THE MUNSTERS (2022)

Written & Directed By: Rob Zombie
Based On Characters Developed By: Norm Liebmann and Ed Haas
From a format By: Al Burns & Chris Hayward 
Cinematography: Zoraida Popovic
Editor: Vanick Moradian 

Cast: Sherri Moon Zombie, Jeff Daniel Phillips, Daniel Roebuck, Richard Brake, Catherine Schell, Cassandra Petersen, Tomas Boykin, Jorge Garcia

Reboot of “The Munsters,” which followed a family of monsters who moved from Transylvania to an American suburb.


The film seems like a far-fetched idea that should be horrible, but it isn’t as bad as one would think.

The movie feels like an extended episode of the series. Set in their universe. Rather than a normal reality in having them socialize with normal society. 

It also serves as a kind of prequel. So we see how Herman came about and his romance with Lily. The film is noticeably lower budgeted than expected though that only adds to the mood and atmosphere of the film.

The film has that same kind of stale sitcomish sense of humor. Only being a bit more macabre. Though could easily be a family film. The film Is campy and too long 

The film noticeably takes place on sets. The film has the same spirit as the television shows turned into movies by having maximum audience appeal to attract more than just fans. As it tries to modernize the show. While also serving as the greatest hits. 

The humor is corny as it almost feels more vaudeville than anything. It definitely comes across as a Halloween season movie. Almost like the live-action THE FLINTSTONES movie filled with tons of puns and one-liners. 

This strangely seems like a passion project for Rob Zombie. As no one was asking for this film but he seems determined to not only make it but also an affinity. It might be him trying to try another studio property with his own touch.

As this is one of his least offensive and cleanest films as far as material. 

As the film does stay true to its version. Everyone is dedicated. No matter how silly it gets and appears to be having fun. As he is clearly dedicated to this film and series. As is his cast, which is filled with his usual players, the main cast in multiple roles. As well a good size of the supporting and background cast being Hollywood and classic television veterans. Making this all the more a labor of love. 

It only lacks the stunt casting of seeing a fairly well-known star trying out the role for an impression or their own interpretation. 

Grade: C

HELLRAISER (2022)

Directed By: David Bruckner 
Written By: Ben Collins and Luke Piotrowski
Story By: Ben Collins, Luke Piotrowski and David S. Goyer 
Based On The Book By: Clive Barker
Cinematography: Eli Born 
Editor: David Marks 

Cast: Odessa A’Zion, Jamie Clayton, Adam Faison, Drew Starkey, Brandon Flynn, Goran Visnijc, Hiam Abbass 

A take on Clive Barker’s 1987 horror classic where a young woman struggling with addiction comes into possession of an ancient puzzle box, unaware that its purpose is to summon the Cenobites, a group of sadistic supernatural beings from another dimension.


The film is perfectly fine as a kind of reboot or sequel to the original series of films and certainly better than the more recent sequels. Though in certain ways it fails. 

Not entirely it’s its own fault. As the film for all the gore and new directions. It plays strictly modern and is hard to be as shocking or as disgusting as the original two films.

Those films were not only shocking but identifiable as at heart the story was a kind of pulp story with otherworldly elements. That seemed to bathe in the cruelty of the aspects. While showing a story of obsession and manipulation. Where truly the only innocent character survived. 

Then through it, all the special effects were revolutionary and revolting so much that you could feel the pain or wince as to what it was like. Sort of like when men hear stories of anything happening to genitals. 

Here the film tries not so much as the original did, but is left with something that while violent feels typical, and if this franchise needs updating they seem to be going in the right way. As they need a balance of lore, story, gore, and effects that balance each other out. As to not seem too exploitive which then has the film feeling lopsided.

Here the film is serviceable enough with the main character with a past and makes the storyline convoluted more than it needs to be. Seeming to want to have a detective story, but in the end little mystery and while cruel bit cruel enough. 

Jamie Clayton makes an interesting new pinhead. Though the chest design makeup in certain lighting reveals itself to be more of a made up than organic. Though that is a nitpick, she and the cenobite designs are on point.

What also hurts the film which is common in general is that we don’t care much for these characters. As they barely make their presence felt. The lead is ok because we spend the most time with her. When she loses her brother that is the only time the film seems to touch on something that approaches an actual emotion and is believable. The other characters you try to but could care less. Especially her boyfriend.

Give the film a try, but don’t expect to be blown away. As this is Hellraiser for a new generation but definitely won’t over-shine the original. Even today still feels shocking.

Grade: C+