THE MACHINE (2023)

Directed By: Peter Atecino

Written By: Kevin Biegel and Scotty Landes

Cinematography: Eigil Bryld

Editor: Eleanor Infante 

Cast: Bert Kreischer, Mark Hamill, Jimmy Tatro, Iva Babic, Robert Maaser, Stephanie Kurtzuba, Martyn Ford, Jessica Gabor, Rita Bernard Shaw, Oleg Taktarov 

Bert’s drunken past catches up with him 20 years down the road when he and his father are kidnapped by those Bert wronged 20 years ago while drunk on a college semester abroad in Russia.


While this is another comedian Bert Kreischer taking from his stand-up and making a movie out of it, or at least part of his stand this one actually kind of works a little deeper as a presents itself as a sophomore, action comedy. At times the humor is juvenile, but in the end, it’s all about taking responsibility and trying to do the best for your kids. Not to mention the complicated relationships families can have. Especially when trying to either honor or prove yourself.

it also focuses on a father and son relationship and bonding that I’ve done well, I am a sucker for. Which, at least, gives this film some kind of depth.

So, while the action scenes are serviceable and not entirely impressive, they do help break up the film and add a little bit more excitement to it. 

As Director, Peter Atecino is more of a noted comedy Director. He does OK with the action sequences.

It’s nice to see Mark Hamill on the big screen and not only doing a voice acting role or just some extension of either playing himself or a Star Wars movie 

I will admit to being a partial Bert Kreischer fan as I have seen many of his online antics. I have listened to his podcast. I’ve read his book and he just seems like the type of guy you might wanna hang out with or if you do, something memorable who just seems to collect those moments

It’s cloudy how his drinking superpowers sort of make him invincible in flashbacks. It just shows I’m taking off her shirt and getting drunk and not performing any particularly that define hacks, though it does seem like if anything it just gives him more drunk courage which, in the end, helps him out as an adult, living up to the legend And being not work.

He and Mark Hamill have great chemistry as Burt plays a version of himself that makes the film a little meta–

Not to mention have to give credit to a found that feels like a 1980s over-the-top action comedy with a scene right out of a Schwarzenegger movie where he literally uses a machine gun just to light his cigar in the middle of a battle. I can imagine Arnold Schwarzenegger watching that and thinking why didn’t I do that makes me a little jealous.

It’s a Film worth taking a chance on, it’s entertaining, and it’s not gonna change your world. If you’re a fan of Hays, you should enjoy it but it’s not something that is going to lay in your memory for a long time, it’s a Film for his audience or a nice introduction to who he is.

In the end, the film is more silly than anything else

Grade: C

JAY AND SILENT BOB REBOOT (2020)

Written, Edited  & Directed By: Kevin Smith
Cinematography: Yaron Levy 

Cast: Jason Mewes, Kevin Smith, Fred Armisen, Jason Lee, Ben Affleck, Chris Jericho, Shannon Elizabeth, Rosario Dawson, Harley Quinn Smith, Joey Lauren Adams, Diedrich Bader, Craig Robinson, Justin Long, Donell Rawlings, Aparna Brielle, Cliff “Method Man” Smith, Johnny Bananas, Joe Manganiallo, Karruche Tran, Melissa Benoit, Jason Biggs, Adam Brody, Val Kilmer, Kate Micucci, James Van Der Beek, Redman, Joe Reitman, Alice Wan, Brian O’Halloran, Tommy Chong, Keith Coogan, Molly Shannon, Dan Folger, Ralph Garman, Chris Hemsworth, Frankie Shaw, Treshelle Edmond 

Jay and Silent Bob inadvertently sign away their names and rights to the new Bluntman and Chronic movie. Now they head to Hollywood to stop the film from being made. Along the way Jay discovers that he is a father.


The film is a road-trip comedy. Where the story is there to explain and get the audience to the journey. Yet the reasons are more ridiculous.

It’s also a movie where half the fun of it is sporting the cameos and so-called guest stars

This is a film that is hard for me to review. Because as much of a fan as I am of Kevin Smith and his movies. At this point, he truly doesn’t care about impressing anyone outside of his fan base really or necessarily making more conventional films. At this point, he has a large following film-wise of usually the same age group most of his films are aimed at. Through podcasts, comic books as well as directing television shows. So that when he makes films it is for a niche audience of loyal fans and followers. So that it shows he is thankful and appreciated their loyalty. This is why for me it usually feels like a Joy to watch any new film he has ou

As usual, one has interest though more and more it seems like a chore. 

As with many different aging comedians like Adam Sandler and to a degree Eddie Murphy. He is willing to try new things once in a while but also seems like he is going after a young audience or the same audience he has always had only the next generation of them. By making his movies more for teens and kids. As they get juvenile and raunchy humor with big words but also as they get older they will find themselves loyal and beholden to him

As they grew up with his films. Planned or not. It also helps that he comes off always like a decent regular guy. Who just happened to get his dream job.

He also has always seemed to have a self-deprecating sense of humor and as he gets older he sharpens and aims for himself more and more. 

So that if you are a fan of his films and humor. You should enjoy this film. If not it might be a little harder for you to enjoy. As the fun of this movie is having previous knowledge of the characters and situations. Catching up with a lot of them over the years.

The film feels like a gift to his audience. As it brings back his most popular characters again for their own movie. A kind of sequel to JAY & SILENT BOB STRIKE BACK. Only as it seems to be directed to serve a younger teen audience. As well as hand it off to the next generation of characters and but like his previous film this feels like a present to pass on to his daughter. Who stars in this film And is a fine presence and likable. As she has appeared in many of his films previously and starred in YOGA HOSERS. Which thankfully this film is much better then. 

The film and its humor is still profane. Yet it still satirizes the characters as well as some of the actors participating in personal triumphs and give a reunion of sorts for various view askew character to appear throughout. As it shows just an exuberance of joy and goodwill which is how he also seems to snag some big names in self-deprecating cameos. 

The film ends up being crude yet fun it stays entertaining even if it feels a bit long and excessive. Also, he seems sometimes to be too hard on himself when being self-deprecating. 

The film stays purely comedic throughout in a more silly slapstick way and offers the young female characters not only a point of view but a chance to shine. Where the film isn’t all about sex nor focused on them more as sexual objects. He actually makes the characters and more part of the action. Which shows some growth for him. Not that he was a huge misogynist before or anything but wrote what he knew and characters more like himself. 

Your knowledge of his previous films will affect your enjoyment of this one. If you are a fan this will be a slam dunk, but if you are a critic of his previous work this will not be the one to convince you otherwise. 

Grade: C

CHILD’S PLAY (2019)

Directed by: Lars Klevberg
Written by: Tyler Burton Smith 
Based on the screenplay “CHILD’S PLAY” by: Don Mancini, John Lafia & Tom Holland
Based on the “CHILD’S PLAY” Story By: Don Mancini
Cinematography: Brendan Uegama
Editor: Julia Wong & Tom Elkins

Cast: Aubrey Plaza, Brian Tyree Henry, Tim Matheson, Gabriel Bateman, Beatrice Kitsos, Ty Consiglio, Carlease Burke, Mark Hamill

After moving to a new city, young Andy Barclay receives a special present from his mother. a seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.


This film is still as ridiculous as the series but more like the later films rather than the originals where it was far fetched but still more of a thriller.

This time Chucky isn’t possessed by a devil-worshipping serial killer. Instead, he just is a doll that has artificial intelligence and has his safety protocols turned off due to a disgruntled factory worker. So the dolls friendly nature is taken to obsessive extremes here.

The ridiculous nature of the film actually works for the tone of the movie. As it never truly seems to know what it wants to be more of a horror or comedy or more a kind of horrific am lin film with young teens as the heroes of sorts 

Chucky uses tech more as his murder weapon or his control over it. That is his weapon of choice most times or as his accomplice, though he still does good old blades also especially when in doubt.

Chucky here is more obsessed with Andy as his best friend. As he and his mom just moved there and he has no friends and his mother is dating a jerk. Once Andy becomes more popular and Chucky is dumped to a certain degree, more because of his behavior. He chooses to frame Andy while simultaneously exterminating all close to him with a believable case against him.

One particular standout is when one character who throughout the movie is a victim ends up being killed multiple times. Mainly because he seems to be not that moral. 

One murder feels personal and mean. Even though also provides laughs. Though it kind of ruins the whole mood of the movie seems to put in there for that reason. To signal a mood change and for not all the victims to be bad people.

Aubrey plaza is given a more normal role here though is still left with little to do. Her sarcastic humor works here but is barely used. It is also hard to believe that she would be so gullible throughout. Yet her character stays always fetching.

The violence feels wackier. It seems like it’s there more to either be excessive and funny the more ridiculous the better,  it then wants us to treat it seriously or be shocking after a certain point.

The film lacks the original spirit of the first film whereas this goes more form comedy and Learning. About friendship with plenty of violence. That it feels more like a studio driven film

Where they try so hard to modernize it and update it that it is missing its own identity. Clearly made for more. This is why this is not a sequel and the creators of the other series of CHILD’S PLAY movies are continuing their own on television. While allowing this to be Its own separate entity.

Grade: C