I suspect this was a way to cross promote the film to McConaughey’s heavy female fan base

This is the classic formula boy is talented he is taken to the dark side under the wings of a hero. Gets cocky takes a fall. Fights his way back up. The only thing missing is he doesn’t meet a girl and fall in love. Which gives him his confidence back instead on his own. Instead of through the love Is a good woman. Here he sleeps around (giving us again a bunch of scenes for him to have his shirt off with some day player actress/model who matches him in good looks) flirts with his mentors wife. Who gives him the good advice he needs in a more mothering nature. Since it’s Rene Russo and she Is top billed I am guessing that is why there is no real love interest. She plays that role without being physically intimate at all. It might be also because Rene Russo’s husband, Dan Gilroy, wrote the part of Al Pacino’s wife Toni especially for Russo and tailored it to fit her perfectly. He even used Russo’s real-life sister’s name Toni as the name of the character.

Al Pacino plays his mentor in his unfortunately now typical overacting and distracting hair and histrionics in his performance, but still gets the best one liners. He is not as embarassing here as he can be in other films.

The way the film was advertised is like this was going to be the dramatic team-up we have been waiting for PACINO – McConaughey when I think of good, possibly legendary dramatic actors to star in a film together those names don’t belong there. More so now that McConaughey has an Academy Award and accolades and is earning a more respectable pedigree due to the material he chooses to be in. But at the time he didn’t have any of that. In this film at the time, I could see If, Pacino was matched with Edward Norton or Johnny Depp even Matt Damon. Who at the time I would believe would have turned this popcorn time waster down. Though it shines a point that at the time when 2 stars were in a film together they played up that fact. Now that more and more co-star usually in superhero movies it seems more expected or not as much a spectacle as it once was.

It’s a shame that I like director DJ Caruso I loved his film THE SALTON SEA, but he hasn’t really made a film as original or noteworthy between this, DISTURBIA and EAGLE EYE. This film seems like a day job for him. No excitement no enthusiasm not flair. Any director could have made this film. That is how impersonal it feels

It’s a film that would have been hot in the 80’s well-remembered and not know why they like it so much, but for some odd reason do. Sort of like DAYS OF THUNDER. If you were to really examine it you would realize how bad it is. This film would fit right in as It seems to believe and exploit what was big and popular especially the attitudes of that time.

The film does have a lot of gloss. It’s shiny and pretty. This gloss is The kind of thing that is used to cover up mistakes or cracks in something or to hide Certain things, like the fact of how bad this movie is. They try I use foundation to cover up its blemishes, That if you look close you can see.

if you must see it please wait for television.

Grade: D

LETHAL WEAPON 4 (1998)

lethalw4

Directed By: Richard Donner
Written By: Channing Gibson
Story By: Jonathan Lemkin, Alfred Gough & Miles Millar
Based On Characters Created By: Shane Black
Cinematography: Andrzej Bartkowiak
Editor: Dallas Puett, Kevin Stitt, Eric Strand & Frank J. Urioste 


Cast: Mel Gibson, Danny Glover, Jet Li, Joe Pesci, Chris Rock, Rene Russo, Kim Chan, Steve Kahan, Darlene Love, Richard Riehle, Mary Ellen Trainor, Ebonie Smith 


With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
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VELVET BUZZSAW (2019)

velvetbuzz

Written & Directed By: Dan Gilroy
Cinematography: Robert Elswit
Editor: John Gilroy 

Cast: Jake Gyllenhaal, Zawe Ashton, Rene Russo, John Malkovich, Tom Sturridge, Toni Colette, Natalia Dyer, Daveed Digs, Billy Magnussen 

A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.

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THOR (2011)

thor-2011-movie-01

Directed By: Kenneth Branagh
Written By: Ashley Edward Miller, Zack Stentz, & Don Payne
Story By: J. Michael Strazynski & Mark Protosevich
Based on the Comic Book By: Stan Lee, Larry Lieber & Jack Kirby
Cinematography: Haris Zambarloukos
Editor: Paul Pubell 

Cast: Chris Hemsworth, Tom Hiddleston, Natalie Portman, Anthony Hopkins, Rene Russo, Idris Elba, Kat Dennings, Stellan Skarsgard, Clark Gregg, Colm Feore, Ray Stevenson, Jaime Alexander, Adriana Barraza 

The reckless Thor, son of Odin, challenges his brother Loki’s claim to the throne of Asgard. To teach him humility, Odin casts the young warrior down to Earth to live amongst humans. Robbed of his powers, Thor falls in love with scientist Jane Foster. While Loki usurps the throne of Asgard for evil gain and plans revenge, Thor’s love for Jane and his lessons of humility turn him into the true hero and legendary and immortal warrior-defender of the people of the Earth, saving them from destruction.

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THE INTERN (2015)

theintern

Written & Directed By: Nancy Myers
Cinematography By: Stephen Goldenblatt
Editor: Robert Leighton
Production Design: Kristi Zea

Cast: Anne Hathaway, Robert DeNiro, Rene Russo, Linda Lavin, Anders Holm, Zack Pearlman, Jason Orley, Adam DeVine, Andrew Rannells, Celia Weston, Nat Wolff

A retired 70-year-old widower, Ben, is bored with retired life. He applies to a be a senior intern at an online fashion retailer and gets the position. The founder of the company is Jules Ostin, a tireless, driven, demanding, dynamic workaholic. Ben is made her intern, but this is a nominal role – she doesn’t intend to give him work and it is just window dressing. However, Ben proves to be quite useful and, more than that, a source of support and wisdom. Another film by Nancy Myers that showcases that women can be successful and have it all. While showcasing what is important

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THOR: DARK WORLD (2013)

thor-the-dark-world-revisited-2-700x300

Directed by: Alan Taylor
Story By: Don Payne & Robert Rodat
Written By: Christopher L. Yost, Christopher Markus & Stephen McFeely
Based On The Comic Book By: Stan Lee, Jack Kirby & Larry Lieber
Cinematography By: Kramer Morgenthau
Editor: Dan Lebental & Wyatt Smith 


 Cast: Chis Hemsworth, Natalie Portman, Idris Elba, Adewale Akinnuoye-Agbaje, Tom Hiddleston, Rene Russo, Christopher Eccleston, Kat Dennings, Anthony Hopkins, Stellan Skarsgard, Jamie Alexander, Zachary Levi, Ray Stevenson, Alice Krige

There are nine realms of Asgard and once every 5,000 years they align. Earth happens to be one of these realms. These realms create portals between the worlds during the alignment which is called “Convergence”. On Earth, in London, Jane Foster believes she and her crew have discovered one such portal. Foster, while investigating the phenomenon, is transported to another realm and comes in contact with a substance called Aether. Upon coming into contact with the substance, it draws Thor from Asgard back to Earth. Thor takes Jane to Asgard to be cured from the Aether. Unfortunately in doing so it draws more than just Jane to that world. Another being called Malekith wants to use the Aether to destroy Asgard. Devising a plan with his brother – the war criminal Loki, Thor heads to “The Dark World” to destroy the Aether and save Asgard. But can Loki be trusted?

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