LETHAL WEAPON 4 (1998)

Directed By: Richard Donner

Written By: Channing Gibson 

Story By: Jonathan Lemkin, Alfred Gough, and Miles Millar 

Based On Characters Created By: Shane Black

Cinematography: Andrzej Bartkowiak

Editor: Dallas Puett, Kevin Stitt, Eric Strand and Frank J. Urioste 

Cast: Mel Gibson, Danny Glover, Jet Li, Rene Russo, Joe Pesci, Chris Rock, Kim Chan, Steve Kahan, Darlene Love, Traci Wolfe, Eddy Ko, Jack Kehler, Richard Riehle, Michael Chow, Roger Yuan, Mary Ellen Trainor 

With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders from prison and onto American soil.


This is the only lethal weapon movie so far that I have seen on the big screen. 

While satisfyingly, it closes out the franchise with a message of familiarity. This is definitely the most formulaic and cartoonish of the series. it feels like they are just adding things to make it relevant the formula, familiar and add some flavor so that the film comes fresh

The film also represents the aging of the characters as it shows Mel Gibson‘s character Riggs to have more weaknesses, and not be as sharp and invincible as he used to be . As well as becoming a new father and having a wife, which would actually give him more weaknesses than he is used to. In fact they are so much older that half the time they have to use laser pointers to aim their guns in a target.

Chris Rock seems out of place and thrown in here as he was a hot ticket at the time and added to help with the office and put butts in seats and give it some more flair with a side story is hard to believe and just adds to a sitcom sense of discovery And off-color humor. As he is barely in any of the scenes where action takes place.

Which kind of force is Joe Pesci’s character of Leo gets out of the picture as the main comedic relief though he is still here, and in the end is a dramatic moment, though he does actually have the best chemistry with Chris Rock throughout the film

Again, like the last film, this plays more comedic than dangerous or even action oriented as again this is more of a comedy with action in it. It seems like the first half of the series was more action with comedy. This half is more comedic with action sequences. 

The one addition that does make this film, memorable and come alive is Jet Li, as he is exciting as a villain, but other than his action scenes, he is left with nothing to do, though, is a good distraction, and a perfect adversary for Mel Gibson’s character (which with his gruff and viciousness in the past. You can see why fans at the time wanted him to play Wolverine if they ever made an x-men movie) and he actually wins most of the time in the fights on screen, as he truly comes across as invincible, almost like a machine with the speed of his moves Where you do wonder, how are they going to defeat this guy and with him.

I hate to say it, but he is really one of the only reasons to watch this film to see him in action. As this serves Moore as his introduction to Hollywood and a great showcase for him to star in action films, though this film managed to capture him unlike his other American or Hollywood films where he just seems so amazing vicious the only one that comes close that I can think of is unleashed, which also goes by the title Danny the dog

The comedy is just too broad and damn near almost takes over. Just as this film is definitely far from how dangerous Riggs his character was he was unpredictable and crazy. Now he’s still a little crazy yet more careful, and is showing his age. Though still manages to have a memorable chase sequence on the highway.

Just like the previous films, this film has at least one memorable action sequence, and a separate character scene that endears it and makes it can.

Though this film will certainly have a nostalgia and sentimental factor for those who are fans of the franchise and characters. As this Is their last hurrah together. Especially with the passing of directior Richard Donner. 

Grace: C

LETHAL WEAPON 3 (1992)

Directed By: Richard Donner 

Written By: Jeffrey Boam and Robert Mark Kamen

Based on characters created by: Shane Black

Cinematography: Jan De Bont

Editor: Battle Davis and Robert Brown 

Cast: Mel Gibson, Danny Glover, Joe Pesci, Rene Russo, Stuart Wilson, Nick Chinlund, Alan Scarfe, Mark Pellegrino, Sven-ole Thorson, Miguel Nunez Jr., Paul Hipp, Stephen T. Kay, Delores Shell, Steve Kahan, Traci Wolfe, Damon Hines, Ebonie Smith, Mary Ellen Trainor

Archetypal buddy cops Riggs and Murtaugh are back for another round of high-stakes action, this time setting their collective sights on bringing down a former Los Angeles police lieutenant turned black market weapons dealer. Lorna Cole joins as the beautiful yet hard-nosed internal affairs sergeant who catches Riggs’s eye.


This was my introduction to the movie franchise. Which, for a time, was truly dyslexic, as I never watch many franchises in order. Though at least watching this film pieces of the puzzle come together. As I had seen the previous two movies, in pieces. just never all the way through. Until after seeing this one which made me wanna go back and finally actually watch the first two films’ info.

Having seen all of the movies, I have to say that disappointingly this film doesn’t advance the characters. It kind of lets them stay the same and maybe review or remind the audience of the death of their friendship at this point, as partners. 

It feels like it’s trying to be contemporary. It still feels a little bit like a throwback just following a formula. I mean just look at Joe Pesci‘s Leo character who is now a bottle blonde with a crew cut. Also, the introduction of hollow point bullets known on the streets as cop killers, feels like something taken from the news reports of an escalating danger.

Don’t know if the cliché came first or if this helped create them as throughout the formula, feels like a sitcom, almost that Hass to hit certain beats, and show certain scenes and behavior of characters. At least in the previous films, we were getting to know or learn about the characters and see how their partnership developed here we just assume they’ve had a kind of standstill, and it is expected

It’s a film where you don’t really feel any suspense. Just can’t help but seem familiar.

As my first LETHAL WEAPON film, it was exciting and new though it didn’t offer anything I hadn’t seen before. The quality kind of dips in quality in comparison . as if not for the foul language and violence, could’ve easily been a typical PG-13 film as it is definitely made for an audience more than anything. There is no need truly for this film other than for the studio to need money.

Unfortunately, this was a sign of the beginning of the end that felt fun, but a minor effort as there was one more sequel after this.

In serious scenes, the actors seem more silly than serious, except for the chase scene through the subway. That might be one of the film’s main problems is that it plays like a comedy with action in it rather than an action film that happens to have funny moments it’s not as vicious as the previous films either 

Watching this film, one’s favorite pastime might be noticing how many times Mel Gibson slips out of his American accent to his more natural Australian one. this film is also the first where Martin Riggs, Mel Gibson’s character, isn’t as scary or dangerous. He’s actually mellowed.  

Another Hallmark of this franchise, this one just seems to color in the lines, but offers nothing new, just adding an addition to the overall picture that wasn’t necessarily needed, but isn’t that bad? No, I will say it’s the last classic of the old-time sequels as the next film part four comes across as more cartoonish.

The franchise is familiar enough, so this is almost like just another episode, but lacks the stakes of the other films. It does offer as it adds a character, just as part two introduced us to Joe Pesci Leo Getz, who became a fan favorite enough that he returns for the remaining sequels here, Renée Russo’s character, is introduced, and ultimately stays and survives so that Riggs finally fall for and keeps a love interest.

The film offers a crafty, smart villain that makes his mark but alas, slimy doesn’t have as many memorable scenes, acts, or punch lines as previous villains.

The teenagers with the guns and ammo who are supposed to be part of this gang that hits close to home for Danny Glover, Roger, as one of them has a connection to his son. Nick feels thrown in to give Danny Glover a dramatic second act so that he can make a return, triumphant in the third act.

The film doesn’t offer anything new nor for the characters to do as the first two films did. The violence seems much lighter and less severe than in the first and especially the second film.

It seems like they are supposed to be homicide detectives, but they seem to get involved in every other type of case.

This franchise is one of the last where you can check your head at the door and be purely entertained and feel like at least you were served something well-cooked. Though in the end the film and franchise are meant to be entertainment above all else 

Grade: C+

FATHER STU (2022)

Written & Directed by Rosalind Ross
Cinematography: Jacques Jouffret 
Editor: Jeffrey M. Werner 

Cast: Mark Wahlberg, Mel Gibson, Jacki Weaver, Malcolm McDowell, Teresa Ruiz, Jack Kehler, Aaron Morten, Cody Fern, Carlos Leal

Follows the life of Father Stuart Long, a boxer-turned-priest who inspired countless people during his journey from self-destruction to redemption. Based on a true story. 


The film obviously speaks to the beliefs and sensibilities of the two stars of the film Mark Wahlberg and Mel Gibson. It’s a truly inspirational story that ends up redeeming itself in the end. 

The film takes a while to get started and Mark Wahlberg looks a bit old for the leading role, but he does what the role Calls for, staying self-deprecating.  yet charismatic and quite funny. Not to mention gets to play an extraordinary human character. 

Mel Gibson plays his father in a mode he is becoming quite familiar with. That is usually ex-alcoholic and/or white trash. Here he has a chance at a more dramatic role. Where at times he is thrown into stereotype and at others you truly can feel him as the character.

The romance angle is perfectly handled as it takes its time and by the time he has finally gotten what he wanted. Yet still hasn’t made a complete change a tragedy happens that makes him devote his life to god. 

What truly sets the film and story apart is that after that tragedy another tragedy is revealed and while it gives the film a curve from the by-numbers way it seems like it was going. It also adds dramatic depth that the film had already given us an abundance of, but then finally and truly felt.

Truthfully the film that seems lively at first truly doesn’t come alive and exciting until that second act when he is truly trying to strive for bigger and better things. Even throughout the film, his character seems to be searching and trying for something new to fulfill himself and change his life for the better.

Based on a true story you can only do so much, but this film is an uplifting story and a crowd-pleaser. It is hard to knock it, but it is definitely not a film I could imagine watching more than once.

Grade: C

CONSPIRACY THEORY (1997)

Directed By: Richard Donner 
Written By: Brian Helgeland 
Cinematography By: John Schwartzman 
Editor: Kevin Stitt & Frank J. Urioste 

Cast: Mel Gibson, Julia Roberts, Patrick Stewart, Cylk Cozart, Troy Garity, Sean Patrick Thomas, Peter Jacobson, Thomas McCarthy, Rick Hoffman 

Jerry Fletcher is a man in love with a woman he observes from afar. She works for the government. Fletcher is an outspoken critic of that government. He has conspiracy theories for everything, from aliens to political assassinations. But soon, one of his theories finds itself to be accurate. But which one? Some dangerous people want him dead and the only person he trusts is that woman he loves but does not know.


The film has a notable cast which is how the film will peak your interest and hook you. It also has a kind of underdog story at heart. Of course as expected by the title the film makes various references to popular conspiracies Such as assassinations, Lee Harvey Oswald

It has Mel Gibson Playing against type. He is more invested and Actually seems a bit more challenging for him. Though he still keeps his jokey tough demeanor.

It’s billed as an action thriller but ends up More like a comedy. As even the action sequences seem to end with some kind of joke or more humor than thrills necessarily.

The film’s Seems to fit into the Richard Donner funhouse. Where the film is entertaining above all else and beautiful to look at, Even though the film Tries to be gritty but always seems more like a typical Hollywood production. As Director Donner is one of the last of the studio directors who had to work his way up to directing by first working his way around every other department before getting the lucrative directing jobs. So he knows his way around way department having been vetted.

He is a director who constantly makes likeable movies that do ok but few would probably register as favorites of all time. But is a Consulate Hollywood director who deserves respect for making quite a few memorable films such as THE OMEN, The LETHAL WEAPON series of movies, 16 BLOCKS, MAVERICK.

The film is written by Brain Helgeland who also wrote and directed the Mel Gibson PAYBACK. Where you wonder if their working relationship was formed on this film.

One scene just seems so big even if it is minor. It’s a masterpiece of it’s own even if overblown. It’s After he buys the book. The scenes grand production that seems to set off just to try and capture him. Especially with a familiar sight involved. Just at the time seemed so amazing and was the epitome of Hollywood magic.

Even the thriller elements are entertaining. As they are just creepy enough to add some suspense and tries to throw you off. Even though you know how it will probably turn out.

It’s a film where every one seems to have secrets even the good guys. So that at every turn you don’t know who to really trust or believe.

Patrick Stewart is here truly chewing the scenery in his delicious turn as the main villain.

It’s a movie that keeps building so that even if it were done on a modest budget by the end it has grown so big it would have to need major stars for the size of production and for the audience to keep believing. Don’t know if this film would be made today As it is more driven by star power especially two very big names attached and mid budgeted so unless really a gamble or as someone’s passion project which this wouldn’t Really be or somehow it would have to be Sci-fi or superhero related or be an independent financed film.

The film is Disarming how enjoyable it is though somewhat predictable.

Though she is a major star of the movie they don’t leave Julia Roberts with much to do other then Be the brainy damsel in distress. She is only really here for star power. Which truly seem the only reason this film was made. As they try to market it as more a modern team-up of stars. Even though the characters are close there is no real romance beckoning though the film keeps trying to build up one.

This is pretty much a movie star movie. The story might actually be something ambitious for more than a mid-size budget, but in the end, it’s a movie for the audience to stare and gawk as two superstar movie stars share the screen. It’s actually not a stunt here as the stars do share a number of scenes and the movie doesn’t make you wait around for half the movie for it to happen. Though the film ends up being best for a Saturday afternoon a breezy affair with no real stakes. That you will mostly watch to see who is In it rather than what it is about. Sort of like those black and white movies starring a star of yesteryear that you watch only because you like the star. Not necessarily the story.

The film Won’t stick with you too long after but a crowd pleaser

You feel by the end like you got your money’s worth though keep in mind I saw this at the $2 theater. Back when there was one. This is where movies played second string after their major release, right before reaching hoe. Video at the time. Today think of that more as a digital release before the DVD/Blu-ray

Grade: C+

LETHAL WEAPON 4 (1998)

lethalw4

Directed By: Richard Donner
Written By: Channing Gibson
Story By: Jonathan Lemkin, Alfred Gough & Miles Millar
Based On Characters Created By: Shane Black
Cinematography: Andrzej Bartkowiak
Editor: Dallas Puett, Kevin Stitt, Eric Strand & Frank J. Urioste 


Cast: Mel Gibson, Danny Glover, Jet Li, Joe Pesci, Chris Rock, Rene Russo, Kim Chan, Steve Kahan, Darlene Love, Richard Riehle, Mary Ellen Trainor, Ebonie Smith 


With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
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MACHETE KILLS (2013)

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Cinematography & Directed By: Robert Rodriguez
Written By: Kyle Ward
Story By: Robert Rodriguez & Marcel Rodriguez
Editor: Robert Rodriguez &  Rebecca Rodriguez 


 Cast: Danny Trejo, Mel Gibson, Charlie Sheen, Amber Heard, Demian Bichir, Michelle Rodriguez, Vanessa Hudgens, Sofia Vergara, Alexa Vega, Walton Goggins, Cuba Gooding Jr., Lady Gaga, Antonio Banderas, Tom Savini, William Sadler

During an operation of a Mexican Cartel, Machete Cortez and Sartana Rivera intercept the criminals alone, but another group arrives and a masked man kills Sartana. Machete is arrested, accused of killing his beloved Sartana and Sheriff Doakes hangs Machete. But the President of the USA Rathcock pardons and recruits Machete to kill the revolutionary Marcos Mendez that has threatened the USA with a missile with a bomb. Machete goes to San Antonio to meet the Miss San Antonio Blanca Vasquez that will be the liaison between Machete and President Rathcock. Then Machete goes to the brothel of Madame Desdemona to seek out the prostitute Cereza that is Mendez’s mistress. Machete meets Mendez and learns that his heart is connected to the missile and only the arm dealer Luther Voz is capable to disarm the bomb. Now Machete needs to bring Mendez to the USA in less than twenty-four hours and save his new country in a dangerous journey with betrayals.

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DRAGGED ACROSS CONCRETE (2019)

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Written & Directed By: S. Craig Zahler
Cinematography: Benji Bakshi
Editor: Greg D’Auria 


Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Jennifer Carpenter, Michael Jai White, Thomas Kretschmann, Don Johnson, Udo Kier, Laurie Holden, Fred Melamed, Justine Warrington, Myles Truitt, Vivian Ng 


The script centers on two policemen, one an old-timer, the other his volatile younger partner, who find themselves suspended when a video of their strong-arm tactics become the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.

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