CHRISTMAS EVE IN MILLER’S POINT (2024)

Directed by: Tyler Taormina

Written By: Tyler Taormina and Eric Berger

Story Editor/Editor: Kevin Anton

Cinematography: Carson Lund

Cast: Matilda Fleming, Maria Dizzia, Ben Shenkman, Francesca Scorsese, Elsie Fisher, Michael Cera, Gregg Turkington, Tony Savino, Steven Alleva, Grege Morris, Sawyer Spielberg

On Christmas Eve, a family gathers for what could be the last holiday in their ancestral home. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her friends to claim the wintry suburb for her own.

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this film is the epitome of an ensemble film as there are no real stars. Every character plays their role essentially in each other stories, and there is no real complete story as everything is told more and snippets and scenes, but never quite from beginning to end in a complete way. 

As the film is largely plotless, but plays out over a families holiday traditions, and party as they all get together where many individual things happen some smaller some greater but nothing really happens except for this celebration.

it seems like the filmmaker wanted some more evoke, the emotions of the holiday or any holiday gathering with your family where the story is told purely at this celebration where you get updates about their lives away from one another, always wanting to showcase the best and you get a sense of the family history and their relationships with one another, but nothing is ever clearly defined 

The drama that happens as well as the comedy is more lived in and isn’t as random as everyone knows each other and because they know each other and their habits nothing is quite shocking to one another. 

The film works and its own artistry that might be frustrating to some members of the audience as it takes its time telling the story it wants to, but again the story is never told in a complete way it’s more told segments that seem like they go nowhere endless that more evoke moods as there is an inherent sadness throughout as they adults are realizing they’re getting older and how much they have in the past but also the ones who raise them are slowly deteriorating and they want to take care of them. It might be too much for them to take on

And that would also celebrates the happiness of seeing long lost family members who you grew up with who now other than these types of get together rarely ever see as those family members you never really want to see, but are forced to and have to play nice with 

The tons of cuisine and food that you can board yourself on and share with family 

As well as issues that certain family members have with one another that everyone seems to know about, but either or not acknowledged or not talked about, but clearly seen and felt 

there is a section of the film where it more focuses on the younger characters the teenagers and their wild night out though even though there’s more adventure and the film seems to have a little more energy and spirit to match the characters. It also is more told in segments whereas anytime the film comes close to anything happening, especially any kind of action or excitement it seems like it cuts to something else or another character and then we see the aftermath of the action.

As even the biggest names in the cast, who is also a producer, Michael cera barely has any lines and isn’t in much of the movie nor anal part of it, but is appearance does add a certain prestige into the film

this is a film that might be challenging for some and truly you’re either going to get into its wavelength or not.

Though as an audience member one cannot say they were totally down with everything about the film. I applaud it for its artistic choices and the mood and can identify with the material as the film presents highs and Lows joys and defeats, but isn’t meant to leave the audience depressed, but also isn’t the typical holiday movie where it’s all smiles and happiness for the audience, though the film does end with a lot of smiles for the characters.

Grade: B-

FUNNY PAGES (2022)

Written & Directed By: Owen Kline 
Cinematography: Sean Price Williams and Hunter Zimny
Editor: Owen Kline And Erin DeWitt 

Cast: Daniel Zolghadri, Matthew Maher, Josh Pais, Maria Dizzia, Miles Emanuel, Stephen Adly Gurgis, Marcus DeBonis, Michael Townsend Wright 

A bitingly funny coming-of-age story of a teenage cartoonist who rejects the comforts of his suburban life in a misguided quest for his soul.


This is a film that seemed to be treading the same ground as ART SCHOOL CONFIDENTIAL and GHOST WORLD. This film is more realistic but has the same kind of downtrodden dark humor.

This film is much more downbeat than those films.

As those films seem more cynical yet a bit more stylized. This seems rawer and victims of circumstances. Though this is just as funny at times. As mostly the joke is on the lead character. Who brings all Of this upon himself 

Only in this film, there are no winners it Is more of a comedic meltdown. Of a young man who believes that he must suffer to be a true artist, From his privileged upbringing. He tries to be rebellious and anything troubled or dirty deep. 

As expected he slowly Gets a wake-up call. That the audience from the beginning knows is coming. We want to root for him in his naive nature. As he wants to experience life. We see his continuing downfall. As he enthusiastically moves forward into a horror story of idealism.

Each character, he comes across seems crazy skewed in some sort of way.

The characters and film are somewhat grotesque at times. As it all seems grimy. The Aesthetic here is usually Close up And to Go for warts and all quality. 

Basically wanting to always want to show us the ugly side of the characters. While also showing that every person is flawed in some way. 

Even as this film is a coming-of-age story that offers few of answers. As the film makes its points but offers very little to make its Mark.

Coincidently it comes off as a graphic novel story of It’s own especially with its own drab presentation and darkly ironic sense of humor.

Grade: C+

LATE NIGHT (2019)

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Directed By: Nisha Ganatra
Written By: Mindy Kaling
Cinematography: Matthew Clark
Editor: Eleanor Infante & David Rogers

Cast: Emma Thompson, Mindy Kaling, Hugh Dancy, Reid Scott, Denis O’Hare, Max Casella, John Lithgow, Paul Walter Hauser, Luke Slattery, Amy Ryan, Ike Barinholtz, Megalyn Euchikunwoke, John Early, Seth Meyers, Annaleigh Ashford, Halston Sage, Maria Dizzia

Katherine Newbury is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.

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PIERCING (2018)

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Written & Directed By: Nicolas Pesce
Story By: Ryu Murakami
Cinematography: Zack Galler
Editor: Sofia Subercaseaux 

Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce A man kisses his wife and baby goodbye and seemingly heads away on business, with a plan to check into a hotel, call an escort service, and kill an unsuspecting prostitute.

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