SPEAK NO EVIL (2024)

Written & Directed By James Watkins 

Based on a screenplay by: Christian Tafdrup & Mads Tafdrup

Cinematography: Tim Maurice Jones and Mark Moriarty 

Editor: Jon Harris 

Cast: James McAvoy, Scoot Mcnairy, Mackenzie Davis, Aisling Franciosi 

A family is invited to spend a whole weekend in a lonely home in the countryside, but as the weekend progresses, they realize that a dark side lies within the family who invited them.


I will admit I didn’t go into this too happily as the trailer pretty much gives away everything 

Luckily, I had seen the original already and was a fan of it so not sure when I learned of the remake though was wondering how they would approach the material.

it’s been Americanized not so much remade maybe rebooted a remix that doesn’t so much as improve, but simplifies. 

Yes, luckily it gives the family at the center, who are the victims. A better chance as well as more to do. At least they strike back unlike the original where you Wonder, why they kept taking what they were dealing with?

Then again film has different reasonings. The original is more of a dark comedy with thriller elements. That is all about societal rules, civility, politeness, and social rules. where this is a more by-the-books thriller, that is intimate and claustrophobic in plain sight

It loses what made the original story, so interesting in the first place. Almost like it’s been defanged to make a more audience, friendly film that tries to add active brutality as its final stamp of shock

There is nothing wrong with that it just feels like water down and feels like it belongs. I don’t feel like they belong to one another, but not originally enough to still form. It’s its own identity.

Though to be truthful, if I had never seen the original, this film wouldn’t be that interesting. It would’ve seemed more like an original thriller that wasn’t anything, in particular, to write home about and feels typical. 

As the original is dark and uncompromising. The true standout stand out of this film is James McAvoy‘s performance where you can only wish the film matched his intensity and performance as it deserves a better showcase and makes me wonder if that is why most audiences give this film high praise so much it

It might also be that it’s rare these days that film of this genre is of superior quality so that sometimes they are over-praised then if the market was flooded with films that matched the quality

GRADE: C+

TERMINATOR: DARK FATE (2019)

Directed By: Tim Miller
Written By: David S. Goyer, Justin Rhodes & Billy Ray
Story By: James Cameron, Charles Eglee, Josh Friedman, David S. Goyer & Justin Rhodes
Based on characters Created by: James Cameron & Gale Anne Hurd
Cinematography: Ken Seng
Editor: Julian Clarke

Cast: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Tom Hopper, Fraser Jones 

A young female Mexican worker, Dani Ramos, is hunted down by a virtually indestructible terminator from the future called a REV-9. However, she is protected by an enhanced human named Grace who is also from the future. They flee from the unstoppable terminator and, out of the blue, Sarah Connor helps them on the road. All three head to Laredo, Texas, where Grace has the coordinates of possible support and where they meet a T-800 who is living in an isolated location with his family. The group teams up to try to destroy the REV-9.


When it comes to this franchise. We are back at the well. Which once again feels I needed but does provide impressive action sequences and special effects throughout.

This film doesn’t have as much star power as the recent additions. It seems that is what the filmmakers choose to emphasize. 

Though this sequel does add some diversity. You can’t help but wonder if it more of a marketing decision. Rather than a natural addition of more people of color.

While this is a welcome return for Linda Hamilton’s character to the franchise and being more female-oriented in the middle of the action, Then in films past.

For a film that is over two hours, the film starts off the action pretty quickly. 

As this is a franchise they keep trying to continue. It reminds one of the line from MEAN GIRLS “Stop Trying to make fetch happen” especially if no one is requesting more of these movies. Instead of creating its own mythology of different timelines that makes the series feel like a choose your own adventure story. Depending on when you came into the franchise. Though the first film and T2 seem to be holy scripture for the franchise.

At least this time as usual they try a new film only after it seems special effects technology has been updated. Unlike a few of the sequels especially the last 2 and the third film. It feels like after the third film it’s the same book or tale rewritten by a different author.

This story Could easily be seen as a metaphor for an attack on women’s reproduction. Though not the government. As the main character is targeted for bringing up/birthing a child though the sides are changed with the villains wanting the child aborted.

Maybe it lasts as though it is an action film with some scientific elements. It works as a slasher film of sorts with a recurring final girl. Always on the run against an impossible assailant who will kill anything in its path. Just to terminate one person. We watch just to see how it will happen and the kills involved. Though usually see them coming. There is usually the element of surprise which also brings in an element of horror.

Especially with this fin as the body count rises with efficiency. It feels more violent as gorier as most of the deaths are by impalement.

Though at least this sequel feels less monotonous and more entertaining. Even with a lot less humor until Arnold Schwarzenegger shows up. As he always does. These films usually somehow also involving Arnold Schwartzenegger’s terminator in some form. Only one of the sequels didn’t have his total involvement.

So his appearance here is not shocking. This also relies a lot less on John Connor. As he is iconic in the role of the terminator. These films will always rise and fall with his involvement not giving credit to the lesser sequels weakens the better ones. This is the one that should have come after the second or third film.

This is where all of the budgets went as scenes outside of it come off small scale. Simple but also feels the most relatable.

The film also seems like the simplest out of all the films in the franchise. All the films feel epic in scope. Though This one seems to focus more on the action sequences. So that there already less questions about the plot and the story.

It still seems to have all the central roles. Only here they are all mostly switched to female characters. Who seem to serve the same purpose as when it was male characters.

This film Still feels like a bit much. Though at least while trying to impress you. It makes its Mark. It gives you a lot for your investment. That is its own reboot though as we are all familiar it doesn’t feel as fresh or advanced.

Grade: B-

IZZY GETS THE FUCK ACROSS TOWN (2017)

IzzyGetstheFuckAcrossTown_Feature5

Written & Directed By: Christian Papierniak
Cinematography: Alexandre Naufel
Editor: Zach Clark & Micah Stuart

Cast: Mackenzie Davis, Carrie Coon, Lakeith Stanfield, Annie Potts, Brandon T. Jackson, Haley Joel Osmet, Alia Shawkat, Kyle Kinane, Rob Huebel, Sarah Goldberg, Lauren Miller Rogen, Alex Russell


Broke, job hopping, indie musician, Izzy has just discovered that her ex-boyfriend- her soulmate!- got engaged to her ex-best friend, and their party happens to be tonight. Enraged and desperate, Izzy embarks on a quest to charge across Los Angeles and break that up in order to fulfill what she believes to be her destiny – before it’s too late.

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