GENTLEMEN BRONCOS (2009)

Directed By: Jared Hess 
Written By: Jared Hess & Jerusha Hess 
Cinematography By: Munn Powell 
Editor: Yuka Ruell 

Cast: Michael Angarano , Jemaine Clement, Sam Rockwell, Jennifer Coolidge, Josh Pais, Mike White, Halley Feiffer, Hector Jiminez, Clive Revill, John Pleshette

Benjamin, home-schooled by his eccentric mother, is a loner whose passion for writing leads him on a journey as his story first gets ripped off by the legendary fantasy novelist, Ronald Chevalier, and then is adapted into a disastrous movie by the small town’s most prolific homespun filmmaker.


The filmmakers are like a successful one-hit wonder band. Their first album/film was good and popular. It Charmed the masses. They even tried to wring some more success out of it by adding a deleted scene after the film was in release and a surprise hit. So trying to get the loyal audience to double dip.

Their next film was highly anticipated and funded by studio money. The same tone only with a star and trying broader humor. It failed in comparison. It maintained the same style and spirit only bigger.

This film their third tries to go back to their roots (though a feature they produced THE SASQUATCH GANG fared better at finding that original spirit though to much less fanfare. It is truly an excellent film. That seemed like it would have been a natural follow-up for themselves)

The only problem is it’s like they forgot all the notes and instead of going off instincts, they seem to pick either what they only think is funny or what they think the audience wants. It feels like they are pandering and second-guessing themselves. Rather than telling a story.

Now, this film has its moments as did NACHO LIBRE. But in the end, it doesn’t feel like a worthwhile whole. So it’s like the scenes are great singles stuck on a sub-par album.

I give the filmmakers credit for sticking to their simple low budget formula and style. I also appreciate them producing that undiscovered film (THE SASQUATCH GANG that again came and went with little fanfare on home video and in theaters, it’s better than you would think and usually relegated to repeats on Comedy Central it deserves much better than that)

The film has a wacky dead-pan humor and has inspired character performances by Jemaine Clement who is winning in all of his scenes as a pathetically ego-driven diva of a sci-fi author and Sam Rockwell, who plays the hero of the novel they are fighting over authorship of and he plays the hero in both the different iterations of creativity they have for him. Leading to hilarious results.

The film also has a full arsenal of strange side characters. Who seem only there to be gags rather than necessary. As it feels like a film that has all the background needed but needs more of a story and motivation to move forward.

This film has its moments. I wish it just wasn’t so short. So that the film and its characters had more time to ruminate with the audience. So we got to get to know them and their weird world. I think for once it would have worked if the filmmakers actually indulged.

Grade: C

ORANGE COUNTY (2002)

Directed By: Jake Kasdan 
Written By: Mike White 
 Cinematography By: Greg Gardiner 
Editor: Tara Timpone 

Cast: Colin Hanks, Jack Black, Schuyler Fisk, John Lithgow, Catherin O’Hara, Leslie Mann, Carly Pope, Lily Tomlin, Chevy Chase, Dana Ivey, Brett Harrison, Natasha Melnick, Harold Ramis, Kyle Howard, Mike White, Fran Kranz, Nat Faxon, Monica Keena, Lizzy Caplan


Shaun Brumder is a local surfer kid from Orange County who dreams of going to Stanford to become a writer and to get away from his disfunctional family household. Except Shaun runs into one complication after another starting when his application is rejected after his dim-witted guidance counselor sends the wrong application. So, Shaun goes to great lengths with a little help from his girlfriend Ashley and his drugged-out loser brother Lance to get into Stanford any way they see fit.

Screenwriter, Mike White seems so seething with ideas and quirky characters ready to bust out on screen. You want to follow in further stories and adventures with the characters. So they usually feel like extended pilots for a new series. Maybe it’s his background in television writing. In turn, his television series always seem like set-ups for films. While he is usually a writer-director here he only handles the script.

Jake Kasdan directs the film. He usually is an inspired comedy director. He has a more subdued, subtle dead own style when it comes to style and scripts. with films like ZERO EFFECT, BAD TEACHER and THE TV SET

This feels like a film that is distracted as we see the cavalcade of well-known actors. Half the time the film’s scenes feel like a set-up for a celebrity cameo. Like there are most to the other characters but we only get to see them at their craziest. Trying to make the celebrities more recognizable or introduce them to a younger audience. The film also plays it smart even when stupid.

This film feels like an MTV film while it tries to match its demographic and quirky style for a built-in audience. That leaves the film inspired but also grasping for something. So that it works more times than not, but still doesn’t shine. Maybe because it seems to try too hard.

Jack Black plays well in the film. What a lot of critics have labeled him, as here I found him quite humorous. As the film has a bunch of standout hilarious scenes, Involving him, but though top-billed he is more here as a supporting actor.

The film’s humor is more sold by more minor performances and supporting characters. Rather than the set-up’s

The leads and the director are both children of Hollywood superstars. They more than hold their own though these are ones they could play in their sleep.

This film feels like a minor work not deep at all. It’s mildly amusing. All could do better and have this seems to like them trying to be more mainstream.

Plus the premise of the film is that his writing is so good because of the characters in his stories. Only they aren’t characters as much as real people. So he is just writing his real-life not that creative. Which is what goes against the premise. At least as far as the ending goes. And seems dependent on.

Plus it feels like his decision at the end is supposed to be heartwarming. It more feels deceptive like he needs more material and inspiration.

Through as much as I criticize. I find myself re-watching it from time to time. It has a highly rewatchable quality. The film is short and sweet. It’s a fun time while it lasts, but never comes close to being a classic

I can’t call it a good movie, more of a precious film that doesn’t seem forced. That younger people can look at it like it belongs in a museum. Like our own personal definite gift shop as a souvenir for others to share and see.

It really says you are a good writer. If you can tell the truth and bring it all together to be told vividly for an audience.

GRADE: C+