LEE CRONIN’S THE MUMMY (2026)

Written & Directed By: Lee Cronin

Cinematography: Dave Garbett 

Editor: Bryan Shaw 

Cast: Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Shylo Molina, Billie Roy, Veronica Falcon, Havet Kamille, May Eighety 

Eight years after her sudden disappearance in Egypt, a severely traumatized teenager is returned to her shattered family in New Mexico, triggering a visceral nightmare as they realize she is hosting an ancient, demonic parasite.


A mummy movie by way of the Evil Dead 

No matter what I have to say about this film, I can appreciate that Lee Cronin didn’t simply remake the Brendan Fraser version. Instead of another action-adventure, he tries to bring The Mummy back into the horror genre. That’s an idea I genuinely admire.

The problem is that it often feels less like The Mummy and more like another Lee Cronin horror film. If you’ve seen Evil Dead Rise, you’ll probably recognize the DNA almost immediately.

Horror first, it seems like the mummy cems second. Rather than focusing on ancient curses and classic monster horror, the film mixes together possession, exorcisms, ancient spirits, cursed objects, and over-the-top gore. By the time the third act arrives, it feels more like an Evil Dead movie wearing a mummy costume.

The similarities are obvious, and sometimes it feels as though the “mummy” element was added to a story that already wanted to be something else.

The film is Way too long. The biggest issue is the running time.

The first two acts spend so much time introducing characters, building mysteries, and lining up future victims that the film starts to drag. I understand why Cronin wants to establish the world, but everything feels over-explained.

Instead of creating tension, the movie keeps building… and building… and building.

It isn’t boring, but it definitely tests your patience.

When it works, Once the film finally reaches its third act, it becomes the wild, bloody horror movie it has been promising.

Cronin doesn’t hold back. The violence is brutal, the gore is excessive, and the film is surprisingly mean-spirited. Nobody feels safe, whether they’re children, adults, or elderly characters. That cruelty gives the movie an edge that many modern studio horror films avoid.

The creepy atmosphere also works more often than it doesn’t, even if the pacing occasionally gets in its own way.

I understand Why audiences were divided. I can understand why this version didn’t connect with everyone.

Some viewers were probably hoping for another swashbuckling adventure like the Brendan Fraser films. Others may have wanted something closer to the classic Universal horror movies from the 1930s and 1940s.

Instead, they got what is essentially an Evil Dead-style horror film built around mummy mythology.

That’s not necessarily a bad idea. it just isn’t what many people expected.

This is one of those movies that’s difficult to judge.

It accomplishes many of the things it sets out to do, but it also overdoes them. It explains too much, stretches scenes longer than necessary, and could easily have lost 20 or 30 minutes.

Still, I had a good enough time. It’s entertaining, the cast is solid, and I appreciate that Cronin tried something different instead of copying what came before.

It may not be the mummy movie everyone wanted, but it’s a decent horror popcorn film, even if it sometimes feels like an unofficial EVIL DEAD sequel wrapped in ancient bandages.

Grade: C

DUCK BUTTER (2018)

Directed By: Miguel Arteta Written By: Miguel Arteta & Alia Shawkat Cinematography: Hillary Spera Editor: Christopher Donlon

Cast: Alia Shawkat, Laia Costa, Jay Duplass, Mark Duplass, Kumail Nanjiani, Lindsay Burdge, Mae Whitman, Hong Chau, Kate Berlant, Jenny O’Hara 

Two women, who are dissatisfied with the dishonesty they see in dating and relationships, decide to make a pact to spend 24 hours together hoping to find a new way to create intimacy.


This is a lesbian romance film that seems artsier. Where it seems like the actors get more outbid it than the audience.

While the film does offer a mismatched couple who affect each other in the end. By having one be the more negative over-thinker who is more afraid to try new things. Yet is an actress and the other a free spirit. Who seems to have no grounding. Whereby the end one is affected in a positive way the other in a more morose way. 

The aspect that the film offers is that these two characters hook up and decide on the morning to spend the next 24 hours together. After some initial conflict with the idea. The film explores the following 24 hours where they get to know one another, good and bad. 

It seems like they go through all the painful aspects and rewarding ones in the son of 24 hours. Which makes the film quirky. The characters and their problems always seem to bring it back to reality.

Even if it always has the aspect of a romantic and fantasy. The emotions at times are what ground it.

While Alia Shawkat is always interesting on screen and graduating to bigger roles. Here she is more nebbish, shy, neurotic, and a little depressed than every woman. Who hooks up with this beautiful free spirit played by the gorgeous Laia Costa who seems too good to be true and by the end. We do get to learn about each other a bit more and the dream girl still is unbelievable but at least we get to see her sweat (amongst other things)  and be human. 

Their relationship is believable and takes what most films would spread out over weeks and months and grounds it into the span of 48 hours for the characters. Where you feel that this is the first time they have ever been open not only with anyone else but maybe even themselves.

It’s an intriguing premise and I wish it had been more involving for the audience but while it offers some surprises. Again it is something that we have seen before and know where it is going. As it feels too familiar.

Not to mention interesting characters. You wish more happened or that they were a bit more interesting to keep your attention. This is why ever so often there is a sex scene between the two of them. Which are graphic yet erotic.

Which then seems to force the film into a third act. This reminds me of the movie CHASING AMY. Where a weird self-sabotage logic emerges and while it is understandable feels like a huge mistake out of nowhere. That is a challenge for the characters to one another where they both know will not have a happy ending so to speak 

Grade: C

PIERCING (2018)

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Written & Directed By: Nicolas Pesce
Story By: Ryu Murakami
Cinematography: Zack Galler
Editor: Sofia Subercaseaux 

Cast: Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, Wendell Pierce A man kisses his wife and baby goodbye and seemingly heads away on business, with a plan to check into a hotel, call an escort service, and kill an unsuspecting prostitute.

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