VISION QUEST (1984)

Directed By: Harold Becker

Written By: Darryl Ponicsan

Based on the novel by: Terry Davis 

Cinematography: Owen Roizman

Editor: Maury Winetrobe 

Cast: Matthew Modine, Linda Fiorentino, Michael Schoeffling, Charles Hallahan, Ronny Cox, Forest Whitaker, Raphael Sbarge, Harold Sylvester, J.C. Quinn, Daphne Zuniga, Roberts Blossom, James Gammon, Madonna 

A high school wrestler in Spokane, Washington has trouble focusing on his training regimen when a beautiful young drifter takes up temporary residence at his home.

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This film is kind of like Apple pie or a home-cooked meal. It’s a coming of age story that’s recognizable and down-home simply enough. It’s not very sensationalistic, which makes it all the more believable. 

Taking place in a small town dealing with first love, especially not only an older woman but a stranger in the 1980s which were more relaxed in times and subjects, even though it might be a little bit by today’s standards still a film that has a lot of heart 

Dealing with regret, the future being wide open, learn your obsession as a teenager, which is your world as you grow up how small it seems compared with everything else going on around you, and how it loses its importance 

I’ll be honest this is a film. I’ve always heard about it but never seen it even though I had plenty of opportunities in video stores and on not only regular television but tables and I remember being interested in trying to see it because it was one of Linda Fiorentino’s first big roles and I remember it coming on HBO but it was coming on late at night and trying to stay up me trying to stay up and then falling asleep right before the movie Started and then waking up during the weigh in scene, and then trying to stay up to see if any glimpses of were left in the film and then falling asleep just to see the credits.

This is a film that has been alluded to over the years for me. I think I would’ve enjoyed it when I was younger, but I think it held a special place for me and my heart now having seen it for its cast it’s all of which I think I appreciate on a deeper level now which I think most watching this film for the first time Will also be able to hone in on

It’s a coming-of-age film that doesn’t go for Schmalz nor does it talk down to its characters or its audience. They face real problems, real responsibilities real consequences, and we see the characters who help form their beliefs in life who’ve gone before, these characters aren’t made into icons or legends they’re shown in all their glory, but also their faults and failures.

It also gives him arrival or enemy to strive against who’s not necessarily all that evil, but something to focus his energy in trying to defeat challenge and get over

So Harold Becker deserves credit for putting this all on screen, visualizing it, and making it so believable it helps that the source material was a novel that has plenty for characterizations and setting scenes but still all involved should be proud of themselves 

Watching Matthew Modine as an actor over the years, you can get a sense of the wild spirit energy, and all American image that he possesses in this performance and why he kept working so much in the 1980s and ’90s throughout his career cause you can see that spark, just like his character in nell, maybe he was type even though he played a lot of rules, but this will be the one that he’ll be remembered for, and you’ll always go to straight in your head

This ended up being better than I expected and can see why it’s so well remembered and still talked about truly living up to its title and its themes.

One can admit this is actually way better than expected and can see why not only the movie but it’s memory has lasted with audiences for so long.

Now, I will say, Linda Fiorentino does it once again where as it seems like most of her acting roles, no matter hero or villain by the end one always has a crush on her for whatever reason, even though she usually does play icy emotional. here she plays tough, but slowly reveals her vulnerability as an outsider and newcomer to this town and looking to get out and how she has an obvious connection with the lead, but how she manages to affect other characters also.

Not to mention the film and it soundtrack featured an up-and-coming singer, songwriter named Madonna, who actually appears in the film performing in a bar scene so you can add that to the nostalgia of the 80s in the up and coming cast, as well as just raw talent used to the best of their abilities

Grade: B+

MERMAIDS (1990)

 Directed By: Richard Benjamin 
Written By: June Roberts
Based on the book by: Patty Dann
Cinematography: Howard Atherton 
Editor: Jacqueline Cambas 

Cast: Cher, Bob Hoskins, Winona Ryder, Christina Ricci, Michael Schoeffling, Caroline McWilliams, Jan Miner 

An unconventional single mother relocates with her two daughters to a small Massachusetts town in 1963, where a number of events and relationships both challenge and strengthen their familial bonds.


Cher is the Star of the film even though the film is more centered around Winona Ryder’s character and is at heart a coming-of-age film. Her character ark is a kind of sneak attack where all of a sudden the supporting performance is actually the main one. By the end, we realize she is the film’s heart and soul. 

Here the main spectacle was supposed to be Cher as after all she is the star of the film and is center stage in all the advertisements but while she is healthy in the film she comes on strong at the beginning then becomes more of a supporting background performer. The nemesis to a certain degree of the protagonist is her daughter played by Winona Ryder.

This is a film that is dependent on each element. As only Cher had the star power and the cool to be the spectacle. She ends up doing good character work, but also she is the only person at the time who could play a fabulous independent female character. who is strong and knows what she wants and is not ostracized for it. Where it fits her personality to a t. It also allows for her to shine as a character and show more shades and a bit of vulnerability.

If anything I applaud this movie for its cast. Young Christina Ricci’s debut film and Bob Hoskins as Cher’s love interest and father figure to her daughters. A shoe salesman who is an artist at heart and open-minded, who tries to domesticate the family but not forcefully. He is understanding and a nice guy. Not to mention Michael Schoeffling is older, but kind of playing an older version of the same type of character he played in SIXTEEN CANDLES more of a mystery but genuinely a nice guy

Though Winona Ryder at large walks away with the whole film. Playing a teenage neurotic girl who also is the narrator and makes this almost a woody Allen Esque adventure in pursuing a crush. Only while the film seems that way it is about more than that. As she is driven by teenage angst and catholic religious obsession. Not to mention the changing and challenging times of the 1960s

Directed by Richard Benjamin who was a replacement for original director Lasse Hallstrom. and then Frank Oz. Before he finally came along. Whereas you could see Hallstrom’s version in your thoughts. Richard Benjamin’s direction is sensitive and strong.  Even more impressive that he was more of a last-minute replacement. One of his best-directed pictures. While some others came close this was truly his most heartwarming and dramatic that hit all the buttons. His best next to this movie MY FAVORITE YEAR.

By the end, the film shows how when young something can be an obsession you think about day and night but also how once something new comes along it can easily be dropped and forgotten entirely. It’s a quality of youth but might also be an inherited quality. 

Though this film at times might seem more formulaic, one quality the film possesses. Is that it feels lived in. It’s comfortable and feels more natural. The habitat of the characters is refreshing and gives the scenes so much more strength and allows them to be subtle when they need to be. 

The film even has a memorable soundtrack. Including the theme song which is a remake but sung by the star Cher. 

I will admit this is more of an underrated film that I have enjoyed ever since it came out. 

Grade: B