Tag: Michael Winner

DEATH WISH 3 (1985)

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Directed By: Michael Winner 
Written by: Dan Jakoby 
Based on characters created by: Brian Garfield 
Cinematography: John Stainer 
Editor: Arnold Crust 

Cast: Charles Bronson, Ed Lauter, Martin Balsam, Deborah Raffin, Gavin O’Herlihy, Kirk Taylor, Alex Winter, Tony Spiridakis, Marina Sirtis

Architect/vigilante Paul Kersey arrives back in New York City and is forcibly recruited by a crooked police chief to fight street crime caused by a large gang terrorizing the neighborhoods.

This film is a cult classic to many and it’s very easy to see why. As it is supposed to be New York, but you can tell not only it’s a set but actually filmed in England!!!!

This film doesn’t bother to put up any pretense; it cuts to the chase immediately. No real drama, just Charles Bronson’s friend getting immediately killed when he is on his way to visit him in NYC. So he seeks revenge after being arrested as a suspect in his friend’s murder. He is in the same holding cell as the film’s main villain. Definitely a full pedal to the metal.

When I say things are kept simple I mean it when it comes to this film. As the villain is middle-aged and a gang leader. A gang that never leaves the neighborhood and he himself looks middle-aged with a bad haircut in his balding frame. There is no rhyme or reason for his or his gang’s killing. Even when they say he has a clean arrest record. It seems like maybe because he is a trust fund kid or makes enough money to afford a good lawyer. Nope, he just has others do his crimes for him. 

As soon as Charles Bronson comes into the neighborhood he defends it openly. While a detective supports it. You wonder if the cops are dirty after one of the older couples has their gun taken away by cops after a complaint from the criminals.

At least by the end, he gets to the neighborhood helping fight off the gang. This might be because the neighborhood has become a literal war zone. With explosions, guns, blades, and machine guns.

As usual, this film gives Bronson a love interest. So far in these movies, he must personally lose two people. The film opens with the death of his friend and then the death of a lawyer he was dating who was much younger than him. Her death is senseless, but it does provide the motivation to finally make him mad. 

The film is ridiculous in itself, but it is more fine and entertaining than the last film. As this

The film really gives fans of this franchise what they want and gets to the action immediately. It also helped that the film capitalized on the vigilante shooting in New York by Bernard Goetz at the time. As the film shows that only violence will help cure bad violence.

The film still has its fate share of gruesome exploitive violence against women. Including a sexual assault and an attempted one in which the woman is stripped bare. These attacks happen even in the middle of a battle or war towards the end. Makes it even more over the top and distasteful. Many might blame director Michael Winner, this was the last time he directed frequent collaborator Charles Bronson or any of the DEATH WISH movies. Director Winner also seems to take particular glee in the violence and nude scenes.

The last two are forgettable and more basic. He brought the sleaze to these films that whole bad certainly helped them to stand out. So that this filled like his over-the-top opus.

The artillery certainly is used more and it’s more of a battle. Eye for an eye as most victims in the neighborhood are elderly. Which is disheartening to watch. The guns get bigger with Bronson seeming to have a signature gun like Clint Eastwood as Dirty Harry. 

This film has a more recognizable cast. Though in the end, you are a fan of ridiculous action, give this film a try. As it is certainly entertaining with a disturbing dark side. 

Grade: C

DEATH WISH II (1982)

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Directed By: Michael Winner 
Written By: David Engelbach 
Based On Characters Created By: Brian Garfield
Cinematography: Tom Del Ruth and Richard H. Kline 
Editor: Arnold Crust and Julian Semian 

Cast: Charles Bronson, Jill Ireland, Vincent Gardenia, Anthony Franciosa, Laurence Fishburne, Ben Frank, J.D. Cannon, Robin Sherwood, Robert F. Lyons, Silvena Gallardo 

Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.

While I will admit I am not a man of the first film for many reasons. I have to say the first one is definitely better than this sequel. At least it had dramatic tension and tried to be somewhat of a character piece.

This film is exploitative even when watching the theatrical version and not the unrated edition. It’s sleazy and a retread of the original. Only without any of the drama or moral questions that might have been raised before.

No, here as soon as a tragedy happens he goes right into action without a second thought and not trying to stop crime necessarily. Here Charles Bronson’s character is on a revenge mission. So while other crimes happen around him. He lets them go. 

This seems to be more of the same, only in a new location. 

This feels more like an even more Hollywood version of the bloodletting wish-fulfillment fantasy. That the audience for this franchise wants. Whereas the first film tried to be more a character-driven thriller. This is our and our action.

One of the film’s main problems is that it feels so sleazy and exploitative. Not necessarily the violence but the sexual assaults and nudity throughout. That feels gratuitous even when edited down. Even In some scenes, there is just nudity when not really needed. 

The rape and murder of the maid seem to be shown and filmed graphically mainly to show the ugliness of not only the crime but also to make the audience mad at the brutality and show how savage these characters truly are. 

The film is under 90 minutes and is never subtle and Vincent Gardenia’s character seems wasted and only as another way to link back to the first film and explain why he is in Los Angeles instead of Chicago. Though here he seems almost like comedic relief rather than as a strong character from the first film. 

Grade: C

THE MECHANIC (1972)

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Directed By: Michael Winner
Written By: Lewis John Carlino
Cinematography: Richard H. Kline and Robert Paynter (European Sequences)
Editor: Freddie Wilson and Arnold Crust Jr. (Michael Winner) 

Cast: Charles Bronson, Jan-Michael Vincent,  Keenan Wynn, Jill Ireland, Linda Edgeway, Frank De Kova, Tak Kubota, Celeste Yarnell, Enzo Fiermonte 

A professional hitman is planning to retire, always a difficult move for one in such a profession. A young apprentice appears to be eager to learn all the skills of the trade – but is that all he wants?

This was one of the Charles Bronson films I was looking forward to, as this is supposedly one of the classics for him. 

I will admit to seeing the remake with Jason Statham first. Though I enjoyed it. I thought it would be an overblown spectacle. Which it was but also improved on the material.

This, original has a great first half of the movie. As the opening 10 minutes alone are a silent masterpiece of suspense and reasoning. 

Then once he has to kill one of his friends out of duty. Even that makes sense, and with his expertise, he never makes it look like an assassination. It always looks natural or like an accident.

Though it seems in the second half of the film that is abandoned. Even when he has assistance on his assignment it is so big and doesn’t look like an accident. Then after that, his assistant who he takes on out of guilt is all of a sudden acting like an expert. When he has done one job.

The twists at the end are the only thing that saves the film. Though it is set in the 1970s at first we feel sorry for the kid but as heartless as he treats his girlfriend who is attempting suicide. Shows us how evil he is, though he passes no judgment it seems to be the quality that makes Bronson’s character accept him.

Thankfully the film is barely over 90 minutes. As whenever there is a scene with Bronson alone it becomes dull. Even though these as supposed to be moments where we get to know his character. Even though there isn’t much to be known. 

It still allows for Bronson’s charisma and Jan Michael Vincent to show off his chops early in his career. Though this film by the end felt like a disappointment for me. I can see why it has its fans. As it tries to set a tone and be moody while also having it’s Fair share of action 

Grade: C+