OTHER (2025)

Directed By: David Moreau

Written By: David Moreau and Jon Goldman

Cinematography: Julien Ramirez Hernan

Cast: Olga Kurylenko, Jean Schatz, Lola Bonaventure, Philip Schuler, Julie Mae’s, Anne Pascale-Clairembourg, Jacqueline Ghaye, Sacha Nugent

Alice returns to her childhood home after her mother’s death, only to find the house is rigged with surveillance tracking her every move, as a sinister presence lurks, driving her towards a terrifying revelation.

————————————————————————

I can think of worse ways to spend 90 minutes then with acresss Olga Kurylenko, who is good in the role. As the lead stretch stretching some acting muscle muscles. She hasn’t really been challenged to do before.

this is the rare starring role for her where she is front and center and truly gets to show dramatic depth in a role as for the most part, the film just follows her throughout this treacherous adventure that stays mysterious for most of the film so that it’s almost like we’re watching her play dress up through half the film as a former teen beauty contestant

This is one of those films, the end resolution you just wonder why we had to go through all of what we just did just to get here as it plays more weirder than it truly needs to be 

if there was a reason for the peculiarities, then at least it might’ve been worth it, but it just seems like the film is made that way just for that and I guess to keep it more of a mystery to the audience which again by the end just feels like it was over the top for no reason 

Now, while the film does have its moments and an ending, we should see coming, but still comes across as a very big moment of surprise. Which at least makes it feel somewhat satisfying though getting there just feels annoying.

As there are other characters in this film, but it pretty much feels like a one woman show throughout as Miss Kurylenko does most of the work and the heavy lifting

now, while this film might work for others as it is definitely a slow burn that is more of a drama with a thriller or horror elements. One can say that they were with the film halfway as it’s not much to do about nothing as there is substance here that seems to be yelled out a lot

Until all is revealed, and the impact and capacity truly takes over. So thoroughly throughout, you admire the filmmaking and how far it pushes the story and keeps the audience and suspense with the sense of mystery.

As it’s about buried hidden trauma that the film gives some clues along the way. Though I think we figured it out before her and the film literally spell out the ending what we come up with might be scarier than what we actually see at the end.

Even as it tries to be subtle about it, you can’t help but notice it just feels like the film is missing an element that would truly make it more noteworthy instead of feeling underwhelming by the end.

The film stays visually inventive, but at times it does feel like it’s being weird just to be weird. 

They left to wonder if there is a sequel will it keep the same mood? Will there be new secrets or become more audience friendly with Gore and blood baths?

By the end of you make it that far. You sneered you can decide if all of this film was worth the journey. That might have been just as effective as a short.

Grade: C

THE PRINCESS (2022)

Directed By: Le-Van Kiet
Written By: Ben Lustig & Jake Thornton 
Cinematography: Lorenzo Senatore
Editor: Alex Fenn

Cast: Joey King, Dominic Cooper, Olga Kurylenko, Veronica Ngo, Alex Reid, Ed Stoppard, Kristofer Kamiyasu

When a strong-willed princess refuses to wed the cruel sociopath, she is kidnapped and locked in a remote tower of her father’s castle. With her vindictive suitor intent on taking her father’s throne, the princess must save the kingdom.


This film was like a female version of THE MUSKETEER. Only that film felt a little cutting edge. There is plenty of action but after a while, it feels very basic and less noteworthy. As the fights are definitely impressive at first but soon become mundane. Not because of the stunt work but because they start to look similar only with a different finish or challenge. As one might wear armor or might have a helmet. 

This film is also like a female teen version of THE RAID only not as violent and not as impressive. Only here the protagonist is working their way to the tower. The most violent act is saved for the villain in the end. It also doesn’t have as much humor but does try to say something about gender roles, even in medieval times.

There is nothing wrong with using previous elements to make a film that reaches a certain audience and while the film at least has its motivations. It still comes off more as an entertainment commercial rather than something with passion or a stronger heart, but if that is what you seek you shouldn’t be too disappointed.

I have to give it to the actress and star of this movie, Joey King. She certainly works a lot and has paid her dues. So it’s nice for her to get a film that she again gets to shine in as a star. 

The film is pretty cut and dry. You get what you expect and it is certainly entertaining with food fight choreography and a Slight sense of humor 

Grade: C-

A PERFECT DAY (2015)

Directed By: Fernando Leon De Aranoa 
Written By: Fernando Leon De Aranoa & Diego Farais 
Based on the Novel “Dejarse Llover” By: Paula Farais 
Cinematography By: Alex Catalan 
Editor: Nacho Ruiz Capillas 

Cast: Benicio Del Toro, Tim Robbins, Melanie Thierry, Olga Kurylenko, Sergei Lopez, Fedja Stukan 

A group of aid workers work to resolve a crisis in an armed conflict zone.


The film has an international cast of actors from different nationalities and origins. As the film follows two days in the life of foreign aid relief workers.

While the characters aren’t perfect there is a humanity to them as in their hearts they want to help and do the right thing. Even if Benicio Del Toro’s character reminds he audience of the type of character who is only a few days away from retirement.

This is the most I have seen Benicio Del Toro play a normal average type person. It is kind of a relief as here there is no showing off or character tics to his performance and he is wonderful in it.

The film is a small film, but defiantly a crowd pleaser. With horrors that are more everyday or average for the people they are trying to help.

The film is mostly centered around the removal of a dead body from a well that is poisoning a towns water. Along the way there are roadblocks and bureaucratic rules that keeps getting in the way.

Throw in there an efficiency expert, who is an ex affair of one of the main characters and a child wondering around who they take with them. That the film ends up almost a political caper. Though with it’s breezy tone throughout never shoes away from reminding you of the dangers the characters face. Which seem to be just around the corner, but the film manages to stay bright and keep the town somewhat light throughout.

The film stays entertaining. As it keeps moving along. With various plot threads and personal stories of the characters that help define them and their time while away from home.

Wish I could say that the film was more noteworthy or that it sticks around after you watch it.

The film never rises above a certain level. Never showcasing or providing the stakes it wants about throughout. 

They keeps the film closer to the day to day real life of the workers, but also leaves some disappointment amongst the very few things they seem to achieve and help they are able to provide.

The cast is game and work together as a unit. As their energy is infectious to the audience.

The film allows for flirting and some sexual intrigue between the characters that comes up time to time, but stays verbal more than anything.

Though if looking for something hard hitting despite the description this isn’t the film for you necessarily.

The bureaucratic rules and loopholes they must jump through is what gives the story life. Plus the circumstances of host trying to complete this simple task lead them from one high wire situation to the next in the spacious bleak landscape they also informs us of the citizens and culture. As the film offers no real indulgences. Though seems to be very liberal.

Grade: B

HITMAN (2007)

hitman11

Directed By: Xavier Gens
Written By: Skip Woods
Cinematography By: Laurent Bares
Editor: Carlo Rizzo & Antoine Vareille 


 Cast: Timothy Olyphant, Dougray Scott, Olga Kurylenko, Robert Knepper, Henry Ian Cusick, Eriq Ebounaey

A gun-for-hire “Hitman” is a genetically-engineered, elite assassin known only as Agent 47 hired by a group known only as ‘The Organization’ is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Eastern Europe. But even 47 couldn’t anticipate a “random equation” in his life exactitude: the unexpected stirrings of his conscience and the unfamiliar emotions aroused in him by a mysterious Russian woman.

Continue reading “HITMAN (2007)”