SAW X (2023)

Directed & Edited By: Kevin Gruetert

Written By: Peter Goldfinger and Josh Stolberg 

Cinematography: Nick Matthews 

Cast: Tobin Bell, Shawnee Smith, Synnove Macody Lund, Steven Brand, Octavio Hinojosa, Michael Beach, Renata Vaca, Joshua Okamoto, Paulette Hernandez 

A sick and desperate John travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer only to discover the entire operation is a scam to defraud the most vulnerable.


These films have certainly come a long way to be the 10th film. This is a franchise that I never quite foresaw making it this long, but the company behind it, Lionsgate seemed determined to keep going as long as they can.  

Some films in the series are better than others, most of them have been pretty solid and admire that film that at first seems to be a one-off of shocks that as the films have continued through various different directors. Each film helps to mythologize not only the main character behind it all but has allowed it to grow and spread into a weird kind of movement throughout these films.

While the films have at certain points become a little predictable, they still manage to shock with either their gore or how it all ties together.

Unlike a franchise like Friday the 13th where it seems like more of the same with a few curves thrown in but still the same blueprint this at least tries with each film to have its own flavor even though like Friday the 13th franchise I prefer the sequels, but respect the first one after all it is the original.

This sequel is better than the one that came before it. Which was SPIRAL actually had Samuel L Jackson, and Chris Rock in those films so some of the bigger names in the franchise. That comes across more like Friday the 13th part five. When a curveball is thrown, that could set the films on a different path.

Who knows the future of the franchise as this one is actually a prequel to where it all started even before the original saw movie started.

This has all the requisite things you would expect from a movie plenty of plenty of traps and plenty of tension. What’s this one a little bit apart other than characters who have perished in previous sequels, is the return of Tobin Bell, in the lead role, and Shawnee Smith as his assistant.

Here we get the requirements of the film the film does offer Tobin Bell, more of a dramatic arc throughout to see and get into the mindset of what set him off and the consequences.

So it gives him a kind of respect as he has been the face of this franchise for so long, as well as of course the voice here he gets a chance to stretch his drama muscles and be in the film throughout not just in pieces.

As well as bringing him back, there is a certain better quality of the film, where it feels a bit more grounded and going back to basics, rather than stretching the believability and managing to keep it small scale. 

Watching this film reminded me that while most of the sequels, and the first one seem to be based on revenge that might be the catalyst, there is a message behind it, and truly in its own twisted ways it shows more of the evilness of the characters who were caught up in the game and their selfishness he does give them a fighting chance even if seemed rigged to fail it’s never quite personal. That involves characters who have a history with one another.

This would be a fine starting point though it is better maybe to watch them in order. 

The film gives the franchise fans exactly what they want and expect only here it go back to basics. 

Grade: C+

SPIRAL: FROM THE BOOK OF JIGSAW (2021)


Directed by: Darren Lynn Bousman
Written by: Josh Stolberg & Peter Goldfinger
Cinematography: Jordan Oram
Editor: Dev Singh 

Cast: Chris Rock, Samuel L. Jackson, Max Minghella, Marisol Nichols, Dan Petronijevic, Richard Zeppieri, Patrick McManus 

Working in the shadow of his father, an esteemed police veteran, brash Detective Ezekiel “Zeke” Banks and his rookie partner take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past. Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.


This film feels like a script that was written to be a thriller and then was rewritten to throw in some horror elements and connect it to the saw movies. Which it barely does.

The film is predictable and while like previous saw films it seems to like to play around with time or reveal certain elements to the audience when it needs to explain certain things.

The twists don’t feel as shocking, truthfully they never even feel earned. 

Amazing that this film was filmed before last summer’s racial political upheaval surrounding the murder of George Floyd. As this film seems almost like a kind of giving the audience what it wants. In a tale of dirty cops being the victims. As only one non- cop is killed throughout.

The surprise is making an African American cop The leading character. Now this film is built around Chris Rock as the star. As he supposedly also helped come up with the story. His character seems to be the only truly innocent person throughout and the film comes off as cruel. As the film seems to want to keep punishing him.

The acting throughout the film is spotty and Chris rock as hard as he tries is miscast. At times he tries too hard and his delivery sounds more comedic or non believable in his inflections. Not trying to rain on anyone’s parade he is a talented person and one of my favorite stand-up’s but here in this role, he leaves a lot to be desired. 

Samuel L. Jackson plays a supporting role in the film, but his part is integral. It also feels like he is barely in the film. 

Also, the film looks cheap. Know that these films are usually limited in the budget and tend to stay small and in a few locations, but watching the film you can tell. As it keeps making itself obvious. Which hampers the enjoyment of it.

The special effects are still top touch and the film is gory. Maybe not trying as hard as the previous films. 

All of this is a shame as this film seems to be more aimed at African Americans and starring them with representation horror. Which Could definitely use more of, but this is not the right project. 

Grade: F