MY BIG FAT GREEK WEDDING 2 (2016)

Directed By: Kirk Jones

Written By: Nia Vardalos

Cinematography: Jim Denault

Editor: Mark Czyzewski

Cast: Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan, Andrea Martin, Elena Kampouris, Gia Carides, Louis Mandylor, Alex Wolff, Joey Fatone, Bess Meisler, Rita Wilson, John Stamos, Rob Riggle, Mark Margolis, Ian Gomez, Bruce Gray, Jayne Eastwood

Still working in her parents’ Greek restaurant, Toula Portokalos’ daughter, Paris, is growing up. She is getting ready to graduate high school and Toula and Ian are experiencing marital issues. When Toula’s parents find out they were never officially married, another wedding is in the works. Can this big, fat, Greek event help to bring the family together?


It could be the fact that before this film a few year earlier Nia Vardalos tried to turn this into a franchise with a follow up television series 

Considering they tried s sitcom after the first film this feels like they just took story threads or ideas from there and tried to make a movie with a framing device and theme

As this film feels all over the place, like it want the audience to be updated on the families notice after all these years with her other film Connie and Carla not doing well wanted a guaranteed hit

It’s a feel good film with no real stakes. so while it’s nice to see the characters again they are left with little to nothing to really do as we just enjoy and laugh at their antics

The fil m can be considered fun for those who l led the original

Though the first film was better content wise as it had a love story and a story of self Confidence. That was familiar and well structured and could be identifiable by mining a culture under represented and giving them representation even with it’s stereotypes that come off as loving

It might have been seen as a clash in as the audience for the first film has come of age and are dealing with their teenage children and the prospect of them leaving the nest. So again a bit updated and identifiable for that generation 

The problem is as familiar as the first film was; this one jsit feels generic. A script that tries to have a best of or greatest hits quality to it’s scenes the first film the characters came off as quirky here they come off more as caricatures of their former selves playing it more for laughs. 

You could say that this feels like a victory lap. While it keeps it’s innocence and a little charm. That keeps it safe 

Grade: C 

NASTY BABY (2015)

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Written & Directed By: Sebastian Silva
Cinematography By: Sergio Armstrong
Editor: Sophia Subercaseaux 


Cast: Sebastian Silva, Kristin Wiig, Tunde Adebimpe, Reg E. Cathey, Mark Margolis, Alia Shawkat, Anthony Chilsom, Neal Huff, Marsha Stephanie Blake, Judy Marte 


A close-knit trio navigates the idea of creating life, while at the same time being confronted with a brutal scenario that causes them to take a life.

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END OF DAYS (1999)

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Cinematography & Directed By: Peter Hyams
Written By: Andrew Marlowe
Editor: Jeff Gullo & Steven Kemper 


Cast: Arnold Schwartzenegger, Rod Steiger, Gabriel Byrne, Kevin Pollak, Robin Tunney, CCH Pounder, Udo Kier, Mark Margolis, Miriam Margolyes, Renee Olstead, Gary Anthony Williams, Victor Varnado

On December 28th, 1999, the citizens of New York City are getting ready for the turn of the millennium. However, the Devil decides to crash the party by coming to the city, inhabiting a man’s body, and searching for his chosen bride, a 20-year-old woman named Christine York. [If he bears her child between 11:00 PM and midnight on New Year’s Eve], the world will end, and the only hope lies within an atheist ex-cop named Jericho Cane, who no longer believes in God because of the murder of his wife and daughter.

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FLAWLESS (1999)

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Written & Directed: Joel Schumacher
Cinematography By: Declan Quinn
Editor: Mark Stevens 


Cast: Philip Seymour Hoffman, Robert DeNiro, Daphne Rubin-Vega, Barry Miller, Chris Bauer, Wilson Jermaine Heredia, Rory Cochrane, Vincent Laresca, Katrina Arroyave, Skip Sudduth, Scott Allen Coopper, Mark Margolis, Wanda De Jesus, John Enos III, Winter Ave Zoli, Joey Arias, Jackie Beat

Walt Koontz, a homophobic guy, ends up with paralyzed vocal cords because of an unfortunate stroke. His therapy includes receiving singing lessons from a neighbor who is not only openly flamboyant but also a pre-op transgenderist. Both of them are equally prejudiced; Koontz against homosexuals and the neighbor against close-minded straight people.

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