Tag: Millie Bobby Brown

THE ELECTRIC STATE (2025)

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Directed By: Joe Russo & Anthony Russo

Written by: Christopher Markus And Stephen McFeely

Based on the Graphic Novel By: Simon Stalenhag

Cinematography: Stephen F. Windon 

Editor: Jeffrey Ford 

Cast: Millie Bobby Brown, Chris Pratt, Stanley Tucci, Giancarlo Esposito, Colman Domingo, Jason Alexander, Ke Huy Quan, Holly Hunter, Woody Harrelson, Billy Gardell

the story takes place in a reimagined version of 1997. With humans isolated in their VR helmets and a continuing battle against a strange breed of monstruous drones in the wake of a technological meltdown, a teenage girl named Michelle and a robot travel the West Coast of the U.S in search of the girl’s missing brother.

Why does a film about freedom and living life to the fullest and the power of human connection. Feel so stale, lifeless abd boring. Though has very impressive special effects. We can see where the money went into this $320 million Prodcution, but was it worth it? 

Do the Russo brothers just look at budgets rather then scripts. Then look for the gimmick. As they seek like filmmakers from the 90’s given chances for modern times. Pure Hollywood  filmmakers even with their independent films. 

They seem to be Artists for the businessmen running studios. Only their interests are different than what audiences want except for THE AVENGERS movies. 

The electric state feels like their attempt at a big budget amblin film that even spielberg would say is too artificial and JJ Abrams would reject. As there is not enough mysterious elements 

Chris Pratt is pretty much lead by the paychecks he gives his performances but in films, No one really wants to see or more of the same. The spark is there but the material isn’t and he’s not convincing enough for people to watch just for him

Just as Chris Evans seems to be a prostitute for Netflix ok an escort. As he seems to Find his fit in the film world . Though seems to be a down to earth human being.

Millie Bobby Brown seems desperate to find a better role and Wanda will not have her type cast and allow her to break out of her biggest role so far which is playing 11 on Stranger Things. Unfortunately this was not the right one. As it gives her little to truly sink her teeth into even as the lead 

This film tries to come up with emotions with a tale that feels familiar and tired. Though it comes across hollow. Only here to sbowniff the effects. As this film seems to beleivenrhe old mantra “IF YOU BUILD IT THEY WILL COME” unfortunately not enough came.

This is perfectly set I a lenas a family film, but for something that is such a big production. It shouldn’t feel this disposable and shallow. Nor as always does it really need to be as long as it is. 

One can be all for exploring a world but it diesn’t have to go this deep where we are jistbtrying to show off instead of moving the story forward. 

The film has no sense of pacing and in general just feels bloated and lazy as it doesn’t really make itself quite clear and wants to be 1 million different things but never decides on any as well as there being no dramatic pacing 

it seems to just copy the graphic novel, and whatever it lacks, the filmmakers can blame it on the source material.

The Film seems to only offer an alternative history because in that way he can bring back 90s nostalgia for a certain audience that seems to be in currently

In other words this feels like the typical Netflix original movie with star power and figuring that will be enough and come  together with a simple high concept idea. It’s like the blockbuster filmmaking of the 1990’s. Taking a big and expensive gamble. Right out of the gate rather then building up to it or up on it.

Grade: D

DAMSEL (2024)

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Directed By: Juan Carlos Fresnadillo

Written By: Dan Mazeau

Cinematography: Larry Fong 

Editor: John Gilbert 

Cast: Millie Bobby Brown, Shohreh Aghdashloo, Robin Wright, Angela Bassett, Ray Winstone, Brooke Carter, Nick Robinson, Milo Twomey, Nicole Joseph

A young woman, Elodie, meets a handsome prince and they fall in love. At their wedding it is revealed that the prince had more sinister reasons for courting her: she is to be sacrificed to a dragon that has been terrorizing the kingdom. Elodie now has to fight for her survival.

This movie would’ve been better off as maybe an episode of a sci-fi, fantasy anthology tale or rather Maybe as a side story on a lord of the Rings type series than a feature film.

It’s pretty simple, cut and dry, and feels like it’s extended for no real reason that adds anything to the overall project tone, or story. 

As it is a tale of female empowerment with a pretty stacked cast, other than Millie Bobby Brown have very little to do but play standard cliché rules that are beneath their talents, especially Angela Bassett in a thankless minute, but pivotal support supporting role. Who seems here because she is in a lot of projects more than what the role actually offers.

This film has this kind of prestigious, framing around itself for something that comes off as a basic bedtime story or nursery rhyme. 

It tries to be a thriller and keep us in anticipation, with the excitement of how she will survive, as well as giving a backstory to why she finds herself in her current situation while learning the power of resilience and not falling victim to all that glitters and those your talk to worship.

Though in the end, it feels like a movie that be more of a time waster, or a seat, filler if it had been released theatrically, as it is more of a seat filler. A film intended to do big business on opening weekend due to the spectacle and previews as well as star and knowingly, less and less money as word-of-mouth spreads.

I can’t fault the production as it is a typical big budget, sci-fi, fantasy, special effects, action movie, only here made small and put in medieval times, but more marketed as a special effect fantasy with not much of a story or plot of why and how we got there . as is put in place as more of a placeholder for the action scenes, which is what really takes over.

The film doesn’t offer much for the actors other than to react and a big game of pretend. it might hold some interest overall it plays itself out fairly early even for a film that is almost 2 hours.

Grade: D

GODZILLA: KING OF MONSTERS (2019)

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Directed By: Michael Dougherty
Written By: Michael Dougherty & Zach Shields
Story By: Michael Dougherty, Zach Shields & Max Borenstein
Cinematography: Lawrence Sher
Editor: Roger Barton, Bob Duscay & Richard Pearson

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Charles Dance, Ken Wantanabe, Ziyi Zhang, Bradley Whitford, Sally Hawkins, Aisha Hinds, Thomas Middleditch, O’Shea Jackson Jr., David Straitharn, CCH Pounder, Joe Morton, Anthony Ramos

The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.

The trailer made it look like a different type of film. Where it seemed like he formed a bond with Millie Bobby Brown’s character.

Now while this movie is cliche-ridden. It seems to have the mentality of if it ain’t broke why fix it and makes everything feel familiar. Especially since the film and title character is already well known. 

I can admit to not necessarily being a big fan of these films and have only seen a handful of them. Though I have seen the recent franchise of films. Plus it doesn’t help when also having seen the clones of this film. 

What is of interest is the casts of these films. Which are recognizable to get audiences interested or at least not make them so disposable and asks you to care about their peril more without having to write too much personal material for them. Here we get an international cast to interest and sell to foreign markets. 

The cast is here more for the human interest element and explains the mysterious monster nature that is like the animal kingdom. Which by now we watch and study, but sometimes as they are violent and excuse them. As it is in their nature. The same here with the monsters live amongst us and cause damage but when left alone. Just do what comes naturally.

With the grand casts, it feels like the modern equivalent of disaster movies from the 1969’s and ’70s. Where there is plenty of destruction to property. Mass deaths where you wonder who will live or die amongst the stars. While rooting for certain people to perish not because of the character they play.

The film feels like a battle ROYALE of matches for Godzilla to face off against. The greatest hits of enemies. Even though there is the main opponent. This again makes this feel like a wrestling card and how when you watch it. It feels like life and death only here the fate of the world hangs in the balance. Whereas in wrestling it’s the fate of the league wrestling world. This movie also allows them to set up sequels for other enemies for him to face.

Just as in wrestling she takes a major beating at first then comes through or at least goes full Hulk Hogan and adding the drama that is needed. There is even tag-teaming. As essentially this is a movie about a dinosaur fighting lizards and an alien.

The warm up fights seem to be a case of sending minions to weaken him. After the first battle. Where you know it can’t be over. As there are some after fight getting licks in to start a rivalry.

The film isn’t as visually interesting or stylish as the previous GODZILLA film. Though this one seems to have a love of blue filters. 

Again this is a better film to experience or watch on a big screen. As even for a popcorn movie this wants you to have more experience or interact with it. This is a film to have more fun with as it doesn’t move as fast and takes its time with the story but offers more of a science fiction element.

The film tries to be smart even with it’s more special effects, action-oriented scenes, and material. It’s a bit long and definitely bloated but stays entertaining 

As we wait for the build-up until the finale showdown, really the main event. Luckily the film never feels boring or bogged down even with a lot of exposition. Though luckily not THE MATRIX sequel’s level of exposition.

Will admit it feels strange like. G.I. JOE movie with this being Cobra’s newest plan and a joe’s family somehow involved and by the end must use their own monster Godzilla to battle the evil monsters that cobra has unleashed. 

Each new monster feels like a new toy or action figure and each presentation/Birth/Opening is an introduction of their nature and powers As well as strengths. They also provide mini practice bouts as Godzilla is like a gunslinger who shows up for fights and to save humans these monsters are the heels and he is a fan favorite trying to stop their reign or just trying to stop similar to his kind trespassing on his property and domain. So essentially like the animal kingdom marking his property. 

The monsters he faces seem like Pokémon. Collectible and have to Catch them all

Though Vera Farmiga’s character theory and plan don’t sound so crazy. Even if more a product of Stockholm syndrome to a degree. Just the means to go about it. Sort of like in AVENGERS: END GAME. Where it just seems a bit harsh. 

Her theory is right but the follow-through seems to become like a tournament for the title, with all the dramatic entrances. You have a doctor mind reader mad scientist type who is bent on a plan of world domination or would change the natural order of things. 

Many films have done less to affect the audience so you can appreciate the attentiveness and concern 

This is Kyle chandler’s second giant monster film. Interesting the sequel is GODZILLA Vs. KING KONG. He was in a remake of the later’s film. 

Grade: B-