Tag: Michael Potts

ROUNDING (2022)

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Directed By: Alex Thompson 

Written By: Alex Thompson and Christopher Thompson

Cinematography: Nate Hurtsellers 

Editor: Michael S. Smith 

Cast: Namir Smallwood, Sidney Flanigan, Michael Potts, Rebecca Spence, Charin Alvarez, Nedirah Best, Cheryl Lynn Bruce, David Cromer 

A driven young medical resident transfers to a rural hospital for a fresh start. There, the demons of his past start to catch up to him when he becomes consumed by the case of a young asthma patient.

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This is what I’m thankful for the SHUDDER channel. As even though it’s more devoted to all kinds of horror films, maybe a little sci-fi they are also a channel that seems to welcome foreign films and many different genre of movie that might have a supernatural or horror element to them which ends up with the channel housing a lot of Indie films that might not have necessarily gotten released on other streaming channels. It might leave some of the channels fans who want strictly hard a bit disappointed, but it might also open them up to different films, they never would’ve given a chance to. Like this one

This is a film that again is better off unless you know about it as it’s stronger the more of a mystery it is. 

As it is more of a psychological thriller or psychological drama. About a medical student who after an accident has a breakdown and decides to try to get back on his feet by transferring to a more remote program. Where stress rears its ugly head, especially when it comes to a young woman’s case.

That he decides to investigate and the deeper he seems to get the more disturbed his behavior becomes the more resistance. He comes against where it does become a situation. Where is he the only one seeing this or is it all in his head or is he just getting two clips as the film goes along? We see him slowly unravel where even we aren’t sure if he is a reliable protagonist.

This is a film that has twist and turns, but is not entirely reliant on them to tell the story they just naturally come about and only add to the cold clinical exterior of the film. They eventually becomes devastating.

Namir smallwood really holds his own and truly dazzles as the lead in this film. He give the film gravity and fen be scary when he needs to be.

This is one of those films that is more lower budget and seems like a small story but ends up having a massive impact on the viewer. It does have its fair sheriff scares, but more than anything. It’s uncomfortable and unsettling more than anything else. So special mention must be made of what it manages to achieve with seemingly so little. It truly stays captivating and even a bit gross 

Grade: B-

THE PIANO LESSON (2024)

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Directed By: Malcolm Washington 

Written By: Virgil Williams and Malcolm Washington 

Based on the play by: August Wilson 

Cinematography: Michael Gioulakis 

Editor: Leslie Jones 

Cast: Danielle Deadwyler, Samuel L. Jackson, John David Washington, Ray Fisher, Corey Hawkins, Stephen James, Erykah Badu, Michael Potts, Pauletta Washington, Skylar Aleece Smith 

Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.

Based off of August Wilson’s play this film obviously is more theatrical, though it does find ways to have more outdoor scenes and leave the central location of a family’s house.

The cast is all excellent especially Danielle Deadwyler even though the film is more of an ensemble. This is also one of the best performances I have seen John David Washington give in his career so far it might not be as memorable, but he seems a little more open and loose than he usually appears to be in most of his roles, it might be that his brother.  Malcolm Washington is directing him so he has more trust in him as a Director he can be more vulnerable here.

The film has many memorable scenes, especially an impromptu sing-along by the male members of the cast that is infectious and feels like it goes by way too quickly.

The film is filled with sharp visuals, memorable characters, and dialogue. It even manages to get a little supernatural throughout as it focuses on black history and family history, but also black folklore a bit.

The material is informative and a bit more melodramatic, though it’s also historical, which is a rarity to be seen when it comes to African-Americans and family, especially generational dram of legacy inheritance motives, and love.

While one has a limited knowledge of the works of August Wilson, so far out of his place that have been brought to the big screen like fences black bottom this one has the happiest ending and while it involves family drama, there is no doubt that there is love and support of one another so this ends up being one of the happier plays which unfortunately it’s also comes across as maybe not as strong as the other two though at least this one is uplifting.

Just like the object in the center of the piano, it is also well crafted and carries a history all its own, which is why it’s a slow burn but effective

This feels like a prestige production and one of the more obvious Oscar-bait films so it’s still a story worth telling  and watching 

Grade: B

MA’ RAINEY’S BLACK BOTTOM (2020)

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Directed by: George C. Wolfe
Written By: Rueben Santiago-Hudson
Based On the play Written By: August Wilson
Cinematography: Tobias A. Schliessler
Editor: Andrew Mondahein

Cast: Chadwick Boseman, Viola Davis, Colman Domingo, Glynn Turman, Michael Potts, Jonny Clyde, Jeremy Shamos, Taylour Paige, Dusan Brown

During a recording session, tensions rise between Ma Rainey, her ambitious horn player, and the white management determined to control the uncontrollable “Mother of the Blues”.

This film contains a smaller story than expected. One was aware it was a play before but wasn’t expecting it to still feel as stage bound.

As the film tries to open up the story and show more locations but there are very few attempts to leave more it error locations. Which consist of two locations. The liner room where they practice and the recording g studio. So that the film keeps reminding you of its theatrical origins 

Chadwick Boseman steals all of his scenes and is more at the forefront of the movie. Though at first, it seems like he will be more of a high-energy supporting player. 

Though Viola Davis is the title character. Where she makes a powerful entrance and a strong exit. She also feels liek a supporting player. Even though the film revolves around her character. As after all, it’s her recording session and the others are her band. Who she feels are more the hired help. Who should be happy to be working for her.

Through her character though high strung. We find out why she is that way. As it is all about respect and wanting to be treated with it most overall. She has a short temper when what she says isn’t followed and forces a hard situation and a flirtatious girlfriend.

One has to give extra credit to Viola Davis for gaining most of the appropriate weight to play the character and give her the exact look which is unflattering g with gold teeth and heavy running make-up, she might not be the actual star of the movie but she gives off star presence and in believability.

Though by the end she is just a supporting character and her presence really has little effect on the actual story or drama that ends up happening In the film. By the end, she hasn’t changed. Only the situation has changed and in a more tragic way that really has nothing to do with her. Not much changes for her, but more for the secondary characters

The film ends up becoming a tragedy in a way you can see coming hit not necessarily the circumstance or the collateral damage. 

Though shocking in the end. Still wish it had been longer and a little bit stronger. It’s a tragedy you thought was going to be one kid. If one and is read ends up somewhere totally different. 

As the film had Great cinematography and details as far as art direction.

It really makes you feel like you are In The period and of course, immediately makes you aware of the limitations for its African American characters and the rampant racism.

Grade: B