PARACHUTE (2023)

Directed By: Brittany Snow 

Written By: Brittany Snow and Becca Gleason 

Editor: Henry Hayes and Matthew L. Weiss 

Cast: Courtney Eaton, Thomas Mann, Francesca Reale, Kid Cudi, Dave Bautista, Joel McHale, Gina Rodriguez, Jennifer Westfeldt, Kathryn Gallagher, Lukas Gage 

Follows Riley, who has recently been released from rehab after struggling with addictions to food and body image. She meets Ethan and finds herself navigating the line between love and a new addiction.


This film is the directorial debut of actress Brittany Snow and it’s a very accomplished debut as you think it’s going to be a typical twenty-something romance, It reveals itself to be much more.

As there is a romance, it’s also a character piece. That deals with damaged characters throughout and the person who chooses to be with this character and it helps, but it’s not the healthiest relationship for either.

As the film goes along, we see what might have helped to cause Riley the female lead character  problems, and issues, and throughout we see her getting better, but also how she kind of sabotages herself and how the man who is in love with her might actually be hurting her and himself by enabling her

It seems like they might be good for each other, but at the wrong time and in helping each other, they’re only digging themselves deeper into their own problems as their romance is never defined though obvious to all.

We also see how her problems affect those around her friends, family, and even associates.

As what starts off as typical slowly reveals its depths and though it might only offer sketches of certain side characters, it does offer a reality and a look at all of their lives and how they affect one another 

The film is more nourishing than one might expect as you come for something lighthearted, and you get something quite heavy, and the performances of the leads are just so devastating Eaton. This is the first time that I remember her in a leading role and quite strong and affecting and Thomas Mann , who I remember from many teenage or of age films really steps into his own as an actor and his lead in the leading role of the suitor who buries his own misery, trying to help others, but only sinks himself, and the others even lower by not truly allowing himself to be happy. Teaching the power of letting go.

This is definitely a film to check out and really live with as it’s not typical even the ending isn’t typical, but it feels true and Its Own Way, Earnest with ambiguity and hope.

Grade: B+

ENTERGALACTIC (2022)

Directed By: Fletcher Moules 
Story By: Kid Cudi and Kenya Barris
Written By: Ian Edelman, Maurice Williams, Esa Lewis, Sidney Schiff and Judnick Mayard
Editor: Carole Karvetz Aykanian 

Featuring: Kid Cudi, Jessica Williams, Laura Harrier, Ty Dolla $ign, Vanessa Hudgens, Timothee Chalamet, Macaulay Culkin, 070 Shake, Jaden Smith, Christopher Abbott, Keith David, Arturo Castro, Teyana Taylor, Luis Guzman, Kenya Barris 

Jabari, a charming, streetwear-clad artist on the cusp of real success. After a chance run-in with his cool new photographer neighbor, Meadow, Jabari has to figure out whether he can make space for love in his life.


This was initially supposed to be a series for Netflix before it was decided to just combine all the episodes and make it into a film. Which explains the episodic nature of the film. As well as why the film is broken up into chapters. It’s all for the better here. 

This film might come across as a Kid Cudi vanity project. As he created it, produced it, and came up with the story.  to go with his album of the same name or the movie was thought out first and he just made music for it. Either way, it is a triumph. 

Like the animated Spider-verse movies with the same kind of animation. Only here it is used to tell an urban love story with a lot of surreal imagery and a kind of fantasy version of an urban life love story. That constantly feels like a dream, you want to live in and makes New York into the wonderland you always wanted or remembered. Adding to its legendary status.

This is a movie you wish was told in love action, but the animation makes it come off more magical without it. It might make an impact but not as strong.

Even if the story is familiar as a love story. Only with more modern and hip elements. That is to the overall experience. As we get side characters telling their tales as advice that are comedic elements all their own, and add to the climate, but also shows how what the main character have is special.  Especially as this film features characters of color and also adds in certain sexual elements that the spider-verse couldn’t delve into.

The dialogue and script could be a bit sharper, but works leaving room for realism and the reality of the moments.

This truly is a rare type of film where an audience of color gets to see themselves represented in a love story that isn’t all about sex and fighting for your relationship to survive. Where the audience gets a colorful point of view with a diverse cast and cutting-edge animation. While focusing on the love story has something today about microaggressions and the prejudice minorities deal with, especially in professional settings and even the art world. Though that never overpowers the narrative 

Grade: B+