CENSOR (2021)

Directed By: Prano Bailey-Bond 
Written By: Prano Bailey-Bond & Anthony Fletcher 
Cinematography: Annika Summerson 
Editor: Mark Towns 

Cast: Niamh Alger, Michael Smiley, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller

After viewing a strangely familiar video nasty, Enid, a film censor, sets out to solve the past mystery of her sister’s disappearance, embarking on a quest that dissolves the line between fiction and reality.


A film devoted to video nasties films that were banned or cut in the 1980’s when it came to content in The UK we follow a censor on a board.

The film isn’t what one might suspect which might be of a censor going mad and killing those she finds deplorable or those who make grotesque films and u leashes them on the public 

No Instead it goes the route of a slow burn horror more of a drama that is more of a character study who slowly breaks down and loses their grip. Dealing with childhood trauma that the job seems to release and come to the surface 

Most of the violence throughout is from the movies she watches until the third act when the film offers some gore of its own 

Throughout the film keeps a creepy vibe and is stunning in it’s detail to the time period it is ye in the 1980s and obviously an homage and indebted to the films it aspires to be and influenced by.

The film has a Great ending which really saves the film. That one wishes the film had been more like but it did need that build-up to get to that point of what feels like transcendence 

As before, The film might remind the audience slightly of 8MM before it becomes its own.

As it’s not what one expects watching the film it is well thought out and actually a bit deeper than expected. Unfortunately it still ends up being slightly disappointing from a certain standpoint. 

Though as the film goes into it’s Third act it goes past unsettling to actually quite brilliant and scary. 

Grade: C

COME TO DADDY (2020)

Directed By: Ant Timpson
Written By: Toby Harvard 
Cinematography: Daniel Katz
Editor: Dan Kircher

Cast: Elijah Wood, Stephen McHattie, Madeline Sami, Martin Donovan, Michael Smiley, Garfield Wilson 

A man in his thirties travels to a remote cabin to reconnect with his estranged father.


This is a movie that will take you by surprise and keeps you guessing. Don’t expect a big change in your thinking type of film but more than a secretive kid in the corner who shocks you with his talents but still seems creepy. As each time you believe you have it figured out it adds something. A film best to go in blind. 

As one of the main desires of the film is to keep you off-center. So that you end up just as confused as the main character. The twists come not only from the plot but from the characters. Though the film does have a dark sense of humor. 

This is a movie that gradually adds things as it goes along and still Manages to stay small-scale. Even though at times the film seems to be going towards the supernatural or at least spooky. It still manages to stay somewhat believable though it has its quirks.

It also feels a little hipster-Ish when it comes to the main character and its Style. Even if it had a more pure demented heart. 

This film feels full of ideas and imagination that feels lost. As it more feels like an oddity that more belongs in a previous decade but is oddly welcome in this time period and quickly sets itself up in modern-day. Yet managing not to depend on so many modern-day conveniences.

Though ultimately it does leave you a little disappointed because as it keeps building towards bigger things and you expect something huge but after a while, it seems to calm itself and stop. Then You realize this is it and you kind of were hoping it would keep going.

It also feels like at times they are making it up as they go along and try to work more on characters than story. 

Have to wonder sometimes if Elijah Wood internationally goes after movies that leave him tortured and somehow mutilated after this and the film PAWN SHOP CHRONICLES.

Grade: C