LILI (1953)

Directed By: Charles Walters

Written By: Helen Deutsch

Based on the story “THE MAN WHO HATED PEOPLE” By: Paul Gallico 

Cinematography: Robert Planck 

Editor: Ferris Webster 

Cast: Leslie Caron, Mel Ferrer, Zsa Zsa Gabor, Jean Pierre Aumont, Kurt Kaszner, Amanda Blake, Alex Gerry, Ralph Dumke

An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.

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This film will automatically not be for everyone and honestly some might be repulsive, especially the sensibilities of most in modern times. Though for those wanting to get lost in a fantasy of old school filmmaking in its own world. A fairy tale of sorts. We can look at it as different times and what was acceptable at the time. Which doesn’t make it right or wrong. 

The Film is very light and more noteworthy for its design under modern eyes. 

Either way, it’s a very strange film of its time that offers magical realism with an innocence. Yet approaches adult matters at times. Which can be very dark when it comes to the material

It’s a musical that truly only has two musical sequences. It’s a strange family film that might make adults more uncomfortable, though children might love it. As it comes across as a real world fairy tale

The film is a bit creepy. As usually anything with puppets can be for some. Especially as the puppeteer uses them to distract her and seduce her. It’s where he shows his more sensitive side. Though her believing they are real continuously shows how young she is. 

At heart,  it’s a film about a man gaslighting and underage girl who’s innocence is shown demeanor, and a baby face 

Made Romantic as the puppeteer of the carnival she joins seems to try to save her first from suicide, but also seems to slowly seduce her to teach and save her from her naïveté. Though this is partially in retaliation. As she falls in love so easily with a decent flirty and romantic man. Who earlier saved her from being attacked and taken advantage of. 

Though the romantic rival, The Puppeteer is a man scarred by the war and the world becomes More and more bitter. As she seems to not see him at least not the real him only pieces of  him that are rough and angry. Though he acts like his feelings are obvious for her. Which only shows that they are not a match if anything due to maturity. That the film Tries to act like she has gained by the end. Making the romance possible.

This is a romantic fantasy truly, but watching it under modern eyes makes it more dastardly if looking at it more critically and under a microscope. 

As it is the basis of the stage musical CARNIVAL and won the Oscar for Best Music in 1953. 

MRS. HARRIS GOES TO PARIS (2022)

Directed by: Anthony Fabian 
Written By: Anthony Fabian, Carroll Cartwright, Keith Thompson and Olivia Hetreed 
Based On The Novel Written By: Paul Gallico 
Cinematography: Felix Wiedemann
Editor: Barney Pilling

Cast: Lesley Manville, Isabelle Huppert, Lambert Wilson, Alba Baptista, Jason Issacs, Lucas Bravo, Ellen Thomas, Rose Williams, Anna Chancellor, Christian McKay 

A widowed cleaning lady in 1950s London falls madly in love with a couture Dior dress and decides that she must have one of her own.


I can’t say what made me want to see this film. As I will admit I was smitten as soon as I saw the poster and the trailer. I am glad that neither lets you down. As they pretty much preview the spirit of the film.

This is a good comfort movie. What I would call a perfect Sunday film. It’s entirely predictable and charming. Leaving the audience with a smile and managing to stay inoffensive throughout. 

This is the type of movie you go to in theaters to come out smiling or the ones you would wait to see at the discount theaters at least. 

This film even starts or predicts attitudes changing in the past that only started to happen recently.

It manages to set up what looks to be a whirlwind romance for a character that eventually fails, yet brings the character and movie down to earth. So that it isn’t a complete fantasy. Though later rewards the characters with something much more stable, sweet, and stronger. Luckily It’s not the main focus of the film.

Amazed by the character actress Lesley Manville who usually plays villains, especially you love to hate. Here she is so sweet and winning. 

It’s a film full of lessons that eventually are taught, shown, or learned. Where food usually prevails. Mean characters are shown to have other sides. 

The film never quite feels like something special. Though constantly puts you in a good mood. Good movie to watch with family.

Almost like a children’s Fantasy film made for adults only without the fantasy, but keeps the mood. 

It’s one of those films where a sensible nice person upsets the jet set but then makes them realize the errors of their ways and reminds them that there are regular and pure people in the world.

As usual, the film seems Like everything is going to go along dreamily for the lead character except for some challenges laid her way. Though the film does at turns keep you second guessing and makes the lead truly have to either work to get to her happy ending or has it taken away and the hanks to her strength of character get it rectified or helped along the way by others. 

This comes from her learning lessons about her nice nature at times and that those who you try to care for and protect Don’t always feel the same way it have the same intent in their hearts.

Grade: B