A WORKING MAN (2025)

Directed By: David Ayer

Written By: David Ayer and Sylvester Stallone 

Based on the book “Levon’s Trade” by: Chuck Dixon

Cinematography: Shawn White 

Editor: Fred Raskin 

Cast: Jason Statham, Jason Flemyng, Michael Pena, David Harbour, Arianna Rivas, Merab Ninidze, Maximilian Osinski, Cokey Falcon

Levon Cade left his profession behind to work construction and be a good dad to his daughter. But when a local girl vanishes, he’s asked to return to the skills that made him a mythic figure in the shadowy world of counter-terrorism.

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Jason Statham and his movies are becoming almost an annual offering to audiences and cinemas 

They are usually the same type of action thriller with a similar character who has a dark past and is seeking vengeance or justice for someone close to him. He is usually trying to live a normal life, but forced to use his past skills. 

One of the reasons why these films are successful as they fulfill a niche sort of like in the past when Liam Neeson would have his older character action thrillers or even when we have had we weaknesses for certain stars like Jackie Chan and his family, action, comedy errors or imports that were usually filmed in Canada and heavily voiceover or when jet Lee had a bit of a resurgence in the United States and he starred in a bunch of disposable action thrillers that made respectable box office

what helps with Jason Statham is there even though he plays the similar roles he also showed in spy in a general that he has a sense of humor about himself and other than these movies he seems to stay away for media. It’s rare that you see him being interviewed on a show you don’t see him out and about at public events offering sound like that could get him judged or he seems to keep to himself so that he remains a mistake that no matter what side of the political spectrum you’re on you don’t mind him.

he’s the action hero that most men wanna be especially older men who just want their action, film, simple and violent and for women he provides to look of an older handsome in shape, gentleman, daddy, so to speak the strong and silent type who has a British accent, so makes him a little bit of an international Playboy also 

this is all to say that this film plays pretty basic and like the usual Jason Statham action thrillers only this is more disappointing because there doesn’t seem to be a sense of fun about it. It’s pretty straightforward and for all it’s dark elements. It never seems to show it in execution 

most of the characters that he encounters along the way, even the villains are kind of forgettable. He seems to be facing kind of the same villains that Denzel, Washington faced in the equalizer, the Russian mob only again whereas in the equalizer, they were really no threat to Denzel and he disposed of them without breaking a sweat here Jason Statham it’s a little moist, but still breaks. No sweat eliminating not the entire rushing but a fraction of it.

Due to them, kidnapping his bosses daughter, as part of a sexual trafficking ring, and then killing anybody who comes into his path, a few of whom are Russian mob family members 

The action sequences here are more gunplay than hand to hand combat that Statham is more known for. We also get a glimpse of his past and that his character suffers from PTSD so that this adventure actually helps solve it because he can get out his frustrations and feelings through the violence..

David Harbour earns his check and a supporting role that is more as a friend and advisory than him actually seeing any action sequences himself so that he fills out the role of another big name being in the cast that also usually accompany Jason Statham movies. Such as his character  having a child. Usually a daughter.

so as you can see this film is not only a by the numbers, action film, but also a buy the numbers for adjacent Statham film. It hits all the familiar beats. You know what’s gonna happen before it does and ends pretty much as expected so it really offers no surprise and as long as you’re fine with that, you shouldn’t be disappointed , but looking for more this is not the film for you

he pretty much takes on all the action other than when he finally does fine the daughter she gets to have a bit of her own revenge, but even the usual flashy henchman in this home who do you think are gonna be bad asses and being a final fight with Statham, they are dispatched so quickly and so easily. It was like they were giving a grand presentation only to be barely a warm-up at it reminds one of the assassins and Keanu and how ridiculous ridiculously over the top they were.

Another factor that leads to further disappointment with this film is there a David Ayer directed it now he didn’t write it. He is more of a noted Screenwriter and director who usually offers more gritty action in crime films. This seemed more by the book and slick then actually having anything noteworthy. 

This film actually makes their last collaboration, the beekeeper a damn near masterpiece. as at least I fell offered up what was expected, but had a hint of fun. This is more dour than it needs to be.

But that is also the magic of Jason Statham‘s longevity that usually there will be a couple of really bad films, but then he’ll shock you with one that’s genuinely decent or even good that it renews your faith in him.

What is surprising is that not only was this shot back to back? Was David Ayer and Jason Statham’s film THE BEEKEEPER but at this film was also written by his former costar Sylvester Stallone and David Ayer together. As this was supposed to be the start of a franchise based on the character from writer, Chuck Hogan’s book series based on the character, Levon Helm.

That Sylvester Stallone originally won to produce as a television series before they decided to make this film, even with state of not even being their first choice Liam Neeson was

Grade: C

UNSTOPPABLE (2025)

Directed By: William Golddenberg 

Written By: Eric Champnella, Alex Harris And John Hindman 

Based On The Book: Anthony Robles and Austin Murphy 

Cinematography: Salvatore Tontino 

Editor: Brett M. Reed 

Cast: Jharrel Jerome, Jennifer Lopez, Don Cheadle, Michael Pena, Bobby Cannavale, Mykelti Williamson, Neon Perez, Johnni Di Julius, Peter Sack 


This film seems to be mostly painted by numbers of a biofilm of a disabled athlete who overcame his affliction or didn’t let it define him to go after what he really wanted, which was to be a wrestler, not only achieve it but excel at it as it helps to give him discipline and definition not only physically and spiritually but emotionally

Jharrel Jerome is excellent as lead, proving himself not only a great actor but deserving a better though he can play what is required in most leading man roles he’s got the luxe. He’s got the charisma. He’s got the talent. He just needs more chances. 

what might draw more attention to this film is that Jennifer Lopez plays a major role in the film as his mother always believes in him and supports him as much as he supports her. This is her more taking a supporting role and she’s good in her role as a woman who is in an abusive relationship with most of her kid’s fathers who have a checkered past, but also undoubtedly loves her kids

Don’t know if Jennifer Lopez chose this role to be seen as a serious actress or is or these are the roles that she is being offered more as she gets older and her brand isn’t as strong as it was this is one of her better roles since being in HUSTLERS. Though anytime she is not glammed up it seems to be she is in serious actress mode and made more noteworthy.

Also, Bobby Cannavale is among the recognizable cast in this film, portraying his usual whole type character or villain, really a bully really the only one that the main character truly faces other than the third opponent, who is more arrival than an actual bully

Don Cheadle has a supporting role as the boy’s college coach and while a thankless role he makes the best of it

If you are into sports dramas or bio-films or just goodhearted movies, I think you will enjoy this film for me, is formulaic, but keeps the attention

Grade: C+ 

JEXI (2019)

Written & Directed By: Jon Lucas & Scott Moore 
Cinematography: Ben Kutchins 
Editor: James Thomas 

Cast: Adam Devine, Rose Byrne, Alexandra Shipp, Ron Funches, Charlyne Yi, Michael Pena, Wanda Sykes, Justin Hartley, Kid Cudi

Phil has a major dependency issue – he’s addicted to his phone. He has no friends, he has a job writing pop culture “Top 10” lists, and his love life is non-existent. But his Facebook status is about to change. When he is forced to upgrade his phone, the latest model comes with an unexpected feature… Jexi – an A.I. life coach, virtual assistant, and cheerleader. With her help, Phil begins to get a real life. But as he becomes less dependent on his phone, Jexi’s artificial intelligence morphs into a tech nightmare determined to keep Phil all to herself, even if it means ruining his chances of finding success.


Directed by Jon Lucas and Scott Moore, known to make comedic free for all films. Some that work and are quite funny and some that don’t, but while this one is scaled back it still has the chaos and anarchy run amuck in Certain scenes 

This is a comedy film that feels a little late to the party. As it seems to want to lampoon technology and the growing need of people to live by it. 

It also provides a movie that has a high concept story and comes off as simplistic as possible, but also trying to have a certain hipness to sell itself to a willing audience.

It feels like a script where it was better to pitch and spitball. Trying to build a Whole film around the concept. That was more fun in thinking about rather than in execution. 

As it still ends up feeling out of place to a degree like a 1990’s comedy. Even as the film is supposed to be more dependent on cutting-edge technology. Where it showcases the danger of technology, limiting it more  and the rewards of living life and experience.

Though the film Also shows what can happen when someone who is the center of your attention loses interest or has no dependence. How vengeful they can be in that loneliness.

It also in its own way shows what an addiction can do to us. Therefore love your life for your own enjoyment. 

The cast all seem to give it they’re all. As every character seems over the top to a degree. Adam Devine is a funny and able leading man, but needs to find better scripts than these subpar romantic comedies of the Netflix variety.

Alexandra Shipp is attractive as the love interest but is given nothing to really do rather than show independence early on day then fall into romance and be the most understanding cool, beautiful girl in the movie.

Though the late romantic square becomes awkward and doesn’t exactly work. Nor is it explained why Jexi is the way she is.

In the end, it was a perfectly ok time waster. As long as you know what you are getting into and don’t expect much.

Grade: D+

FANTASY ISLAND (2020)

Directed By: Jeff Wadlow
Written By Jeff Wadlow, Chris Roach & Jillian Jacobs 
Based on the television series “FANTASY ISLAND” Created By: Gene Levitt  Cinematography: Toby Oliver 
Editor: Sean Albertson

Cast: Michael Pena, Maggie Q, Lucy Hale, Portia Doubleday, Jimmy O. Yang, Ryan Hansen, Mike Vogel, Austin Stowell, Kim Coates, Michael Rooker, Robbie Jones, Parisa Fitz-Hanley, Ian Roberts

The enigmatic Mr. Roarke makes the secret dreams of his lucky guests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island’s mystery in order to escape with their lives.


don’t know exactly who the audience for this film is supposed to be. Though whoever it is I am sure wasn’t envisioning a horror film.

The film sticks to the horns of fantasy island whereas the guests get to live out their fantasies only with some kind of twists involved that they didn’t foresee. 

The film is rather simplistic but thinks It’s clever by having a big reveal. Only to take away any credit it might have built up which was little, to begin with. As it feels generic. 

This might have been noteworthy if made in an earlier era. Which it feels like it comes from more than the 1990s. Though now instead of high concept it feels like a horror script thrown into a familiar tv show, for recognition and comes off as disposable and barely noteworthy.

It’s a shame because the film has a good cast. At least it gives actors who are usually relegated to supporting roles some room to shine even if the film is an ensemble. 

Should have been suspicious when seeing Michael Pena in the lead as he is a good actor, but always seems tied to these disappointing cinematic reboots of more niche television shows, that you would never imagine becoming films. 

Though the premises of fantasies seem kind of simple and then once the twists come. They seem to come from shows and movies we have seen before. Especially the revenge fantasy involving the bully from childhood. Where all of a sudden a monstrous huge surgeon becomes a slasher. 

I can understand if it was just trying to be the greatest common denominator entertainment but here other than the lush visuals of the landscapes. The film just feels like it is going through the motions where once everything. Seems tied together still feels like a waste of time. 

As even the fantasies come across as cheap. For a film based on the supposed imaginations of its characters. The film seems to have no imagination of its own

In the end, it feels like a cash In Done quickly and doesn’t even Impress with its gold visuals or fantasies 

Grade: F

DORA AND THE LOST CITY OF GOLD (2019)

 Directed By: James Bobin
Written By: Nicholas Stoller & Matthew Robinson
Story by: Tom Wheeler & Nicholas Stoller
Based on the television series “DORA THE EXPLORER” Created by:  Valerie Walsh, Chris Gifford & Eric Weiner
Cinematography: Javier Aguirresarobe
Editor: Mark Everson

Cast: Isabelle Moner, Eva Longoria, Michael Pena, Adriana Barraza, Eugenio Derbez, Benicio Del Toro (voice), Danny Trejo (voice), Temuera Morrison, Q’orianka Kilcher, Madeline Madden, Nicholas Coombe, Jeff Wahlberg, 

Having spent most of her life exploring the jungle with her parents, nothing could prepare Dora for her most dangerous adventure ever: high school. Always the explorer, Dora quickly finds herself leading Boots, Diego, a mysterious jungle inhabitant, and a ragtag group of teens on a live-action adventure to save her parents and solve the impossible mystery behind a lost Inca civilization.


This movie is for those who grew up on Dora and are now teenagers. So they make it the same way and to explain her kind of arrested development of sorts. It is explained that she has been growing up in the jungle. So regular civilization and especially high school and its rules and culture are foreign to her. 

This film comes across as cute mroe than anything else. As it offers plenty of danger but also plenty of fun and entertainment.

You know what type of movie you are going to get from the get-go. As this is a film more made for pre-teens that is the kid. If adventure films that have been missing for that audience that offer kids being heroes and while under adult supervision end up being mroe the wise ones.

This is like a modern-day Amblin film. Where there is the threat of danger even though you know there isn’t probably going to be any even for the fates of villains. 

Also, credit must be given to a film that has a psychedelic sequence that is animated. Where the kids trip out from mushrooms and a scene where two scorpions mate on someone’s head.  

What really puts the film in a high is having Benicio Del Toro steak the film With him voicing the character of Swiper the Fox. And Eugenio Debrez provides plenty of comedic Relief as the inept explorer helping Dora and her crew.

While the film has many callbacks to the original animated show that come off as Jokes most of the time. This is a nice wholesome and fun family film. That has little to no cynicism and is rather simple. 

Though would expect nothing less from Director James Bobin director of many modern muppet movies and shows. 

Grade: C+

EVERYTHING MUST GO (2010)

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Written & Directed By: Dan Rush
Based on the Short Story “Why Don’t You Dance” By: Raymond Carver
Cinematography By: Michael Barrett
Editor: Sandra Adair 


Cast: Will Ferrell, Rebecca Hall, Christopher C.J. Wallace, Laura Dern, Michael Pena, Stephen Root, Glenn Howerton

After Nick is fired from his sales job, mostly because of his penchant for alcohol, he comes home and finds that his wife has kicked him and all of his stuff out of the house and onto the front lawn. He is pretty intent on just sitting in his chair, drinking beer, on the lawn. His cop friend, Frank Garcia, thinks he should at least pretend to have a yard sale to make it legal. He slowly starts making friends with a neighborhood kid who needs something to do, and a pregnant wife who has just moved in across the street, and Nick finds himself moving on and selling all his stuff.

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THE MULE (2018)

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Directed By: Clint Eastwood
Written By: Nick Schenk
Inspired by the New York Times Magazine Article “The Sinaloa Cartel’s 90-Year Old Drug Mule” by: Nick Soloman
Cinematography: Yves Balenger
Editor: Joel Cox 

Cast: Clint Eastwood, Dianne Wiest, Taissa Farminga, Clifton Collins Jr., Bradley Cooper, Michael Pena, Alison Eastwood, Laurence Fishburne, Andy Garcia, Lobo Sebastian, Victor Rasuk, Robert LaSardo, Eugene Cordero, Ignaccio Serricchio 


The movie was inspired by the story of Leo Sharp, a World War II veteran in his 80s who became the world’s oldest and most prolific drug mule for the Sinaloa Cartel.

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WAR ON EVERYONE (2017)

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Written & Directed By: John Michael McDonagh
Cinematography By: Bobby Bukowski
Editor: Chris Gill 


Cast: Alexander Skarsgard, Michael Pena, Theo James, Malcom Barrett, Tessa Thompson, Caleb Landry Jones, Paul Resier, Stephanie Sigman , Keith Jardine, David Wilmot 


Two corrupt cops set out to blackmail and frame every criminal unfortunate enough to cross their path. Events, however, are complicated by the arrival of someone who appears to be even more dangerous than they are.


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GANGSTER SQUAD (2013)

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Directed By: Ruben Fleischer
Written By: Will Beall
Based On The Book By: Paul Lieberman
Cinematography By: Dion Beebe
Editor: Alan Baumgarten & James Herbert 


 Cast: Sean Penn, Josh Brolin, Michael Pena, Ryan Gosling, Emma Stone, Anthony Mackie, Robert Patrick, Mireille Enos, Troy Garity, Nick Nolte De’Aundre Bonds, Giovanni Ribisi, Jon Polito, Michael Bacall, Don Harvey, Derek Mears

It’s 1949 Los Angeles, and gangster Mickey Cohen has moved in, with the intention of controlling all criminal activity in the city. He has bought local judges and police, and no one is willing to cross him or testify against him. Everyone except Seargant John O’Mara, a former World War II soldier, whose goal is to settle with his family in a peaceful Los Angeles. Police Chief William Parker decides to form a special unit whose mission is to take down Cohen, and chooses O’Mara to lead the unit. O’Mara chooses 4 cops and asks another cop and vet, Jerry Wooters to join him but Wooters is not interested. But when he witnesses the murder of a young boy by Cohen’s people, he joins them, and they decide to take apart Cohen’s organization. Cohen wonders if a rival is going after him, but eventually he realizes it’s the cops.

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