TROUBLE EVERY DAY (2001)

Directed By: Claire Denis
Written By: Claire Denis and Jean-Pol Fargeau
Cinematography: Agnes Godard 
Editor: Nelly Quettier 

Cast: Vincent Gallo, Tricia Vessey, Beatrice Dalle, Alex Descas, Florence Loiret-Caille, Nicolas Duvauchelle, Raphael Neal

Shane and June Brown are an American couple honeymooning in Paris in an effort to nurture their new life together, a life complicated by Shane’s mysterious and frequent visits to a medical clinic where cutting-edge studies of the human libido are undertaken. When Shane seeks out a self-exiled expert in the field, he happens upon the doctor’s wife, another victim of the same malady. She has become so dangerous and emotionally paralyzed by the condition that her husband imprisons her by day in their home. It is Shane’s chance encounter with this woman that triggers an event so cataclysmic and shocking it might just lead him to rediscover the tranquility he seeks to restore for himself and his new bride.


Not going to lie, the whole reason I wanted to see this film is Beatrice Dalle. Who has had me captivated since her role in Jim Jaramusch’s NIGHT ON EARTH and have been catching up with her roles from the past to the present ever since.

So it was her being in a vampire film before that seemed to become a trend In The 2000s and also Vincent Gallo is in the film and he usually makes whatever he is in a little more vibrant and interesting.

This is a movie that tries in modern times to present a fable connecting vampirism to lust. The character played by Beatrice Dalle is insatiable and seems to constantly need to feed. So much so that she has to be kept locked up and away. As she is a beast that Can’t be contained. Her raw female sexuality comes out while she gets her prey by seeming more innocent yet confident in her sexuality.

She is sloppy, scantily clothed in a nightgown stained with blood like an animal but she still contains beauty.

The longing for blood comes across as more sexual with an extreme fetish the participants only find out about too late. 

Vincent Gallo is her old lover who has moved on and has a younger wife. He has been able to contain his vampirism and come off as a regular Joe. Though he is drawn back to her. Even as she has a husband who never quite knew what he was getting into, but accepts his responsibilities and tries to help the love of his life in his own way. Hoping she will become satisfied and normal. 

The film is brutally violent and contains a lot of anticipation that never quite lives up to the promise. 

However, it does show a romantic side as in the scene where Dalle’s husband is cleaning the blood off of his feral wife after she seduces and attacks another victim. Shows a devotion that goes above and beyond. He loves her so passionately that she eats her partners. He supports her. Even as he knows he can’t be with her intimately or it will be the end of him. He also knows and worries about who will take care of her if he leaves or something happens to him.

As he knows no one will be as devoted. Yet he continuously longs for her and has made his own kind of sacrifice for her. The epitome of a nice guy. Who does everything but doesn’t have that spark and still wants your old lover who you both were bad for each other but still carries a certain bond. 

The film leaves you in the audience to pick up on details and read into the film what you believe may or may not be true. 

We watch as their acts are made attractive and delectable. More part of the act of pleasure that goes along with it.

I’m not going to lie, this was my first time watching a Claire Denis film. So I didn’t know exactly what to expect. So by the end, I was disappointed immensely and a little confused. Since then I can’t say I have watched much more of her work. I believe only two other films. Only one can I say I truly was mesmerized by  35 SHOTS OF RUM

Ultimately the film’s promise seems wasted. As we wait for major parts of the story to move or more action that never seems to come.

Nor is any of the setup really acted upon dramatically. As it is never touching or moving really. Unfortunately, it comes across as boring and like it wants to mean something and say something but ultimately doesn’t.

Grace: C-

ANNETTE (2021)

Directed By: Leos Carax  Written by: Ron Mael & Russell Mael (Sparks) Cinematography: Caroline Champetier  Editor: Nelly Quettier 

Cast: Adam Driver, Marion Cotillard, Simon Helberg, Devyn McDowell 

Against all logic, Henry and Ann–he, a struggling stand-up comedian, she, a beloved opera diva. fall madly in love and become inseparable after a chance encounter in bustling, modern Los Angeles. However, all great romances are fraught with pain. Faced with the public’s surprise and the dark side of success, Ann gives birth to gifted Annette: the fruit of their love, a miracle, a child prodigy, and the couple’s damnation.


I didn’t Love it, But I like it, kind of. There is A lot to dissect.

Starts off purely cinematic then the following film has its Moments and looks beautiful but never matches. As it seems more satirical at times and less an intimate story maybe taking on so many subjects and story beats rather than keeping it simple.

It’s special as it is not typical or something you see often. Or is it lazy or subpar filmmaking but didn’t white make the connection or inspire amazement. Though keeps interest throughout but feels overwrought at times.

Amazing how it starts off with so much promise and the belief that anything can happen or at least if what will happen and steadily loses steam, But manages to keep you watching with hope. Interested to hear others’ opinions about this film. I certainly have mine.

Director Leos Carax The French David lynch obviously loves films and cinema. Only he has his own vibe and influence.

Always excited when he makes a new film, never knowing what we are going to get and will it be something to enjoy, study or both.

I believe most of his films Are meant to be seen in theaters as a requirement. Having said that I will admit I have never seen one in a theater but am fascinated and taken away by all of his films.

As they are constantly Alive. Unpredictable, breathing, moving, emotional they have hearts and minds. Where by the end you have an opinion or the both in them as they engage and make you think stylish and able to shock they have their eccentricities and personality.

As they strive to be different yet tell stories that are recognizable and somewhat identifiable in their own way. You can always call them different and yet seem exactly to come out of an individual’s Imagination. Who has made no compromises and told the tale the exact way they wanted to, no matter how it is taken.  Not made necessarily to  entertain or even be understood completely but to share and experience. Which ultimately shows its personality.

This is Definitely a film made by an auteur, not by committee, more like An expression of thoughts that come to a point, A theory 

Movies have usually been driven by romantic notions and definitely influenced by music seeming like they are albums themselves with each scene or section of film being their own song or ballad. 

The film is Stylish above all else. Bringing his passion and interests into the story. That still seems filled with surreal shots that seem straight out of a perfume ad or filmed perfectly for one. 

The Director even cameoed  at the start to show that he is the engineer behind it all before introducing his collaborators in a musical sequence in which they are all together. Keep in mind this was also written by the band sparks. Who has a cult following for their music which is original on its own. So this was going to be far from conventional in the first place. 

Did the advertisement  influence a certain kind of filmmaking or just copy the artistic type  European style and Concepts? 

Maybe as a more American English language production steers it not as homemade and comfortable but as a work that is more foreign common and for him a little more straightforward and normal 

Obviously a musical. It wants to be an opera of its own, a kind of grand tragedy with big feelings and scenery yet personal and between few characters to keep it intimate with a huge Falsetto voice as it is not within the range of normal but gets attention and can be achieved.

Which will Make you notice and hit several notes, Not that easy to do. Yet lying seems to be easier for most than others but then again to maintain a lie you must create others to maintain which takes creativity 

Whereas the truth is easier a s it is natural but hard when wanting to go against or refuse to believe it . 

The film can be Graphic sexually but manages to make it sexy. 

Instead of Driven showstoppers or performances more seems to be little ditties to go with the story or to tell with a few full song show stoppers. 

The Camera always exploring as he creates his own world or a world that is quite different 

Like a true musical the film feels constantly performed but within the confines of a certain reality in all of its absurd ness and artistic design. 

There is a certain sadness that hangs over his films but also a current and electricity that makes the films somewhat exciting. Definitely a journey and excursion that feels like a trip. 

Sacred It feels monotonous and more staged, artificial doesn’t cut straight to the heart. As it usually does not emotionally truthful yet is still emotional.

Adam Driver with long hair can go from heartthrob or ruggedly Handsome. Looking like a grown geek who loves with his parents or worse the guy who still not only has a ponytail. But thinks it is still cool. Of course the stand-up that he performs isn’t funny but more of a one-man show that is theatrical but is most Stand up like that? Confessional with laughs and jokes or a humorous way to look at situations and stories of your life personal and all, opinions. 

Knew it was fake or skewed as his audience drank exclusively wine and cocktails and not one beer in sight.

The fleeting emotions and feelings, care and moods of crowds and fans especially.  if you do any meet their idealism of what they want from

You Don’t give them what they want as they feel if they pay to see you they have made an investment into you and you are supposed to give them what they want out of you. But they never say exactly so you are supposed to guess or do what you supposedly normally do to entertain, only they want the same if what they have seen or updated new material in the same vein but if you evolve some will stay but others will go against. As how some people in your life want you to stay the same and any time you move on or change for the better personally they take it as an insult or against it because it is not the same they remember.

The rejection of the conventional or being dismayed that it is unconventional and challenging that makes one not a fan or that makes one a fan as it is different and outsider art.

The film while being indulgent is also about toxic male masculinity. Having to control and be in control. So much so that as the film goes on Marie Cotillard’s Character seems to shrink not physically but from the film. As we see her less and less and spend more time with him and when they are together he seems to take over. Physically because of his size and his direction.

It doesn’t help that we get many dimensions of him, but for her she forever stays mroe representative and never really get any inner life form her. So much so that she remains a symbol throughout instead of a real character

At the end Playful and silly. It always feels like a full on experiment project rather than a heartfelt and committed one . 

Grade: B