COCAINE BEAR (2023()

Directed by: Elizabeth Banks
Written By: Jimmy Warden
Cinematography: John Guleserian
Editor: Joel Negron 

Cast: Keri Russell, Margo Martindale, Ray Liotta, Alden Ehrenreich, O’Shea Jackson Jr., Isiah Whitlock Jr., Jesse Tyler Ferguson, Ayoola Smart, Brooklynn Prince, Matthew Rhys 

An oddball group of cops, criminals, tourists, and teens converge on a Georgia forest where a huge black bear goes on a murderous rampage after unintentionally ingesting cocaine.


This isn’t Another SNAKES ON A PLANE.  where the title not only says it all but is more built on hype than story. As this is partially based on a true story. What It revels in are shocks and more shocking humor.

A dark comedy that some might consider a bit macabre. 

As going along with the title the film seeks to have a need to push things as far as they can with characters who represent a different part of the audience. Though In the end a lot of them come across more as caricatures set up for impending doom.

The film is more built on sensationalism. As that is what you feel as you watch it as it is more, check your brain at the door. 

The bear is a beast that seems to be like jaws as it shows up from time to time with no rhyme or reason except the script needs it to on its hint for more drugs that seem to drive it to be more aggressive than in the final act throws a curveball as to why it should be spared 

More of an ensemble than expected. As we see the reasons why some of them are there to either survive. We root for or see their demise in inventive ways. Either way, before long l we get to know them To some capacity excellent and bad 

The film Calls itself a horror comedy and while it has violent gore and jump scares it comes across as a  Violent comedy with surprises and thrills. That is meant to be fun more than anything. 

It thoroughly Exploits its Set time period of the 1980s overly but overtly 

For what it does offer there always seems to be the feeling that something is missing. It should be a bigger film or story. Though that might be personal for this reviewer. As it certainly provides enough for a cinematic experience and audience expectations.

As it goes the places you expect, there seems to be so much more that could have been done but too grandiose as this works better as more of a contained story. 

While you are still on the edge of your seat you never truly consider most of this believable. Like Jurassic park, it’s an animal world of nature. They know it as they live it. The characters just inhabit it and struggle to survive. As they were the ones to disturb it and throw it off-center.

Its strength stays in the attack sequences that are more like set pieces. The ranger’s cabin, The Ambulance sequence, and The Tree Climb, they are both massacres but also memorable comedic sequences that go over the top.

Cocaine bear is an example of a movie that promises to go balls to the wall but only

Goes so far. It’s when a film tries too hard to be campy and misses what makes most films campy in the first place. Just believing it knows. It’s more mainstream reaching to be more out there but not knowing exactly how

Grade: C+

THE MANY SAINTS OF NEWARK (2021)

Directed By: Alan Taylor 
Written by: David Chase & Lawrence Konner
Cinematography: Kramer Morgenthau
Editor: Christopher Tellefsen

Cast: Alessandro Nivola, Ray Liotta, Leslie Odom Jr, Vera Farmiga, Jon Bernthal, Corey Stoll, Michael Gandolfini, Michaela De Rossi, Billy Magnussen, John Magaro, Joey Diaz, Talia Balsam, Ed Marinaro

Before becoming the notorious crime legend, young and inexperienced Anthony Soprano was under the wing of his father figure and mentor, Dickie Moltisanti. Against the backdrop of racial injustice during the violent 1967 Newark riots in the streets of Newark, New Jersey, and a destructive, all-out gang war with ambitious, mighty challengers, Uncle Dickie shows Tony the ropes, paving the way for a new era in crime.


Not really a continuation, but a prequel to see those who came before Tony Soprano and his crew and a glimpse into the environment she not only grew up in but the character who would surround him And guide him.

The film also offers insight into these characters and the ones we already know from the series. This is fun, As here we see them when they are younger and struggling for power. As some of the actions and treachery will have us looking at certain characters differently.

The film offers mroe of a psychological character glimpse and more examines Christopher’s father and Tony’s uncle Dickie we see how he goes about his business and affairs, especially after his father passed away and he is thrust into more of a leadership position. Who influenced Tony soprano and offers eventually a glimpse of what could have been.

As with the series, the film feels dense and has depth. Some of which are told and have some deeper meanings left unsaid but reflected in reactions and situations. 

There is a femme fatale of sorts who is innocent in her aspirations and character but who up the stakes for dickie constantly and seem to be the cause of bad decisions and downfalls.

As the film does concern itself with race. Especially African Americans. The second half of the film concentrates on a mob war between the Italians and the African American crew run by Leslie Odom Jr’s character who used to work for him.

The film takes full advantage of the uncomfortable race relations of the original show. There I was always on the edges where it is flat out in your face and a plot point

It feels like a natural progression for the film to concern race. As African Americans were largely absent from the series and the few times they were seemed disparaging also the casual racism of the main characters of the show shines through. Here it seems to try and make up for a lack of them on the show by offering a few more characters Of color here. 

Still with racist and insulting language and attitudes. Though with less mention of the N-Word. Though the film offers even if at times feels needlessly done in a classic but new time period.

The film showcases the domino effect of how one act eventually destroys and influences so many. In what could have been positive. Which ends up setting the stage for the show. Even if out of pettiness. 

The film doesn’t feel like a one-off it feels like the beginning of more stories or prequels to tell us the story of Tony’s eventual rise to power. 

Even if beautifully shot, it still feels like two flashback episodes that could have easily been part of the show. Plenty of nuances, Unfortunately for some that include taking It’s time abs not necessarily being that action-oriented or anything too monumental happening. As that was never what the show was truly about but people looked at it for. As anything action-oriented usually came out of nowhere not when you were expecting it in the first place.

The film doesn’t really change or offer too much insight or anything to shock the audience. Especially for those familiar with the show. Who will end up being the most entertained by this film. 

Grade: C

HUBIE HALLOWEEN (2020)

Directed By: Steven Brill

Written By: Tim Herlihy & Adam Sandler 

Cinematography: Seamus Tierney 

Editor: J.J. Titone, Brian Robinson & Tom Costen

Cast: Adam Sandler, Kevin James, Ray Liotta, George Wallace, Tim Meadows, Maya Rudolph, Julie Bowen, Shaquille O’Neal, Steve Buscemi, Rob Schneider, Blake Clark, Colin Quinn, June Squibb, Jackie Sandler, Noah Schnapp, Paris Berelc, Karan Brar, Sadie Sandler, Sunny Sandler, China Anne McClain, Kym Whitley, Allen Covert, Lavell Crawford, Mikey Day, Peyton List 

Despite his devotion to his hometown of Salem (and its Halloween celebration), Hubie Dubois is a figure of mockery for kids and adults alike. But this year, something is going bump in the night, and it’s up to Hubie to save Halloween.


While I can admire the film for being strictly for kids with a star-studded cast. It is purely for them as it comes off as silly and pretty stupid, but at least not another vacation comedy for Sandler. Who does seem to put in an effort here. 

Though it pretty much has his typical storyline. This one feels more like one of his earlier films only In the fact that he plays mroe of a loser man-boy who eventually must learn to grow up. Though still has a very attractive woman in love with him for the thinnest of reasons.

While the film has very few laughs if you give yourself over to it. One can see why surprisingly many people are giving this movie mroe the benefit of the doubt. Again as is more innocent than some of his mroe recent films and it feels like a film we need more of these days in these trying and cynical times.

Ultimately this feels like Adam Sandler making. Up another character with a strange voice to show his inner child never left. That feels like his CANTEEN BOY character from SATURDAY NIGHT LIVE not only grown up but with a Halloween theme.

This is another film where the cast is filled with mostly his friends and former co-workers. Where half the fun is seeing what roles they will play and when they will pop up.

This seems like a film where the cast had more fun cracking each other up more than bringing too many laughs to the screen. 

It feels like the script was written from the point of view of two parents wanting to make a film for their kids and putting in all the clean pubs they could for reacting to this generation and trying to keep it clean and immature but with a child’s view of the world. While not necessarily what I was expecting which might have lead to a personal disappointment. 

This film might be what you need for kids seeking something with more of an edge and cute and not having to worry if it is too offensive. As plenty of jokes will go over their head

The film is mostly silly overall and aimed at a kid audience. Using the stars more to lure adults in and watch some respected actors act silly.

Grade: D+

MARRIAGE STORY (2019)

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Written & Directed By: Noah Baumbach
Cinematography: Robbie Ryan
Editor: Jennifer Lame 

Cast: Adam Driver, Scarlett Johannson, Alan Alda, Ray Liotta, Laura Dern, Julie Hagerty, Wallace Shawn, Merrit Wever, Mickey Sumner, Jasmine Cephas Jones, Irene Choi, Robert Smigel, Carlos Jacott, Lucas Neff 

An incisive and compassionate look at a marriage breaking up and a family staying together.

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HANNIBAL (2001)

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Directed By: Ridley Scott
Written By: David Mamet & Steve Zallian
Based On The Novel By: Thomas Harris
Cinematography By: John Mathieson
Editor: Pietro Scalia

Cast: Julianne Moore, Anthony Hopkins, Gary Oldman, Ray Liotta, Frankie Faison, Hazzelle Goodman, Giancarlo Giannini, Francesca Neri, Zeljko Ivanek, Don McManus, Ajay Naidu,

The final chapter of the Dr. Hannibal Lecter quadrilogy, the murdering cannibal. He is presently in Italy, and works as a curator at a museum. Clarice Starling, the F.B.I. Agent who he aided to apprehend a serial killer, was placed in charge of an operation, but when one of her men botches it, she’s called to the mat by the Bureau. One high ranking official, Paul Krendler  has it in for her. But she gets a reprieve because Mason Verger , one of Lecter’s victims who is looking to get back at Lecter for what Lecter did to him, wants to use Starling to lure him out. When Lecter sends her a note, she learns that he’s in Italy, so she asks the Police to keep an eye out for him. But a corrupt Policeman, who wants to get the reward that Verger placed on him, tells Verger where he is, but they fail to get him. Later, Verger decides to frame Starling, which makes Lecter return to the U.S., and the race to get Lecter begins.

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THE ICEMAN (2012)

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Directed By: Ariel Vromen
Written By: Morgan Land & Ariel Vromen
Based on the book: “The Iceman: The True Story of a Cold-Blooded Killer” by Anthony Bruno and the documentary “The Iceman Tapes: Conversations with a Killer” By James Thebaut Cinematography By: Bobby Bukowski
Editor: Danny Rafic 


 Cast: Michael Shannon, Ray Liotta, Chris Evans, Winona Ryder, David Schwimmer, James Franco, Stephen Dorff, Robert Davi, John Ventimiglia

In the 1960s, Richard Kuklinski is working as a porn film lab tech until his mob bosses persuade him to change his career into that of a contract killer. For years, Kuklinski gains a reputation for cold blooded professionalism even as he raises a family who are kept in the dark about his true career. Unfortunately, mob politics ultimately forces him to secretly work independently with the psychopathic Robert ‘Mr. Freezy’ Pronge. As much as Kuklinski tries to keep his lives separate, circumstances and his own weaknesses threaten a terrible collision as the consequences of his choices finally catch up to him.

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SIN CITY: A DAME TO KILL FOR (2014)

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Directed By: Robert Rodriguez & Frank Miller 

Written By: Frank Miller (Based on Characters & Graphic Novels created By Him) Cinematography & Editing By: Robert Rodriguez 

Cast: Eva Green Jessica Alba, Jamie Chung, Dennis Haysbert, Mickey Rourke, Josh Brolin, Powers Boothe, Joseph Gordon-Levitt, Rosario Dawson, Jamie King, Christopher Lloyd, Ray Liotta, Juno Temple, Jeremy Piven, Christopher Meloni, Bruce Wills, Alexa Vega, Marton Csokas


Co-directors Robert Rodriguez and Frank Miller reunite to bring Miller’s “Sin City” graphic novels back to the screen. Weaving together two of Miller’s classic stories with new tales, the town’s most hard boiled citizens cross paths with some of its more notorious inhabitants.

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THE PLACE BEYOND THE PINES (2012)

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Directed By: Derek Cianfrance
Written By: Derek Cianfrance , Ben Coccio & Darius Marder
Story By: Derek Cianfrance & Ben Coccio
Cinematography By: Sean Bobbitt
Editor: Jim Helton & Ron Patane
Music By: Mike Patton 

Cast: Ryan Gosling, Eva Mendes, Bradley Cooper, Ben Mendelsohn, Ray Liotta, Harris Yulin, Rose Byrne, Mahershala Ali, Dale DeHaan, Emory Cohen, Bruce Greenwood, Robert Clohessy, Gabe Fazio


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