Tag: Paul Giamatti

MORGAN (2016)

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Directed By: Luke Scott

Written By: Seth Owen 

Cinematography: Mark Patten 

Editor: Laura Jennings 

Cast: Kate Mara, Anya Taylor-Joy, Rose Leslie, Toby Jones, Michelle Yeoh, Garret Hudlund, Paul Giamatti, Jennifer Jason Leigh, Brian Cox 

A corporate risk-management consultant must decide whether or not to terminate an artificially created humanoid being.

In this grand cinema study, there are some Films you know a bit about. Yet manage to avoid or skip for some reason or another.  then when looking For Something new, you finally decide to give the film a chance. Sometimes it truly does work For the better, but other times you remember why you Wanted To skip it in the first place.

It isn’t necessarily bad, but it just feels like a waste of time or a wasted opportunity, especially considering what it had. This is one of those films unfortunately it’s more of the latter.

One of the more shocking appeals of the movie is in looking back at this film. It has such a stacked cast for a film That doesn’t

Offer much in the form Of material for them to work with. It comes off as a workman and everyone seems more here for a paycheck.

Those looking for a horror film might be disappointed as though its Advertisements make it look That way and there is violence the film is more like a strictly science fiction tale.

Which is what is at least admirable about the film.

This feels like one of the first of more recent trends of films about androids and AI and how much humanity exists in them. Surrounded by humans who go about being absent, if any humanity at all or trying to show none for the supposed greater good.

It doesn’t offer enough material to be truly thought-provoking and lacks action throughout  to truly be a genre picture 

In the final act, the film Finally Releases the violence and gives the audience what it has been waiting for most of the characters you have come to know will most likely become

Victims. They pay the price, In different ideologies, and pick the wrong side which proves fatal because of choosing to show their humanity.

It feels especially cruel to one character who truly fights back and gets the most violent death in a scene that feels cut down because of how gory it could get. While any action resorts to a BOURNE IDENTITY intensity with bad club music to accompany the action for those brief Moments only that feel like it’s coming from another film

Jennifer Jason Leigh is only in a few scenes and seems here to be punished more than anything else. which seems to be a trend in her more recent roles. As of 2025 most of the cast signed up for the same feet, but they have a few more scenes and more to do.

The film offers a perfect example of corporate culture versus a family and a more nurturing culture.

It does offer a sensational ending that wasn’t expected though hinted at throughout 

Grade: D+

FRED CLAUS (2007)

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Directed By: David Dobkin

Written By: Dan Fogelman

Story By: Jessie Nelson and Dan Fogelman

Cinematography: Remi Adefarasin

Editor: Mark Livolsi

Cast: Vince Vaughn, Paul Giamatti, Kevin Spacey, Rachel Weisz, John Michael Higgins, Elizabeth Banks, Kathy Bates, Miranda Richardson, Chris ‘Ludacris’ Bridges, Bobb’e J. Thompson

Always living in the shadow of his younger and utterly popular brother, Nicholas–or the one and only, Santa Claus–the polar opposite of his holy sibling, Fred Claus, now faces an unforeseen predicament that drags him all the way up to the frozen North Pole to beg for Santa’s help. However, there’s a catch. To get off the hook, Fred must work his fingers to the bone along with the jolly elves during the hectic pre-Christmas Eve period, against the backdrop of a thorough and merciless efficiency inspection. Can the wayward brother Fred save himself, and above all, Christmas?

This film has very few factors going for it. The Christmas morning scene is the only time this film truly feels believable and shows the beauty and heartwarming side of Christmas. It’s about family, magic, happiness, and amazement, and that one scene finally touches what the whole film is supposed to be about.

What comes before is more of a shallow exercise that wants to be heartwarming but comes across as conniving and faking the funk.

The problem is that it builds up this whole fantasy realm and lower, but doesn’t exactly quite explain it or give the rules so that’s your loss so that you can just throw anything in there. sort of like Vince Vaughn is supposed to be the older brother of Santa Claus, but they never quite explain how long Santa Claus has been in his current position except that he was born for it. Even in a certain part of the movie remember that a certain character wanted a gift way back in 1968 but Vince Vaughn is the older brother has he been away from the North Pole and living in the real world and why doesn’t he age or have any certain magical powers, that he pretty much struggling for the most part and afraid to get into a romantic relationship.

That last part helps when it comes to explaining his mentality thinking he’s afraid of attachments because he’s on the out with his family so he doesn’t really trust anyone even the people he should because he’s all out for himself but throughout the movie learns to love his family, who have always just wanted the best for him And others and together for greater cause.

Which is a great message. You just wish that the film had bothered you. To find a plausible and more believable way there. it just feels like a comedy built around the holiday built around the persona of star Vince Vaughn. He is a good actor and works well as a fast-talking hustler as that is his stick so it’s no surprise to find out that most of his lines were the result of improv.

However, that style doesn’t quite match the material as it’s better in his more R-rated juvenile comedies rather than a family film as it just makes him seem more like a bumbling liar half the time or a bumbling man. One who would never believe.

Kevin Spacey makes no sense as an efficiency expert but who sent him that’s never explained. Why is he hell-bent on taking down Santa and what was he going to replace the North Pole in the factory with never explained how to get away with his plan at parts and times he even cheats to sabotage Santa. So you would think the powers that be if let’s say this word to become a religious film when they see that and Disapprove?

Understandably these are things you’re not supposed to think of when watching this film but the shenanigans that the film produces you can’t help but think that. One this is obviously made for children and families. There should still be some explanation rather than feeling like the film is like the main character making up things on the spot.

I don’t want to be a Grinch. The cast tries Vince Vaughn, whose movies can be hit or miss nearly seems like for the most part. He isn’t sleepwalking through this role, but he doesn’t seem that enthusiastic all the time to be there so he does bother to put in high energy, this just wasn’t the material for him.

It’s rare that a scene works sort of like when he goes to therapy for brothers who don’t feel they get enough credit as their more famous brothers that was funny but could have gone a bit over the top and been funnier, but it feels like it’s holding back mainly because it’s a family film, but also exposes the film as being more of a series of skits with an overall story rather than a true film.

Grade: D

CONFIDENCE (2003)

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Directed By: James Foley 
Written By: Doug Jung 
Cinematography By: Juan Ruiz Amchia 
Editor: Stuart Levy 

Cast: Ed Burns, Rachel Weisz, Dustin Hoffman, Paul Giamatti, Brian Van Holt, Morris Chestnut, Louis Lombardi, Andy Garcia, Robert Forster, Robert Pine, Leland Orser, John Caroll Lynch, Luis Guzman, Donal Logue, Tony “Tiny” Lister, Franky G, Nicole Lenz 

Jake Vig is a consummate grifter about to pull his biggest con yet, one set to avenge his friend’s murder. But his last scam backfired, leaving him indebted to a mob boss and his enforcer.

I have never seen a film try so hard to be a modern version of THE STING.

The film offers likable quirky thieves and a handsome protagonist. Who is in over his head? An untrustworthy femme fatale and a big-name legendary actor playing the villain raise the stakes of the endeavor and make it seem like a challenge to the other actors to impress him or even hold the screen with him.

Then you get the requisite double crosses. Everyone is who they seem or say they are. I really wish I could have disliked this film. It ends up winning you over as long as you don’t look too deep. As it is a film that openly challenges you and wants the audience to overthink. So that while you are doing that it is sneaking stuff right by you.

Ed Burns is the lead con man. I will admit that when it usually comes to him in acting performances. He tries to play more laid-back characters but there is a certain arrogance in his performance that is perfect for the character he is playing here. Here he has his qualities actually work for him.

It helps that this film is stocked to help support him with so many character actors. Who he actually holds his own with. Under those conditions, you have to bring you a game and pray that some of their talent and charisma Rub off.

It’s hard to talk about this film and really have too much to say, when most of the enjoyment comes from watching these twists and turns in action.

It’s actually quite a charming film that is perfect to watch with an audience. Though you will probably only need to see it once. Since after that you know what it is all about. And not as much fun.

Watching it feels like you are playing a game. Once you watch it will All have the same outcome.

The film tries to be gritty but it comes off more as fascinating. As the film is much better than you would expect and is stylish to a degree, but feels like it is a victim of itself when it comes to the intelligence of the script. It thinks it’s smarter than it actually is. Even includes the will they or won’t they sexual tension between the con man leader and the new sexy recruit.

Watching this at the time it seemed part of a bunch of movies that were trying to be about con games or at least trying to fool the audience. That also seemed more in being self-promoting. This is worth a shot but more as entertainment than anything else.

GRADE: B-

GUNPOWDER MILKSHAKE (2021)

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Directed By: Navot Papushado 
Written By: Navot Papushado & Ehud Lavski
Cinematography: Michael Seresin
Editor: Nicolas De Toth

Cast: Karen Gillian, Lena Headey, Paul Giamatti, Angela Bassett, Michelle Yeoh, Carla Gugino, Chloe Coleman, Ralph Ineson, Michael Smiley, Adam Negaitis 

Three generations of women fight back against those who could take everything from them.

The film Plays like pop art to please the masses full Of neon coloring. As it takes a bunch of action film narratives and tries to splice them All together with some nods to film noir.

It strangely comes off kind of dull but very colorful. As we watch, trying to figure out what movie caused this scene’s inspiration. 

The action sequences are inspired and what the film depends on. As well as its Tarantino-inspired dialogue and quirkiness.

The film also like JOHN WICK tries to world build, unfortunately, it barely gives us a chance to know the characters or what is going on before a heavy emphasis on this. Which can lead to confusion early on.

Even if it more feels like HOTEL ARTEMIS with Its Rogue galleries of criminals, organizations, killers, doctors, clinics, and dealers. Though again John wick-ish with this network of criminals and yet also POINT BLANK with its organization that rules most of the underworld business. 

Just as the DRIVE inspired jacket she wears throughout 

While giving a more female-oriented point of view of the action in these types of films with a recognizable cast. Visually the film has all that it takes and is truly a style over substance but with an increasing degree when it comes to Netflix films it seems rather contained than open. Even as it works well with what it has. 

As the story is far from simple for this type of film as the action seems to follow and seems to only. Be confusing because it needs a reason to have an action sequence. 

The problem is that with all of this it still comes off limp and surprisingly a little dull. It’s like a meal that has food coloring nice to look at but ultimately something you have had before and are used to. 

As even the score tries to use Sergio Leone-inspired music or random pop hits more to fit the action sequences than anything.  Not necessarily adding anything to the emotional more like the director just thought it would be nice if this song played during this sequence. No real new meaning except for some irony.

Just as Karen Gillian is fine in the lead but is left with nothing to make her stand out. She comes off as having the skills but is pretty bland and one-note. She, unfortunately, stand out the least amongst the cast.

The only spark of originality other than color scheme comes for. The library and librarians were played by Michelle Yeoh, Angela Bassett, and Carla Gugino. They are a nice breath of fresh air. Where the most impressive action sequence takes place. Also, the clinic is A cute sequence as well as the diner. 

Also the organization’s three henchmen they send to take her out up a challenge but seem pretty bad to be exclusive assassins. They come across as more muscle or thugs that would be back up or the type assassins have to do clean up Or dirty work for or Vice versa. Like a wrecking crew destroying and making a mess.  so that there is no evidence 

The villains offer no personality, only a stereotypical look of either Eastern European stereotypes or well-suited goons and backup men.  

It’s also a film that feels like it’s trying too hard. It wants to stand out from the rest which is understandable, but by trying too hard to be like the others or those that came before it Lacks its own individual personality and feels like a loser, and ultimately Proves to be about nothing 

It’s obviously a movie for a more mainstream audience looking. For an action escape and it works on that level but doesn’t offer anything new or original mist some nice dressing. As it definitely is more commercial and slick but offers nothing of depth. Like a best seller with no actual good writing just a story to work off of And try to live up to fill in the blanks 

Grade: C-