G20 (2025)

Directed By: Patricia Riggen 

Written By: Caitlin Parrish, Erica Weiss, Logan Miller & Noah Miller 

Story By: Logan Miller & Noah Miller 

Cinematography: Checco Varese 

Editor: Doc Crotzer and Emma B. Hickox 

Cast: Viola Davis, Anthony Anderson, Anthony Starr, Ramon Rodriguez, Marsai Martin, Douglas Hodge, Elizabeth Marvel, Christopher Farrar, Clark Gregg, Angela Sarafyn 

Terrorists take over the G20 summit with President Sutton, bringing her governing and military experience to defend her family, company, and the world.


 I wish I could say that this film still apart or was better considering who stars in it, but this film is pretty basic and predictable for anyone who’s ever seen a movie before especially an action movie 

One of the main differences is that the hero of the film is female and a woman of color African-American to be exact and it feels a little revolutionary considering that the film takes place in South Africa 

This film you wonder if they were expecting a different outcome for the presidential election of 2024 as the main character or the first family in this film is African-American, who, along with other leaders are taken hostage and at some point, each of them managed to escape being captured and then come together to the end

The action sequences are nothing to write home about, but they are serviceable and Viola Davis still has all that muscle from the woman king so she’s got the guns to be an action hero, and we all have to take a paycheck now and then because she is definitely better than the material and even the film.

She has been in the suicide squad movies and across the DC universe as I’m on the Waller even though all of the films she’s been involved in her action films. She’s never personally done any action scenes herself in those films here shows she’s capable of it.

But this is a perfectly fine time. Keep your interest while you watch it, but forgettable once it’s over.

Think typical Jason Statham-type action films only with a lack of one-liners after a kill or action scene 

As this is a film, you don’t have to think or make sense as one of the qualities of films or films like these usually is that they have so many writers and you would think having so many would make the film a little bit more intricate or cleanup maybe some of the other writers mistakes but it seems like the case of too many cooks in the kitchen or maybe they oversimplify everything and try to explain even though they’re probably there to brush up on elements that the filmmakers are studio didn’t like about the last draft

There are no big surprises as you can tell exactly where the story is going you can tell the double crosses in advance could almost be a modern black film because all colors are good and bad, but you’ll notice that most of the villains are heroes people of color which is inspiring.

Grade: C- 

SCOUT’S GUIDE TO THE ZOMBIE APOCALYPSE (2015)

Directed By: Christopher Landon
Written By: Carrie Evans, Christopher Landon & Emi Mochizuki
Story By: Lona Williams, Carrie Evans & Emi Mochizuki
Cinematography By: Brandon Trost
Editor: Jim Page

Cast: Tye Sheridan, Logan Miller, David Koechner, Cloris Leachman, Joey Morgan, Sarah Dumont, Halston Sage, Patrick Schwartzenegger, Missy Martinez


Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak.

The film delivers the title, but when you see the advertisements. You expect a squadron or at least Boy Scouts. Who are at the least 12 years old or younger. Which is horrifying and unique. Yet funny.

The screenplay for this film was featured in the 2010 Blacklist; a list of the “most liked” unmade scripts of the year.

Here it is three teenagers and a cocktail waitress. So it becomes more of a teen movie with respective gross, low class sense of humor that tries to be explosive, but never goes fully to its capacity and tries too hard with no enthusiasm as some zombies are capable to think to a degree that leaves the film just seeming to revel in what it thinks is cool or what it believes the audience is after. Rather then tell it’s story with confidence and skill.

Though the film feels small scale and a bit scattershot with the throw everything and the kitchen sink type of plotting. The film seems more mainstream and wanting to tell a joke and get the audience to laugh with it. Though the jokes seem innocent they come off more as raunchy, but seem to want to have heart.

The film just ends up feeling like a cheery caffinated cheeerleader when you just want to watch asimple game.

Though strangely the film is scored like a Steven Spielberg film. Though not as skilled and knowing how to make the score work for the film and the emotional current of the scenes. Not using it for it’s strength or depth. Especially as Spielberg seems to be one of the masters of incorporating it as a desired ingredient and needed thread to his films. The soundtrack songs seem More like outdated music cues that one wonders if for recent nostalgia? Or for how pathetic they are and in bad taste? Or did the filmmakers really think it was still hip and was doing it as an audio version of product placement.

The film tires to do what it can with the premise that you would think would leave some opportunities for comedy and some originality to a familiar tale. Though it ends up going the more crass and uninspired route. That plays like a teenage sex comedy to a degree. That happens to have the threat of zombies at it’s center.

The film had very few inventive or innovative additions to the genre. Then again this isn’t a film that was made to do that or further cinema. Luckily the film doesn’t make the mistake of trying to incorporate any zombie film homages.

What happens here in this film is that it sounds like the tons of cash-in low budget films that fill the V.O.D. Market that end up making a quick buck out of general wonder if the audience and the late night crowd looming for something generally fun but entertaining. Studios see this and attempt to do the same with a film and title like this and though the film plays up a juvenile attitude and humor it still feels like a safe film that fits more into blockbuster entertainment for the masses. It feels too inside of the joke to really let loose and be the oddball curiosity type film that the title might imply. It lacks a certain explosive zeal the title seems to hint at. In other words, it fakes the funk. Just as when rich kids try to make themselves look of the people or poor. Yet they can afford extravagant things while having no job and their parents pay for everything.

The film is an average time waster that keeps your interest to a degree. Even after the initial appeal has worn off. Rather quickly and the premise plays itself out, to only be another zombie surviving another zombie attack film. That time to time reminds you that the main characters are boy scouts. Though really the film at heart is just a teen comedy with zombies. That typically happens all in one night, which leads to the truth that has an Initial betrayal but leads the main characters to bond and learn lessons whole overcoming their fears and problems.

It seems like the horny character keeps getting piss and blood sprayed on his face as sort of a punishment for his character’s behavior and overall attitude that comes across as a money shot (facial) at least.

The film also offers the violence, Sex, and nudity that a teenage or audience that really looks for that in films. (Which includes a revealing Cameo from an adult movie star Missy Martinez) Which seems to be making a comeback recently. Though this isn’t necessarily a film where you would expect it. Just a lot of talk about it.

The film is easily forgettable, but it interested as long as your hopes aren’t high. You might actually enjoy it. Though if not you definitely can skip it and not really miss anything.

 Grade: D+

WE SUMMON THE DARKNESS (2020)

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Directed By: Marc Meyers
Written By: Alan Trezza
Cinematography: Tarin Anderson
Editor: Jamie Kirkpatrick & Joe Murphy 

Cast: Alexandra Daddario, Keean Johnson, Maddie Hasson, Amy Forsyth, Logan Miller, Austin Swift, Johnny Knoxville 

Set in the Midwest against a backdrop involving a killing spree thought to be orchestrated by a satanic cult. Three best friends embark on a road trip to a heavy-metal show, where they bond with three aspiring musicians and head off to one of the girls’ country home for an after party. A night of fun and youthful debauchery takes a deadly turn as bodies begin to pile up, with each side thinking the other hides the killer.

Continue reading “WE SUMMON THE DARKNESS (2020)”

ESCAPE ROOM (2019)

Escape-Room-Saturn-Black-Cube

Directed By: Adam Robitel
Written By: Bragi Schut & Maria Melnik
Story By: Bragi Schut
Cinematography: Marc Spicer
Editor: Steve Mirkovich 


Cast: Taylor Russell, Jay Ellis, Tyler Labine, Logan Miller, Deborah Ann Woll, Nik Dodani, Jessica Sutton 

Six strangers are given mysterious black boxes with tickets to an immersive escape room for a chance to win tons of money. Being locked in several rooms with extreme conditions, they discover the secrets behind the escape room and must fight to survive and to find a way out.

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WHITE BOY RICK (2018)

whiteboyrick

Directed By: Yann Demange
Written By: Andy Weiss, Noah Miller & Logan Miller
Cinematography By: Tat Radcliffe
Editor: Chris Wyatt 


Cast: Richie Merritt, Matthew McCognahey, Bel Powley, Bruce Dern, Piper Laurie, Jennifer Jason Leigh, Rory Cochrane, Brian Tyree Henry, RJ Cyler, Eddie Marsan, Jonathan Majors, YG 


The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Continue reading “WHITE BOY RICK (2018)”

WHITE BOY RICK (2018)

whiteboyrick

Directed By: Yann Demange
Written By: Andy Weiss, Noah Miller & Logan Miller
Cinematography By: Tat Radcliffe
Editor: Chris Wyatt


Cast: Richie Merritt, Matthew McCognahey, Bel Powley, Bruce Dern, Piper Laurie, Jennifer Jason Leigh, Rory Cochrane, Brian Tyree Henry, RJ Cyler, Eddie Marsan, Jonathan Majors, YG 


The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Continue reading “WHITE BOY RICK (2018)”