THE LADYKILLERS (2004)

Written & Directed By: Joel Coen & Ethan Coen
Cinematography By: Roger Deakins
Editor: Joel Coen & Ethan Coen (As Roderick Jaynes)

Cast: Tom Hanks, Irma P. Hall, Marlon Wayans, J.K. Simmons, Tzi Ma, Ryan Hurst, Diane Delano, Jason Weaver, Stephen Root, Greg Grunberg

A remake of the 1955 comedy, the story revolves around a Southern professor who puts together a group of thieves to rob a casino. They rent a room in an old woman’s house, but soon she discovers the plot and they must kill her, a task that is more difficult than it seems.



This is the first Coen brothers film where Joel Coen and Ethan Coen are both given directing and producing credits. They have shared these duties on all of their films, but Joel has always been listed as the director and Ethan as producer.

A goofy cartoon of a movie that seems like the actors all came to try and do ridiculous characters and accents but soon the fun and craziness become infective and you find yourself transfixed joining in on the fun. The film has certain dark humor that is also goofy and deadpan.

Though Tom Hanks is top-billed and certainly makes an impression. As it is the first time it seems to be him having fun with a role in a long time. Since it is rare he gets not only a challenge playing a part, but such an off-wall character seems to be liberating for him, but the true star of the film is Irma P. Hall.


One can see why the Coen Brothers choose to remake this. It’s certainly a Hollywood film for them with a big star, but they also subvert the film to their type of humor and have the film be inhabited by the type of characters who are common in their type of films. It was made during what I like to call their Hollywood years.

After the success of O, BROTHER WHERE ART THOU they seemed to be making fluff with big stars which may have been a strategic plan. So in the future, if they wanted to make more personal films they could get better budgets or at least enough financing based on their record of hopefully hit studio films. At least this film lets them further explore the southern culture and satirize it with a bit of nostalgic heart. Like their hit O, BROTHER WHERE ART THOU

The film reminds the audience how successful that film was and explores similar territory not as philosophical or deep. There is enough room for stylistic choices. If there is one thing that is right above this film it’s the rich atmosphere and warm colors that fill the screen. Like a southern gothic tapestry. You could almost taste the scenes.
The Film involves plenty of Memorable characters that you hate to see go. Each could have been a start of there own movie or adventure.


As always with the Coens the film has a great soundtrack, Full of southern charm with gospel hits, Bluegrass, and hip hop.


Prior to filming, Tom Hanks had not seen The Ladykillers as he did not want it to prejudice the way he acted in the remake.


I almost like to think of the Hollywood movies they make as experimental at least for them. With an original idea but in the mode of old Hollywood classic films. The filmmakers are at home with the wild and wacky.


Whereas studio films they have the technicality down pat but when it comes to the more mundane slightly less outrageous aspects to story and character they can do it easily but you can see it makes them uneasy. It shows they are trying to do something completely foreign to them thus experimental

GRADE: C+

DANCE FLICK (2009)

Directed By: Damien Dante Wayans
Written By: Damien Dante Wayans, Craig Wayans, Kennan Ivory Wayans, Marlon Wayans, Shawn Wayans
Cinematography By: Mark Irwin
Editor: Scott Hill

Cast: Damon Wayans Jr. Shoshana Bush, Amy Sedaris, Lochlyn Munro, Essence Atkins, Marlon Wayans, Shawn Wayans, Chris Elliott, Keenan Ivory Wayans, David Alan Grier, Kim Wayans, Tichina Arnold, George Gore II, Craig Wayans


Street dancer Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter in the mother of all dance battles.


While rarely funny at sending up its targets the film is not witty the jokes are lazy and not very well thought out with its low budget the film just looks cheap Even though it’s not directed by Keenan Ivory Wayans. It is written and directed by the next generation of the Wayans family and while the previous generation had at least some success with a few good and hilarious films. The next generation is not starting off well. Half of the jokes are stand-alone and seems to be more about spoofing pop culture than staying on course and spoofing all of these teenage dance movies like, SAVE THE LAST DANCE which it seems to be mostly inspired by. And films like STOMP THE YARD, STEP UP, HIGH SCHOOL MUSICAL and HAIRSPRAY.


The film really never stays on the theme which makes the movie seem like a wide collection of skits rather than having a natural plot. This seems to be a common problem in a lot of the modern-day spoof films which seem to only be made to be year-end revues of all things pop culture instead of the subject or film(s) they are supposed to be spoofing.


Which I guess is because these films strive not to be one joke films so they need to pad the films with unnecessary jokes that have nothing to do with anything else in the film. I realize these films are not made to be cinematic classics but at the least, it should be memorable for being entertaining and good. The film just feels lazy.

The main story is the two leads falling in love and him not only teaching her how to dance but find her passion for it again and gain her self confidence. One of the problems is that the leads look too old to play believable teenagers. Yet none of the performers seem engaging enough to really pay attention to nor do they create characters who are the least bit interesting nor do they have any charisma or personality to engage you to watch them.


Since is not rated R The material feels watered down ad keeps the jokes from going profane and over the top. This is where the Wayans usually excel but here trying to market to a teen audience. So it leaves them kind of shackle.
The film involves separate characters who have nothing to do with each other until near the end when they come together to be a dance crew though they don’t actually do any dancing, they are just there no scenes of them bonding to come together as a team, it just happens.


In fact, one character is introduced and is never used later so there is no reason for the film to spend any real time developing the character who is not even used in running gags he is only around for two scenes. He is not needed at all.

Skip It

GRADE: F

NORBIT (2007)

norbit

Directed By: Brian Robbins
Written By: Eddie Murphy, Charles Murphy, Jay Scherick & David Ronn
Story By: Eddie Murphy & Charles Murphy
Cinematography By: Clark Mathis
Editor: Ned Bastille

CAST: Eddie Murphy, Thandie Newton, Cuba Gooding Jr, Terry Crews, Clifton Powell, Eddie Griffin, Katt Williams, Marlon Wayans, Michael Colyar, Kristen Schaal, Rob Huebel

Norbit is a normal person, who after being adopted by Mr. Wong, ends up being married to the very large, Rasputia. Norbit’s childhood love, Kate Thomas arrives back in town to buy the orphanage. Norbit sees this as his chance to get back together with Kate, until he discovers that she is in fact engaged to Deion Hughes. Norbit isn’t going to lay this to rest, whilst he tries to survive life with Rasputia, and it looks like Deion also has something he would like to keep secret.

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MO’ MONEY (1992)

momoney

Directed By: Peter MacDonald
Written By: Damon Wayans
Cinematography By: Don Burgess
Editor: Hubert C. de La Bouillerie 


Cast: Damon Wayans, Marlon Wayans, Stacey Dash, Joe Santos, John Diehl, Harry Lennix, Jackie Hoffman, Bernie Mac, Irma P. Hall, Salli Richardson-Whitfield. Mark Beltzman, Almayvonne 


Trying to get his act together, a con artist gets a job in a credit card company. He falls in , love with a fellow employee, he steals a couple of cards, everything is going great. But soon, the chief of security drags him into the big leagues of criminals.

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