THE FULL MONTY (1997)

Directed By: Peter Cattaneo
Written By: Simon Beaufoy
Cinematography By: John De borman
Editor: David Freeman & Nick Moore

Cast: Robert Carlyle, Mark Addy, Tom Wilkinson, Emily Woof, Tom Speer, William Snape, Steve Huison, Paul Barber, Hugo Speer, Lesley Sharp, Paul Buttersworth, Dave Hill

Six unemployed steel workers form a male striptease act. The women cheer them on to go for “the full monty” – total nudity.


This film was part of a wave of British films (Usually Romantic Comedies) that became Surprise hits in the united states. I remember this one being so popular when it first came out it made me resent it and not want to see it at all. I avoided it on purpose in theaters. I waited for the home video and then only rented it because my mother wanted to see it badly. Needless to say, she loved it and can say one was entertained by it. At its heart is really a man’s movie that was made for a female audience. The film touches on the need to take care of a family and how powerful you can become if you can’t

The premise is so simple and full of sentiment While it is built around depressing subject matter. That it remembers to touch on now and then, But not too much of a downer. Luckily not over-the-top sugary sweet either. it finds a nice balance. it never feels false, sour, or like it is pandering to the audience like a film such as THE BUCKET LIST, yet it is so crowd-pleasing, That one is surprised that no American studio thought it up.

It is the rare crowd-pleaser one can stand and recommend because it’s easy to watch. Though it offers some eye candy for the ladies. While none truly have additional on-screen bodies. They do come in all sizes, shapes, and colors

One of the original aspects of the film is that not all men are hunky they come in all shapes, colors, sizes, and ages. Some are even in the closet gay. The film does represent each demographic to appeal to the audience without them realizing it. The film moves along quickly, but the events happen at a natural pace that makes the film feel smooth.

You can feel the film pull you in certain directions and try to dictate how you should feel and react, it does manage to do in subtle ways instead of blunt.

The film has a great cast. Each character has their own reason and a dramatic situation that they are dealing with. It was especially shocking that one of the main stars was Robert Carlyle who one can remember playing the sadistic Begbie in TRAINSPOTTING. He made one hell of a transformation as one totally forgot his previous role and believed him in this one.

The film Has a strong retro soundtrack to bring the audience into the good times when the songs were originally released, Adding to their memories. That works almost like a Jukebox Musical only not devoted to one particular singer or time period. ironically the film would have a Broadway version. Which truly showed how beloved the movie, story, and characters were.  

The characters are all working class from different aspects of life. So they are steadily identifiable to the audience. As we learn enough about each character to care about their plight and discover their particular quirks. Almost like members of a Heist crew. Where there is the recruitment for their gifts and what they bring to the table under the leadership of the leader who planned the heist in the first place.  

Each has its romantic history and mojo that needs kindling or rekindling. There is even an LGBTQ blossoming romance 

While there are clearly leading performers who we follow. The whole team is needed to complete the tasks and overcome the roadblocks. 

GRADE: B

DOWN TO EARTH (2001)

Directed By: Chris Weitz & Paul Weitz 
Written By: Chris Rock, Ali LeRoi, Lance Crouther & Louis C.K. 
Based on the original screenplay “HEAVEN CAN WAIT” By: Elaine May & Warren Beatty 
Cinematography: Richard Crudo 
Editor: Priscilla Nedd-Friendly 

Cast: Chris Rock, Regina King, Chazz Palmenteri, Eugene Levy, Frankie Faison, Mark Addy, Greg Germann, Jennifer Coolidge, Wanda Sykes, John Cho, Mario Joyner, Laz Alonzo 

After dying before his time, an aspiring black comic gets a second shot at life – by being placed in the body of a wealthy white businessman.


This was Chris Rock’s Big starring movie in the lead after he had a resurgence as a stand-up comedian and came to be a comedy all-star. So a lot was expected with this film. Again virtually a black version and update of HEAVEN CAN WAIT. Starring a Caucasian actor originally Warren Beatty.

He not only stars but helped co-write the script, also directing the film were the Weitz Brothers. Who were fresh off the surprise hit film AMERICAN PIE. So this was a big important opportunity for them at the time. They even cast some for Aathe actors from that film in small to supporting roles here 

While a bit of watering down the material for more of a crossover appeal for audiences. Rock’s humor and It are still there but a bit buried. There is also a lack of bite. As the story seems to be more based on him with his character being a stand-up comedian here. Rather than a football player in the original. 

Unfortunately the film isn’t that memorable but it is entertaining enough while watching it.

Though some scenes of the movie would be funnier if we saw the character who he is on the body of so some do the behavior he does. As they are funny in theory and in glimpses when we do see him as everyone else does. Though Mostly it’s a quantum leap situation where Chris Rock is on the screen representing the character. As he is the star so It’s Expected. Though not as funny.

Though if he wasn’t would he really be the star unless they set up a kind of WHITE CHICKS prosthetics which would cheapen the movie

It shows Chris rock to be a capable enough actor and leading man. It also allows racial humor and observations to work. The film also allows the supporting cast to be funny and ridiculous too especially Wanda Sykes (here you see why so many people found her hilarious. As her comedic skills are on point. And sharp) and Jennifer Coolidge as the more outrageous ones. Hit their marks.

Though they try the Heaven Chazz Palmenteri and Eugene Levy material seems too formulaic and partially takes you out of the film and reminds you of the cheesier parts. Though at least they try to class it up and show another existence. It also feels more in tone with the weak comedy.

The film has a lot of human moments and works as funny and even romantic when you see Chris Rock in the scene that becomes like the show QUANTUM LEAP where you forget who he is supposed to be or at least look like and is more believable even when it is just him in whatever situation.

The film just comes off softer and lighter than you might expect and want.

GRADE: C