THE KITCHEN (2019)

Written & Directed by: Andrea Berloff
Based on the comic book series created for DC Vertigo by: Ollie Masters & Ming Doyle
Cinematography: Maryse Alberti
Editor: Christopher Tellefsen

Cast: Melissa McCarthy, Elisabeth Moss, Tiffany Haddish, Common, Domnhall Gleeson, James Badge Dale, Brian D’Arcy James, Bill Camp, Margo Martindale, Annabella Sciorra, Jeremy Bobb

The wives of New York gangsters in Hell’s Kitchen in the 1970s continue to operate their husbands’ rackets after they’re locked up in prison.


Adapted from a graphic novel and it feels that way. As there is a lot of posturing on screen, but nothing ever feels real or organic. It feels like everything happens because the story says so.

None of the characters or their motivations feel real they are understandable but never feel heartfelt. Leaving the film to feel empty to a degree.

It’s Entertaining but you can always feel it turning the wheels forward and when characters turn about face or there is a double cross and a plot twist. It never quite hits as hard because it already feels like a free for all. As to what will shake up the audience.

You never understand why 2 of the characters would be with their husbands until it is explained later and you still don’t know why it wasn’t obvious to their characters or a it one else throughout.

It might be that this storyline has been used before in the Televison mini-series BELLA MAFIA amongst other films and television shows. This just feels like the latest retread and whole all involved give it their all.

It gives each of the actresses room to stretch their dramatic muscles Tiffany Haddish has the juiciest role and it gives her a chance to flex her more dramatic muscles and she comes across with flying colors as the most ambitious. 

Elisabeth Moss tries soenthing new in playing a woman constantly abused. Who ends up becoming the most violent and ruthless out of the three. As she finds true love and freedom through finally striking back at those who would try to harm her or them.

Melissa McCarthy comes across as the leader and most open. As well as the most kind who has to learn to toughen up and who she can trust and can’t 

The film Gives most of the cast of recognizable character actors a chance to revel in their 1970’s wardrobe and stereotypes. As their costumes and style do most of the work. 

It never quite feels as strong as it should and comes across as rather empty overall. As even the sets and costumes are more obviously fake then lived In.

GRADE: C-

THE VISIT (2015)

TheVisit

Written & Directed By: M. Night Shyamalan
Cinematography By: Maryse Alberti
Editor: Luke Franco Ciarrocchi 

 Cast: Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn

Two children are sent to their grandparents house to spend a week with their grandparents while their single mom goes on a relaxing vacation with her boyfriend. One of the kids, Becca, decides to film a documentary about her grandparents in order to help her mom reconnect with her parents and also find out some things about her parents as well. While filming the documentary, however, Becca and her little brother, Tyler, discover a dark secret about their grandparents.

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VELVET GOLDMINE (1998)

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Written &  Directed By: Todd Haynes
Story By: Todd Haynes & James Lyons
Cinematography: Maryse Alberti
Editor:James Lyons 

Cast: Christian Bale, Ewan McGregor, Jonathan Rhys Myers, Toni Collette, Eddie Izzard, Emily Woof, Michael Feast 

1971: Glamrock explodes all over the world and challenges the seriousness within the flower power generation by means of glitter and brutal music. Brian Slade, a young rock star, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys himself. Unable to escape the character role of “Maxwell Demon” that he created, he plots his own murder. When fans discover the murder is not real, his star falls abruptly and he is quickly forgotten about. 1984: Arthur, a journalist working for a New York newspaper, gets assigned the tenth anniversary story about the fake murder of Brian Slade. When Arthur was young and growing up in Manchester, he was more than a fan of Slade. Reluctantly he accepts the assignment and starts to investigate what happened to his old glam rock hero.

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