STEP SISTERS (2018)

Directed By: Charles Stone III 
Written By: Chuck Hayward 
Cinematography By: Christopher Baffa 
Editor: Matt Friedman 

Cast: Megalyn Eichikunwoke, Lyndon Smith, Gage Golightly, Eden Sher, Marque Richardson, Alessandra Torresani, Naturi Naughton, Sheryl Lee Ralph, Matt McGorry, Robert Curtis Brown


Jamilah has her whole life figured out. She’s the president of her sorority, captain of their champion step dance crew, is student liaison to the college dean, and her next move is on to Harvard Law School. She’s got it all, right? But when the hard-partying white girls from Sigma Beta Beta embarrass the school, Jamilah is ordered to come to the rescue. Her mission is to not only teach the rhythmically-challenged girls how to step dance, but to win the Steptacular, the most competitive of dance competitions. With the SBBs reputations and charter on the line, and Jamilah’s dream of attending Harvard in jeopardy, these outcast screw-ups and their unlikely teacher stumble through one hilarious misstep after another. Cultures clash, romance blossoms, and sisterhood prevails as everyone steps out of their comfort zones.


This is a cute film that tries to say something. About diversity and races coming together. Now of course you know what this type of film you are going to get so if Looking for something more deep or artistic you know you aren’t going to find it here.

If you are looking for something light, fun, and mildly Funny this is the film for you. In a lot of ways, it reminds me of BRING IT ON for its light yet biting attitude.

It feels a bit like a combination of films like bring it on and the dance movie series like STEP UP only less focused on romance and more focused on stepping.

I enjoyed the film making the black sorority characters threatening but not villains and open-minded.

You won’t believe any of the endings this Film goes for feel good and promotes equality, but the actions of the characters just feel false but again this is the type of film where you just have to accept it as it isn’t Shakespeare.

The film is written by Chuck Hayward who is a successful tv-writer he writes for DEAR WHITE PEOPLE and I recognize plenty of cast members from that show sprinkled throughout as well as actors who worked on his previous projects.

Everyone seems perfectly cast as this has the fun of DEAR WHITE PEOPLE but not the impact or heaviness when it comes to the story.

I am happy to see actress Megalyn Eichikunwoke finally getting a lead role after seeing her play good supporting performances in movies like DAMSELS IN DISTRESS. Here she shines and shows she has star quality.

The race material is fun and is kept in the foreground for moments and ongoing plots but as the film goes along it melts away and just shows people are people and characters have many different shades and levels.

One point I did like was her having an overly sensitive liberal Caucasian boyfriend who goes over the low. In his liberal beliefs gives an attitude that blacks always need help or a handout. His heart is in the right place but he can’t see how he is minorly insulting.

It’s also interesting in the beginning the character is seen as more down with her race she is in an interracial relationship and when she finally opens herself to others and other races she is interested in an African American character for dating.

This is a film that makes the action happen fast, as to not bore the audience. it gets raunchy but PG-13 raunchy. So it is perfect for teens and good for an afternoon movie to have fun with and put you In a good mood probably forgetting it soon after. Quality enough though. It’s a film that might be more fun on the big screen but it is a Netflix release. Made for that type of home audience. As studios rarely put money in low to mid-budget projects anymore especially with teen comedies. Where it is more of a minor gamble.

Though there seems to be a drought of films such as these that seem built in to have crossover appeal. It would seek more natural theatrical release as it does provide the familiarity of material and broad stereotypes that it seeks to disprove and have fun with. Meant to open the minds of the characters and maybe even some audience members.

Grade: C+

LATE NIGHT (2019)

latenight

Directed By: Nisha Ganatra
Written By: Mindy Kaling
Cinematography: Matthew Clark
Editor: Eleanor Infante & David Rogers

Cast: Emma Thompson, Mindy Kaling, Hugh Dancy, Reid Scott, Denis O’Hare, Max Casella, John Lithgow, Paul Walter Hauser, Luke Slattery, Amy Ryan, Ike Barinholtz, Megalyn Euchikunwoke, John Early, Seth Meyers, Annaleigh Ashford, Halston Sage, Maria Dizzia

Katherine Newbury is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.

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NIGHT SCHOOL (2018)

nightschool

Directed By: Malcolm D. Lee 
Written By: Kevin Hart, Nicholas Stoller, John Hamburg, Harry Ratchford, Joey Wells & Matthew Kellard
Cinematography By: Greg Gardiner
Editor: Paul Millspaugh 


Cast: Kevin Hart, Tiffany Haddish, Rob Riggle, Romany Malco, Taran Killam, Megalyn Echikunwoke, Al Madrigal, Mary Lyn Rajskub, Keith David, Anne Winters, Fat Joe, Ben Schwartz, Yvonne Orji 


A group of high school dropouts are forced to attend night school in hope that they’ll pass the GED exam to finish high school.

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