BAD MANNERS (1984)

Directed By: Robert Houston 

Written By: Robert Houston and Joseph Kwong 

Cinematography: Jan De Bont

Editor: Barry Zetlin

Cast: Pamela Segall, Joey Coleman, George Olden, Michael Hentz, Christopher Brown, Anne DeSalvo, Martin Mull, Karen Black, Kimmy Robertson, Susan Ruttan, Edy Williams, Stephen Stucker

Four teens on the run from an orphanage spring a fellow orphan recently adopted by a rich family, then trash the whole house.


This is a film I remember watching and liking quite a bit when I was a kid probably around eight years old, which is what strikes at the heart of this film who is this film really marketed towards it is too adult to truly be for children and to juvenile to really be for adults 18 even though most of the characters look to be just entering their teens and the material throughout is way too adult. In fact, it’s a rated R film.

This is a long way of saying they wouldn’t make a film like this today. The film is just trashy, sleazy, gross, and in very bad taste, but strangely it has charm.

At the heart of it, it’s very punk rock as it showcases, a rebellious youthful spirit against the more selfish superficial, and exploitation of adults. Not to mention everything moving along into chaos.

The film shows some adults in particular at the orphanage have a psychotherapist, who only wants to talk about sex to the young children there and seems to be very into bondage

The orphanage rundown prison or who uses a cattle pro and all of the teachers seem to be nuns

The film has two nude scenes. unnecessary, but we’re kind of in at the time and probably helped get more eyes on the film of whichever audience. They intended the teens and the adults giving them a reason to watch it as I might have done the research and saw in the rating it’s rated R for you know, graphic violence, nudity sexual situations, and language only here with more nudity and language

It doesn’t really have any sex in it luckily but there is just a certain vibe to it. That feels like anything taboo will be at least hint or watching it now it’s amazed that it even got made.

as I will admit at the time, one of the reasons, I probably became a fan of this film was Pamela Segall who knows who now goes by Pamela Adlon, who is in a bunch of movies I saw on cable GREASE 2 is where I first saw her and then this film and then the movie SOMETHING SPECIAL a more teenage appropriate movie. Though not as wild. Even later in her career, playing the tough gal usually but one who is down to earth and could definitely hang with the men on equal footing while also being noticeably attractive. Which has made me a lifelong fan of hers.

One of the problems of the movies is that you hate most of the characters or dislike them, as even the kids aren’t exactly likable. They all seem very troubled and while you want them to win, you probably wouldn’t want to take care of any of them or be in charge of any of them, but as the movie tries to keep us, and if they wanna act like they are adults

As the kids are just unruly and seem to want to always break the rules and cause trouble, and they all have different character types not clearly defined, but rambunctious

It just makes me wonder what there was as a respectable cast of Martin Mull, Anne DeSalvo and Karen Black in it, apparently, all are here cashing checks, but they still give their all in their performances. 

I will admit Martin Mull  is also another big pole for me to watch a film even when I was a kid I was fascinated by him or the characters he played.

The film was even shot by renowned future cinematographer and filmmaker Jan De Bont (SPEED) 

None of the actors who played the main gang of kids really appeared in too many future film or television roles. Though Joey Coleman, who played Whitey was in the documentary and open secret about child abuse, and pedophilia in Hollywood.

It is also one of the rare roles of Stephen Stucker outside of the AIRPLANE spoof movies. Playing a similar over the top comedic role. 

on the one hand, I admire that this film got made at all as it just shows how wild the 1980s were when it came to so-called teen or youth oriented films. The film certainly isn’t well but it is a fascinating watch for what they did and get away with at the time.

as a childhood memory of entertainment, I am shocked that my parents let me watch this many times, but also it kind of has a special place in my heart. I know it’s nostalgia isn’t always the greatest especially when it comes to something that might be an inferior product, but this stays with me, I wouldn’t necessarily recommend it but for those who look for more trashy Cinema, I would say give it a chance or give it a look

Grade: C 

DON’T TELL MOM THE BABYSITTER’S DEAD (1991)

Directed By: Stephen Herek
Written By: Neil Landau & Tara Ison
Cinematography By: Tim Sushrstedt
Editor: Larry Bock

Cast: Christina Applegate, Keith Coogan, Joanna Cassidy, Jayne Brook, John Getz, Josh Charles, Kimmy Robertson, Danielle Harris, David Duchovny, Concetta Tomei, Christopher Pettiet, Sarah Buxton, Michael Kopelow 

Single mother goes away for the summer. The kids are first delighted but then find that Mom has hired the sitter from hell to stay with them. When the sitter dies of a sudden coronary they deposit the body at a mortuary only to discover all their summer expense money was in her purse. The kids must find a way to survive the summer without mom or her money. This means actual work! 


The title gets to the point and pretty much summarizes the plot of the movie right away. Usually, movies Like this have a deadly fate. Look at STOP OR MY MOTHER WILL SHOOT! Which is more infamous than anything.

This is actually pretty good and memorable. Even watching it today though some of it is dated and some of the humor random. It still holds up as even though it has some harsh material mostly in the form of language and certain situations. This is more a family romp. The material makes it seem like it’s own Characters who are likable who seem tough and troubled but have good hearts. As it has an edge but plays it clean.

I will admit I have a soft spot for this film. I even saw it in theaters upon the initial release. It still is instantly rewatchable.

This was Christina Applegate’s big Hollywood starring role. She has guest-starred in other shows and had an indie film that was buried on video before this, by this was a big time and even though a modest hit. That seems to love on in airings. She never really got a chance at a big screen follow up the Leading role.

Here she plays against her usual sexy or sex pot type of roles she was getting at the time. This was more of a teenager forced to grow up to get out of a situation but still being a kid at heart. So a kind of comedic coming of age role that wasn’t too deep. This role allowed her to show range and talent. Which might be why she is discharged a consummate comedic actress now. As she grew up play around comedic productions and actors. Even though she was not the first choice for the role. As it was written for Winona Ryder and once she turned it down Justine Bateman was to take on the role but dropped out.

As we basically watch her as a teen prepare for the adult world. While being immersed in it and while making mistakes learning to form them and getting by and actually improving and helping the company and her co-workers. Which has an effect on all those around. Her and proving that karma does exist.

The film even manages to fit in a cute teenage romantic subplot that of course runs parallel to the main plot and ends up having mishaps, misunderstandings and accidents.

The film isn’t as cynical and dark as the title might suggest or that the premise might seem.

Part of what works is that even the supporting characters are fun and come off as believable and funny and get their own space and time to shine.

This was one of the last really noteworthy roles for actor Keith Coogan. Here he plays the second oldest Kenny a stoner metalhead who manages the household while his sister is away and in staying home also learns a skill that helps him to mature. After all his mistakes at home that cause only more trouble and mishaps. He nearly steals the movie though doesn’t have as much screen time. Though this is definitely a highlight of His work and one of his bigger roles. Definitely one most will remember him for other then ADVENTURES IN BABYSITTING.

Production nearly stopped towards the end of shooting due to Christopher Pettiet’s drug addiction, which was starting to get out of control. The producers cut a few of his scenes to keep the film on schedule. Which would explain why he is barely in the movie.

This could have easily been a one-joke movie but it actually has some substance to go along with the comedy it presents. It actually feels well rounded which is rare for a teen comedy. Especially at the time. –If the pace had been a bit quicker this could have been quite a slapstick comedy.

John Landis was originally approached to direct as he was the producer’s first choice. the movie but he turned it down. As did John Hughes who only directed his own scripts and was eager to step away from teen films. Also Richard Donner, Joe Dante rand Joel Schumacher turned it down. This was Director Stephen Herek’s third big-screen film production. He shines here. Which would be his style with most of his films. Which really were more family-centered films. With those other directors, the film would be more an approach of their styles which might be bigger than the actors of the film but might have allowed To be taken more seriously as a comedy. Rather than written off as a dark teen film. Even as it packs plenty of nostalgia no matter what age

GRADE: B-

THE LAST AMERICAN VIRGIN (1982)

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Written & Directed By: Boaz Davidson
Cinematography: Adam Greenberg
Editor: Bruria Davidson 


Cast: Lawrence Monoson, Steve Antin, Diane Franklin, Joe Rubbo, Kimmy Robertson, Louisa Moritz, Brian Peck 


The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.

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