Noel Fisher – Cut To The Chase

Directed By: David R. Ellis
Written & Screen story By: J. Mackye Gruber & Eric Bress
Based On the Original Story & Characters Created by: Jeffrey Reddick
Cinematography: Gary Capo
Editor: Eric Sears

Cast: A.J. Cook, Ali Larter, Michael Landes, David Paetkau, James Kirk, Lynda Boyd, Keegan Connor Tracy, T.C. Carson, Justina Machado, Tony Todd, Sarah Carter, Jonathan Cherry, Shaun Sipos, Noel Fisher

Kimberly has a premonition of an accident killing multiple people including her and her friends. She blocks the cars behind her on the ramp and as a police trooper arrives, the accident happens. Death is stalking this group of survivors.

This film is faster, but not necessarily better. This sequel is a bit more ridiculous with a bit more humor about itself. It also feels more expensive than the previous film. Losing that kind of intimacy of a lower budget and fewer characters.

As it follows the same formula as the first film but moves faster. Leaves more survivors/victims and feels more like a product off the assembly line than an individual film. It feels like an individual entry only because here it feels a little more experimental as the stud and filmmakers are trying to set the right tone and rules for the future of this franchise.

The film has a real moment that gives the film some kind of heart. Then it quickly grows uncomfortable with that and goes back to being cynical.

Though it manages to be shockingly sad and dramatic in moments. As well as building up plenty of suspense.

Especially after an older female character loses her teenage son. Then has a cruel death afterward. While she is still emotionally raw and in mourning. It’s the film’s one strong dramatic moment. It Shows this film won’t play favorites and feels like it might be picking on her checker just a little more.

The film brings back the one survivor of the original film to pass on the information and try to stop what is happening to them once and for all, but she is quickly dispatched. At least she lets us know what happened to the original protagonist who for all the inventive deaths the film has to offer seems rather simple and weak.

It feels more cynical as it stays within the formula but seems to know its audience as the kills here seem not only aggressive but more energetic and full Of adrenaline. Like an action sequence but more for the audience to cheer for. Though at least it plays with it more. Not always instant gratification, but making it more thrilling so we think we know when death will come but then escaping the last minute to end up dying in a way we never quite saw coming but was set up.

Obviously was more driven by the shock deaths of the original. Though here it ends up being a bit more playful

The highway scene is an amazing stunt extravaganza.

This is the film where you notice or the producers notice more the audience and come for the creativity of the kills. Not to mention the shock cuts they try to instill while giving you clues as to who’s next.

The little push at the end then shows the film’s Sense Of cruel humor. As these films continuously want you to care and try to play up the sorrows of the characters. While wanting you To root for their deaths or root to see the way in which they will die.

The film lacks a slasher so there is no face to the villain. It is more circumstance as we mostly see what they are cooking up to lead to the next death. Though at times try to pull a last-minute surprise on the audience.

So they feel engaged and like the film is actively playing with them.

The film does offer other brilliant scenes in which one of the survivors keeps trying to escape and survive an apartment fire that seems like a booby-trapped with each attempt. That humor comes with the over-the-top nature of ridiculous overkill attempts and ends.

Strangely for all the thrills this film gives off. The leads are some of the most forgettable parts of the movie. In fact, that has become the franchise’s major weakness. Even though the supporting characters are usually memorable. Maybe that is why they become the victims and the leads seem to make it to the end. The blander the safer, as they have a hero complex.

Grade: B-

Written, Edited & Directed By: Josh Trank
Cinematography: Peter Deming

Cast: Tom Hardy, Linda Cardellini, Matt Dillon, Kyle Maclachlan, Al Sapienza, Katherine Narducci, Noel Fisher, Jack London, Neal Brennan, Tilda Del Toro

The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia and comes to be haunted by his violent past.

There is a lot here to deal with. Most of the film and material comes off as a fever dream that hints at or points out places of interest. Though pretty soon the films succumb to the madness of the protagonist and soon becomes where you can’t tell memory from a flashback of reality or madness.

Tom hardy is clearly enjoying himself going fully overboard in a lived-in performance under tons of make-up and using active tics constantly. He sounds like a human cobra commander and the makeup seems realistic in that it is overdone think Johnny Depp in BLACK MASS where neither of them looks natural or all that human necessarily. Where he mostly makes noises and his character continuously poops on himself. To show degradation and how sick he is and the mighty have fallen but it happens so often. After a while, you feel like you could program a drinking game to it.

The film swings and attempts a kind of David Lynch vibe of the film where the strangeness and non-linear storytelling will be fascinating in Itself and it’s own art that the audience will find the beauty in all of this. Which works with a director who is used to or knows for telling stories in that way. Unfortunately, this one isn’t. Casting Kyle Maclachlan in the film only helps strengthen this theory.

As this is supposed to be writer/director Josh Trank’s comeback after the FANTASTIC FOUR movie bombing. One can understand why he went this route. As most of the films he made before were special effects spectacles and science fiction. Here he gets his hand to try drama and thriller of sorts. As well as a crime story based on real people.

This film just seems all over the place and might have been more interesting with some cohesiveness and an understanding as half the people in his house we are left wondering their relationships. A lot of stuff isn’t explained And it comes off as more random And not fun random.

As the audience might not know that much about al Capone and his past. So when bringing in various information, characters and showing them to have significance later in the film is purposeful but when we are introduced we don’t know of their importance and seem more random or built up to not mean as much when their character is more revealed.

This is a film that has a lot of symbolism but nothing really behind it as it offers no hints or notes. So it keeps building to ultimately nothing. It could have been tightened by the missing buried money plot, a treasure hunt if you will, making it stronger.

Even if it feels like a point of interest for the other strands of stories and characters to revolve around, it would also help as half the time making us wonder if this is all an act and he actually is mad or at first he is faking and then slowly he and we realize he is actually going crazy. As watching it now we know he is crazy but never knows what is real, fantasy, flashback.

Which doesn’t help when we see scenes of characters that have nothing to do with him mixed in. So we take those as real and then later male reveals where maybe they weren’t. The randomness includes Matt Dillon being introduced during a sex scene why? So the film will have some Sex In it? Then being called into Florida with his amour. We never see her again and as it is separate why are we seeing it when we eventually learn of his character and his eventual fate.

In the end, you can see what attracted the cast and why the director made the film Or at least his intentions, but it seems to have had the equivalent of shooting himself in the foot.

While also having the last hurrah on a sinking ship that only he thought might survive and prosper.

Grade: D

Tag: Noel Fisher

FINAL DESTINATION 2 (2003)

CAPONE (2020)