AUSTIN POWERS IN GOLDMEMBER (2002)

Directed By: Jay Roach

Written By: Mike Myers & Michael McCullers Cinematography: Peter Deming

Editor: Jon Poll & Greg Hayden

Cast: Mike Myers, Beyoncé, Michael Caine, Seth Green, Michael York, Verne Troyer, Robert Wagner, Fred Savage, Mindy Sterling, Diane Mizota, Carrie Ann Inaba, Nobu Matsuhisa, Nichole Hiltz, Aaron Himelstein, Josh Zuckerman, Tommy Tiny Lister, Jim Piddock, Masi Oka, Clint Howard, Michael McDonald, Tom Cruise, Gwyneth Paltrow, Kevin Spacey, Danny DeVito, Steven Spielberg, Quincy Jones, Britney Spears, Burt Bacharach, Donna D’erico, Fred Stoller, Brad Grunberg, Greg Grunberg, Scott Aukerman, Nikki Ziering, Nathan Lane, Katie Couric, Ozzy Osbourne, Sharon Osbourbe, Kelly Osbourne, Jack Osbourne, John Travolta, Rob Lowe

Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly named villain Goldmember, who is working with Dr. Evil.


This Is where the franchise jumped the shark. It got too big and popular for it’s Own good Believing it’s Own hype. Not only referencing itself but making fun of itself to be part of laughing with others. Which ends up damaging itself and not as much fun as the previous films.

The opening plays more like an mtv movie awards spoof than a witty or memorable opening. 

It also doesn’t help that mike Myers was taking out his problems over the problems he was having on a film project SPROCKETS with Ron Howard (supposedly) which is why Seth green dons a similar look as Howard towards the end.

The film is filled with stunt casting that makes it feel more like an homage. Having Michael Caine is more of a co-star than Beyoncé as the current love interest. Where it seems she is only in the film more out of popularity. Just as many of the cameos seem there only for their then current popularity and to be in on the jokes. Rather than it being more organically funny. 

It feels constantly like the steam has run out of the premise. As this is more mike Myers seems to make it more of an occasion to make it a show to try out and play more characters almost similar to Eddie Murphy in THE NUTTY PROFESSOR. 

The film just feels like gags and leftover fat from the previous films with tired jokes and bad attempts at pop culture humor. 

This could almost be like one of those spoof films that came out at the end of the year. That made fun of bee trends in all media culture but tried to tie it under one bow like DATE MOVIE or EPIC MOVIE or MEET THE SPARTANS. This franchise started off as an homage and felt original and now has become a spoof itself.

The second film in the franchise was good but while stretching it seemed to go all the way with what still worked. This feels like it was left out of shape and warped working in those perimeters.

If you enjoy mike Myers this film is for you more as a completist. But this feels like him at his most mega maniacal. As the film is just him going through excess

He also believes his own hype. Trying to bring in modern celebrities and have them make more fun of themselves but also show their own clout. As there truly is no reason for them to be here other than to show off. It comes off as begging whoever is popular at the time to guest star in the movie to get more surprises and show a sense of being somewhat timeless, it also truly dates itself, even though it tends to jump through time periods anyway. 

Grade: C-

THE BIRDCAGE (1996)

Directed By Mike Nichols 
Written By: Elaine May 
Based on An Earlier Screenplay By: Francis Veber, Edouard Molinaro, Marcello Danon & Jean Poiret
Based in the play La Cage Aux Folles by: Jean Poiret
Cinematography: Enrique Lubezki
Editor: Arthur Schmidt 

Cast: Robin Williams, Nathan Lane, Gene Hackman, Dianne Wiest, Hank Azaria, Christine Baranski, Dan Futterman, Calista Flockhart, Tom McGowan, Grant Heslov, Kirby Mitchell, Ann Cusack, Trina McGee-Davis

A gay cabaret owner and his drag queen companion agree to put up a false straight front so that their son can introduce them to his fiancée’s right-wing moralistic parents.


this film at the time was a little daring or a bit of a gamble for a mainstream audience. Though it was also self-assured because of the popular cast. Though behind the scenes you had a bunch of heavy hitters. Who managed to raise the bar on a familiar tale and still knock it out of the park. 

Which shockingly had some actors playing against type. Where we have a fun yet more restrained Robin Williams while playing more of a funny conservative grouch. Seeing gene hackman in drag is certainly different and new.

The film also tries to put in some satire of the political culture at the time and while camping up gay culture at least offers a glimpse inside of it and offers representation.

This film also is really the big screen introduction of Nathan Lane as Albert the drag queen lover who has been practically a mother to robin Williams son in the film. Playing a role that was abandoned by Steve Martin last minute due to scheduling problems. Thilough broadway star Nathan lane took it and made it a star-making Role.

Hank Azaria also makes his presence felt in his supporting role as the couples maid, assistant and cook. Who is also part of the slapstick laughs later in the film.

This is one of those films that came around at the right place and right time. As the film and play was already a hit In France and waiting for an American remake for years that never got made which might have been out of fear in the 1989’s to portray a gay relationship. non chalantly with mainstream big name actors. So that when it did come along the culture was a bit more relaxed and if made today might not even bat too many eyelashes.

Luckily it is still hilarious to watch even on this day and age. Even when the Jokes are a little more obvious they still make you laugh. As there is wit on display as well as physical comedy and just plain old slapstick in the third act.

Out of the cast if anyone is flat It’s the young couple looking to get married played by Claista Flockhart and Dan Futterman though in a film filled with flamboyant and over the top characters you need some to be more quiet and seemingly normal to even it out a little. though they come off a little dull and Futterman Looks way older than Flockhart 

While the film is a laugh riot from beginning to the end it also has character moments that come off more serious and dramatic. As even after the so called Macho lesson the scene where lane tries to act like a straight male in a suit is a thing of beauty and partial pain.

You can feel its theatrical roots throughout it truly strongly in The theirs act where everything comes to a head. What truly is amazing is that while it was dating at its time it plays off so cute that now it feels like a more modern comedic classic that the whole family can enjoy. Even if there are times when it feels overloaded with stereotypes. 

It is so styled yet feels so haywire. That while it might seem like it is filling turbulence it’s always smooth sailing. 

Though there is an overwhelming comedic quality with heart and care that had me going to see it in theaters more than once or twice. 

Grade: A-