Directed By: Raoul Walsh 

Written By: Julius J. Epstein & Philip G. Epstein

Based on the play by: James Hagan 

Cinematography: James Wong Howe

Editor: William Holmes 

Cast: James Cagney, Olivia De Havilland, Rita Hayworth, Alan Hale, Jack Larson, George Tobias, Una O’Connor, George Reeves, Lucile Fairbanks, Edward McNamara, Helen Lynd 

Biff Grimes is crazy about Virginia Brush, but his “pal” Hugo Barnstead marries her himself and makes Biff the fall guy for his shady dealings. Though Hugo seems to have everything Biff wants, Biff learns that having what one wants and wanting what one has can be two very different things.

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Part of this film’s charms is that it’s not a big story with high steaks, but more a character comedy that is charming and it’s own right Word not only the star shines, but the supporting characters help.

As the film is about romance and love, and what truly matters in it, so it is full, and we see its nurturing grace, with a note of the next stage, and never or rarely being disguised.

This was one of my first James Cagney films, and definitely my first James Cagney comedy, though not one of his more famous titles or not considered a classic amongst his other films. So far, it is one of my favorites of his, and truly shows he was a star who seemed to be able to do it all saying, dance act, he could be a hero or he could be a villain and quite scary.

This is only the third film of James Cagney that I have seen. I think I appreciate it because it’s not as talked about as his other films.

His performance, here is more as a romantic, and a man, with a quick temper, who threw out, seems to be taken advantage of by those around him yet never let his anger out on them but directed at Phantom threats and challenges whose ultimate goal is to become a dentist.

The way he plays it is genuinely his own as in most of his comedic performances it’s fast and he seems to get so worked up over nothing that the performance is grand, and half of it is watching his history as he gets himself more and more worked up, but gracefully, he also comes down or how much trouble his anger and fast-talking gets him into.

As he is such a force of nature that it seems like the film and characters, more or less revolve around him, and react only in this film, they all get their time to shine, even while he is huffing and puffing. 

As the one person who truly does care for him, and looks out for him, he is oblivious to Eventually he wakes up and opens his eyes as he realizes what he has, or what he could lose.

The best thing for him was not getting what he wanted, as it also showed him what was important, which seemed to be the moral of the story.

The film has an earnest story and it’s quite simple but gets so much mileage out of it that it’s no shock that it’s the James Cagney of his films and the Director of the film Raoul Walsh also says it’s his favorite that he made.

The intentional comedy of his character being a hothead, yet always losing fights until it truly matters is a quality the film seems to try to introduce subtly. This also showcases that his character is not that smart, but is good with quips. Is that the character who ultimately is the villain of the story? Did his actions seem intentional, but always seem to take advantage of Cagney’s character or lead his character to ruin.

This also leads to one of the few problems of the film is that his other friend played by Jack Larson, is not that good-looking nor charismatic, So it’s hard to believe him as his rival as the only thing that he seems to have over Cagney is maybe a certain smoothness, which I guess is what works as it is obvious and is really the defining point of his character.

Later, it seems like he envies his friend’s life but eventually can see why it’s best. He didn’t get the girl and had the fate of his friend. 

Rita Hayworth’s character is a gold digger but has a soft spot for James Cagney which is romantic, but troublesome as she is the one who has her husband get him a job that proves to be his undoing.

There is even a chance that the romance between him and Hayworth could have worked, but and wouldn’t have been ideal or true. She ultimately buries herself and her chances later in the film. She shows all the things in her character that his character doesn’t like in a woman, yet is more ravishing in her lead scenes physically, though always shows why her character and Cagneys could work especially early in the film when they go on a forced date.

James Cagney and Olivia de Havilland’s chemistry is not the flashes they have so much chemistry and Rita Hayworth is truly his even in comedic scenes with her talking about her ideals and her strange flirtation with some Lothario (Played by Herbert Anderson, who played the father on the show DENNIS THE MENACE) who keeps winking and she can’t help winking at them with Chelsea her character is looking for love and excitement and is just as open to making the wrong decisions.

Though it’s hard to believe that she’s so passive when finding out we’re figuring out that her married friend Rita, Hayworth kissed James Cagney and the lights-out spaghetti scene 

Cagney’s character played by Alan Hale, is hilarious steals all of his scenes, and proves to have great chemistry with the star. As well as George Tobias, who plays his Greek friend, and who ends up being his only true friend, they are both hilarious. 

The film’s more comedic scenes aren’t as physical but more verbal and witty. 

It’s a comedy with dramatic moments, but a heart for romance.

Grade: A