REALITY (2023)

Directed & Based On The Play By: Tina Satter
Written By: Tina Satter & James Paul Dallas 
Cinematography: Paul Yee 
Editor: Ron Dulin And Jennifer Vecchiarello 

Cast: Sydney Sweeney, Josh Hamilton, Merchant Davis, Benny Elledge

Profiles the arrest of 25-year-old Air Force linguist and NSA contractor Reality Winner for leaking classified information pertaining to Russian interference in the 2016 US Presidential election to the press. Adapted from the 2019 stage play, with dialogue pulled directly from Reality Winner’s FBI interview.


This film is expertly executed, but that is the strength of the film. End of itself is the execution of replaying and sticking to the transcripts of what actually happened, and then in their own way, the performers breathe life into the characters in the situation. 

Which from a technical standpoint is amazing but from the audience’s point of view is intriguing, but not necessarily entertaining. Your interest in the film will be in either. How much you already know about the story or how little you know about the story.

As if you don’t know, it does build a cell that you keep wondering where this is leading to and why the FBI agent’s attitude and demeanor are play for one second and then Serious in the next, and every time she tries to make light of the situation or joke around they become severe, but every time she becomes timid then all of a sudden they’re so conversational and willing to joke around.

This started as more of a theatrical piece before being adapted into a feature-length film. It seems that it might be more interesting as a theatrical piece as in the film it cuts in and out of the actual transcript of the movie to pictures of the real-life reality winner in the character. That will take place in essentially one location found and does excel at opening it up so that it doesn’t feel claustrophobic even as they close in on her and see the trap of her and More and More Corners.

It’s more intimate than a documentary could be as it presents the facts and leaves you to come up with your own conclusions. The actors are all excellent and the performances are strong. 

It comes across as simple and quick. Those serious in fact base it feels light. 

Grade: C+

JOY RIDE (2023)

Directed By: Adele Kim

Written By: Cherry Chevapravatdumrong and Teresa Hsaio 

Story By: Adele Kim, Cherry Chevapravatdumrong and Teresa Hsaio 

Cinematography: Paul Yee

Editor: Nena Erb

Cast: Ashley Park, Sherry Cola, Sabrina Wu, Stephanie Hsu, Timothy Simons, Ronny Chaing, Lori Tan Chinn, Annie Mumolo, David Denman, Desmond Chiam, Meredith Hagner, Daniel Dae Kim

Follows four Chinese-American friends as they bond and discover the truth of what it means to know and love who you are, while they travel through China in search of one of their birth mothers.


The film does feel like the same kind of humor as the television show BROAD CITY only abroad in the east. Instead of two roads, it’s four though there is a main contingent of two in the middle. 

It seems like it strives to be like the movie GIRL’S TRIP to a degree. It has that same type of energy but has way more set-ups for there to be madness. 

Just Like that film though everyone seems to get their moments and is on Equal footing as there is no real star and while in that film Tiffany Haddish became the standout. Here there isn’t one really as again they all have their moments and especially more on the shocking Side. As the film is raunchy. 

It’s Nice to see it break the wall if it is a female-driven comedy and an Asian American leading ladies. Who break the mood of the stereotypical roles they usually are portrayed or cast. Going at it with full gusto.

While it makes its points about culture and points out some issues. It also is more about entertainment. 

It’s A Nice follow-up for actress Stephanie Tsu coming off her recent Academy Award best-supporting actress Nomination with another memorable noteworthy role. Though Not for its dramatics 

It feels a bit like the first AMERICAN PIE for that summer shocking comedy for a specific audience that grows bigger than Its demographic. That seems to come from nowhere. Yet charms and excites the audience. Even when at times you can see where it is going.

Grade: B