BAD MANNERS (1984)

Directed By: Robert Houston 

Written By: Robert Houston and Joseph Kwong 

Cinematography: Jan De Bont

Editor: Barry Zetlin

Cast: Pamela Segall, Joey Coleman, George Olden, Michael Hentz, Christopher Brown, Anne DeSalvo, Martin Mull, Karen Black, Kimmy Robertson, Susan Ruttan, Edy Williams, Stephen Stucker

Four teens on the run from an orphanage spring a fellow orphan recently adopted by a rich family, then trash the whole house.


This is a film I remember watching and liking quite a bit when I was a kid probably around eight years old, which is what strikes at the heart of this film who is this film really marketed towards it is too adult to truly be for children and to juvenile to really be for adults 18 even though most of the characters look to be just entering their teens and the material throughout is way too adult. In fact, it’s a rated R film.

This is a long way of saying they wouldn’t make a film like this today. The film is just trashy, sleazy, gross, and in very bad taste, but strangely it has charm.

At the heart of it, it’s very punk rock as it showcases, a rebellious youthful spirit against the more selfish superficial, and exploitation of adults. Not to mention everything moving along into chaos.

The film shows some adults in particular at the orphanage have a psychotherapist, who only wants to talk about sex to the young children there and seems to be very into bondage

The orphanage rundown prison or who uses a cattle pro and all of the teachers seem to be nuns

The film has two nude scenes. unnecessary, but we’re kind of in at the time and probably helped get more eyes on the film of whichever audience. They intended the teens and the adults giving them a reason to watch it as I might have done the research and saw in the rating it’s rated R for you know, graphic violence, nudity sexual situations, and language only here with more nudity and language

It doesn’t really have any sex in it luckily but there is just a certain vibe to it. That feels like anything taboo will be at least hint or watching it now it’s amazed that it even got made.

as I will admit at the time, one of the reasons, I probably became a fan of this film was Pamela Segall who knows who now goes by Pamela Adlon, who is in a bunch of movies I saw on cable GREASE 2 is where I first saw her and then this film and then the movie SOMETHING SPECIAL a more teenage appropriate movie. Though not as wild. Even later in her career, playing the tough gal usually but one who is down to earth and could definitely hang with the men on equal footing while also being noticeably attractive. Which has made me a lifelong fan of hers.

One of the problems of the movies is that you hate most of the characters or dislike them, as even the kids aren’t exactly likable. They all seem very troubled and while you want them to win, you probably wouldn’t want to take care of any of them or be in charge of any of them, but as the movie tries to keep us, and if they wanna act like they are adults

As the kids are just unruly and seem to want to always break the rules and cause trouble, and they all have different character types not clearly defined, but rambunctious

It just makes me wonder what there was as a respectable cast of Martin Mull, Anne DeSalvo and Karen Black in it, apparently, all are here cashing checks, but they still give their all in their performances. 

I will admit Martin Mull  is also another big pole for me to watch a film even when I was a kid I was fascinated by him or the characters he played.

The film was even shot by renowned future cinematographer and filmmaker Jan De Bont (SPEED) 

None of the actors who played the main gang of kids really appeared in too many future film or television roles. Though Joey Coleman, who played Whitey was in the documentary and open secret about child abuse, and pedophilia in Hollywood.

It is also one of the rare roles of Stephen Stucker outside of the AIRPLANE spoof movies. Playing a similar over the top comedic role. 

on the one hand, I admire that this film got made at all as it just shows how wild the 1980s were when it came to so-called teen or youth oriented films. The film certainly isn’t well but it is a fascinating watch for what they did and get away with at the time.

as a childhood memory of entertainment, I am shocked that my parents let me watch this many times, but also it kind of has a special place in my heart. I know it’s nostalgia isn’t always the greatest especially when it comes to something that might be an inferior product, but this stays with me, I wouldn’t necessarily recommend it but for those who look for more trashy Cinema, I would say give it a chance or give it a look

Grade: C 

GREASE 2 (1982)

Directed By: Patricia Birch 
Written By: Ken Finkelman
Based On Characters Created By: Jim Jacobs & Warren Casey 
Cinematography: Frank Stanley 
Editor: John F. Burnett

Cast: Michelle Pfeiffer, Maxwell Caulfield, Didi Conn, Lorna Luft, Pamela Segall, Adrian Zmed, Eve Arden, Sid Caeser, Connie Stevens, Christopher McDonald, Tab Hunter

Two years after the life-altering events in Grease. Sandy’s cousin Michael, a straight-laced English student, is the new guy at Rydell High. Stephanie, the Pink Ladies’ foxy blonde leader, is about to break up with Johnny, the T-Birds’ leader, but she still likes her men dangerous, even as Michael starts to attract her attention. Now Michael needs to up his game: learn how to ride a motorcycle and transform himself into Stephanie’s hot leather-clad fantasy. Is he up to the task?


Directed by a noted choreographer Patricia birch. Who was the choreographer for the first film. The film’s showmanship is all there unfortunately the film isn’t. As it feels like a rerun of what we have already seen. 

This film is the epitome of 1950’s nostalgia that seems to be big in the 1980s. Though also an unneeded sequel.

I loved this movie as a kid. Watching it so many times. Even owning the soundtrack which I managed to get again a few years ago and enjoying it. As I know quite a few songs by heart. The songs are catchy and actually pretty good, but unfortunately still as memorable as the first film or its songs.

As there it comes off as an inferior copy that isn’t quite as sharp at all. It’s duller and the cast isn’t as memorable as their roles seem more uninspired. Making the t-birds more idiotic and not tough.

Though the characters trying to carry on in the grand legend and showing that they fall short isn’t intentional. It pretty much sums up this movie and its relationship to the first film.

Here they come off as imposing yet more jokes and comic relief caricatures as they Aren’t threatening. It’s an interesting case study in trying to act cool when truly scared in the role that you choose.

Everyone tries to give it they’re all but watching certain things come standing out. Such as it’s set in the 1950s yet Michelle Pfeiffer seems to be the only character who dresses in 1980s (when the film was made) fashion. This also helps showcase her future stardom as she definitely shows star potential more than anyone else. The movie is a true stepping stone for her

Other than most of the cast being obviously Too old to play teenagers. You can tell everyone in the background is a dancer just waiting to start dancing and singing on camera. Especially when it comes to their enthusiastic acting and facial movements.

It’s also ridiculous that no one can recognize the cool rider as Michael. As he doesn’t really change his voice. Only lowers it, and even though he wears a helmet he takes it off and only wears goggles that are barely shaded.

He even makes out with Michelle Pfeiffer and she never still recognizes him. Then singing the big number HANDS OF TIME comes off as one of the most unintentionally overblown ridiculous numbers. 

No one is truly a character. They all play types. It doesn’t help that unfortunately, Maxwell Caulfield has the looks but his singing can’t hit certain notes.

Even his plans to seduce her come off as douche. As they are more about manipulation and falsehoods. Even if the film tries to portray it as some kind of cute romantic turn. As he is basically dishonest throughout with her. 

Though the film is a cash-in. The production also has earnestness and energy. As well as campy as hell. Even if the plan was a quick cash-in and hoping to ride the success of the first film for the producer Allan Carr. Though the script for a proposed third film was resurrected later and made into HIGH SCHOOL THE MUSICAL. 

Grade: C