AMSTERDAM (2022)

Written & Directed By: David O. Russell 
Cinematography: Emmanuel Lubezki
Editor: Jay Cassidy 

Cast: Christian Bale, Margot Robbie, John David Washington, Chris Rock, Zoe Saldana, Robert DeNiro, Rami Malek, Michael Shannon, Mike Myers, Timothy Olyphant, Anya Taylor Joy, Alessandro Nivola, Andrea Riseborough, Matthias Schoenaerts, Taylor Swift, Max Perlich, Ed Begley Jr, Colleen Camp 

In the 1930s, three friends witness a murder, are framed for it, and uncover one of the most outrageous plots in American history.


This film had so much promise, an all-star cast, and a period-piece comedy. Somehow it all went so wrong. 

As it is big everything about it is big, but limits the places it can go and at least acknowledges that people have other elements to their lives other than the main plot as a focus. 

Director David O. Russell always likes to keep his films somewhat unpredictable and lovely as the camerawork is usually styled yet fluid and there are so many characters floating around who play important roles. That you never quite know who is going to drop in and out. He seems to like organized chaos so that by the end that is when you really notice the style or the plan. As it comes to light.

He also usually gets actors to play parts in his films as the roles are usually off the wall or quirky enough. That it allows the actors more to play than to necessarily act.

When it comes to this film though everything seems off. Not in his usual way though. As the film wants to say something about modern society and politics. As well as race and class relations to a degree, but also wants to mix in comedic elements that feel slapstick yet the laughs never come and nor the comedy exactly.

Here half the minor roles are played by recognizable actors who you wonder why they are even in the film. Though one of those big names Taylor Swift provides the only noteworthy and truly funny jaw-dropping scene. That someone who is not a fan of hers might enjoy it a little too much. 

It doesn’t help that you have a love story among friends and colleagues. Yet no one has any chemistry and they say the lines so blankly that there is no emotion at all and no real reason to truly care about the characters. Even as the situations get zanier and a conspiracy forms. The film stays steady and slow. Where the only actor who seems like they could be interesting is Christian Bale who seems stranded in this movie. His romance with Zoe Saldana is cute and her character is short-changed. As this is the most appealing she has been on screen in quite some time. As the film seems desperate for his character to have a love story as it keeps shining a light on Washinton.s and Robie.s  

As even the film tries to paint a love triangle but it is more of a love story between the two and he is just close to them. If the film had incorporated more of the triangle of the two characters both in love with the woman or them all in love with one another. That would have kept the dynamic more interesting. 

The characters all seem like they deserve their own film. Even though they aren’t playing passionately. They have backstories that would certainly fit a better film or be better used in one.

By the end, this film is about a conspiracy and is played by a caper. Feels like it was much ado about nothing. By the end, only two characters falling in love is the only true change throughout. So that by the end you feel like you went through an endurance test. A well-meaning one but still a chore 

It’s focused as it wants to be a lot of things all at once. It wants to be angry but also soft. As it is paced at times like a screwball comedy but intended to stick and not just go by. It just feels very unfocused. Yet wants to include a lot of details

Grade: C-

A HIDDEN LIFE (2019)

Written & Directed by: Terrence Malick

Cinematography: Joerg Widmer

Editor: Rehman Nizarali, Joe Gleason & Sebastian Jorsi 

Cast: August Diehl, Maria Simon, Karin Neuhauser, Tobias Moretti, Ulrich Matthias, Matthias Schoenaerts, Bruno Ganz, Michael Nyqvist 

Based on real events, A Hidden Life is the story of an unsung hero, Bl. Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife, Fani, and children that keeps his spirit alive.


This film is a love story of life and family itself. 

One of the reasons this film is so much more enjoyable or ranks  above Terrence Malick’s more recent films is that it is not as abstract. Still visually beautiful but doesn’t rely on things such as narration and voice over to tell It’s Tale. It doesn’t feel like a puzzle to be be solved.

The film is a tragedy but it is a film full of life and excitement. As it slowly dwindles down to hopelessness but in there there is hope and a fulfillment of spirit.

It’s based on a true story and let’s the strength of character be told there. It doesn’t have as much existential and philosophical angst and questions. There is a strong story as well as telling a story based on actual things that happens and offers a look at a historical event. So that it feels stronger and put together like more of his classic films rather then KNIGHT OF CUPS, TREE OF LIFE  and SONG TO SONG story a lesser degree TO THE WONDER. Which felt like Director Malick run amuck with his creativity or his poetry period.

This film might be stronger as it is based on a true story and makes the director stay within certain guidelines. Where he has space can can’t deter too off or too free form. This works in his historical tales and adaptations of novels.

Like most of his films this film feels spiritual above all else. They feel like they are taking you on a journey even when they might not be moving anywhere and pretty much have the characters in their regular day to day activities

He makes films that are much more powerful on the big screen and feels like you can get into the same wavelength if you have no other option and are surrounded giving into it’s will so to speak.  Not letting it do so much of the storytelling. If there is it is in the form of letters bit inner thoughts 

It helps Fill in certain aspects of the story. That might not be that interesting to Show or out on screen. but it shouldn’t Take Over the narrative and do most of the work And allows for the philosophical standing up for one’s beliefs is at the heart of the story. 

When the modern intrudes in the ills classic way of life. How then religion chooses to respect those in power instead of staying by its principles.

It also feels like a film that hits harder and is more relatable in the current political and world climate. 

Grade: B+

BLOOD TIES (2013)

bloodties

 

Directed By: Guillaume Canet
Written By: Guillaume Canet & James Gray
Based on the French Film ‘RIVALS’ (Les Liens Du Sang) Written By: Jacques Maillot, Pierre Chossen & Eric Veniard
Based On The Novel Written By: Bruno & Michel Papet
Cinematography By: Christophe Offenstein
Editor: Herve De Luze 


Cast: Clive Owen, Billy Crudup, Marion Cotillard, Noah Emmerich, Matthias Schoenaerts, Zoe Saldana, Dominick Lombardozzi, John Ventimiglia, Mila Kunis, Lili Taylor, James Caan, Griffen Dunne, Yul Vasquez, Jamie Hector, Eve Hewson, Olek Krupa

Two brothers, on either side of the law, face off over organized crime in Brooklyn during the 1970s.

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