OUTCOME (2026)

Directed By Jonah Hill

Written By: Jonah Hill and Ezra Woods 

Cinematography: Benoit Debie 

Editor: Nick Houy and Nicholas Ramirez 

Cast: Keanu Reeves, Jonah Hill, Cameron Diaz, Matt Bomer, Susan Lucci, Martin Scorsese, Ivy Wolk, David Spade, Kaia Gerber, Drew Barrymore 

Follows Hollywood star Reef as he is forced to confront his problems and atone for his past after being threatened by a bizarre video footage from his past.


Let me start off by saying that this is one of the worst movies I have seen that has been released in 2026 which is surprise and consider considering the level of talent behind it

It’s not often a film lives up to its title so thoroughly. 

I will admit I am a fan of Jonah Hills. He doesn’t bother me as an actor and as a director, he has proven to be talented, surprisingly reaching upwards and showing range,  aspiring when everybody seems to usually write them off one note. As his debut directorial mid 90s was actually a really good film better than most expected one wishes this misfire was his debut so that with mid 90s he would be shown to be getting better instead of the reverse.

This film feels oddly personal or at least based on something he has experienced as it is about a star, searching for meaning and trying to explore what an apology means as we all know Jonah Hill has heard his problems, publicly mentally and emotionally and it feels like he’s trying to explore those feelings or given an explanation with this film

The problem is that this film is so lifeless, dill and even at under 90 minutes such torture to sit through. It still feels too long.

First of all, Jonah Hill gives himself a supporting role where it seems like he’s trying to out act his lead Keanu Reeves, and get all the attention which does work because there’s not much to any of the material here so if he’s loud brash in fact, he’s the only one who brings life into the film and the script other than Martin Scorsese playing someone from Keanu Reeves past

It feels like the script had a bunch of ideas that may be needed to be sharpened and explored as sometimes the film does come across at a good point or a good idea but the way it’s delivered so bad

The direction is lackluster as the film never seems to have any pacing nor do individual seeds. They just seem to lay there and play their without any momentum so they keep coming across flat even when they’re supposed to be hilarious.

Even the locations and filming all seem to be way too lit and look un appealing as everything almost seems like it’s artificial rather than natural and you’re filming in California, which makes the film look small and ugly almost like you wonder if half this film fell in the front of a green screen and filled in later. Especially when having a cinematographer like Benoit Debie. Who is a master when it comes to raw images and can still

Make them breathtaking. 

Keanu Reeves seems half the time embarrassed or uncomfortable in this film and even if it was for a character, we never get to see him actually have fun or be at peace as this is supposed to be a comedy and he’s playing more like a hard bitten drama even when we do see a glimpse of his past where he supposed to be this drug addicted party guy he gives the same delivery.

Also, the big tape that is supposed to be at the heart of the storm that they’re hunting down because it could prove to wreck his career embarrassing. Once we actually see what’s on it. It’s pretty time compared to what it could be or what maybe us in the audience might believe if anything it just shows a vulnerability that might actually discussed a few, but actually endeared him even more.

There are a bunch of celebrities in this movie playing small, smaller roles who just seemed like they’re there, waiting around to get their moment in the sun, and then move on as most of them are only there for a senior or two

Nor do I understand, Cameron Diaz or Matt boomers characters involvement in all this as Reeves best friends. His character already has an assistant, and these two are his best friends. I don’t know if they’re his entourage because neither one of these two seems to have jobs and they’re all about positivity and giving support, but what do they do with most of their day? when he’s actually out there doing things? they seem to be here  more to maybe give commentary, as seemingly his only friends and they are there to give positivity, but they never have dramatic scenes of their own or judgment. 

Not to mention while one loves Cameron Diaz as an actress. Her return to the big screen as of late has been in bad to lackluster films. Here reuniting with Keanu Reeves after starring in the disappointing 1996 crime thriller romantic comedy film STEALING MINNESOTA. Which I for one had great hopes for and had great ideas and characters but no story or anything new or interesting to bring to the table. So here together another disappointment.

Also wonder if it was intentional that his PR team of image makers to help him through what might be an upcoming tragedy are all played by minorities. 

Also strange seeing Joey Lawrence as a kid performing on THE TONIGHT SHOW. Being a Stand-in for Keanu Reeves character as a kid. 

In the end, other than a spare to turn by Martin Scorsese and Jonah Hill’s  Way overacting it seems to try and make a memorable character of himself in a film based on himself, but not playing himself. This film seems very disposable and like a bunch of Apple plus movies seems a reason to get a bunch of big name actors together but not have the material to support them or entertain the audience

This even comes across more disappointing than the usual streaming offerings which it seems perfect for this is not something I could imagine being that great on the big screen.

It’s hard to understand how a film that has so many people I actually enjoy involved came out so terrible.

Grade: F

BILL & TED’S BOGUS JOURNEY (1991)

Directed By: Peter Hewitt
Written By: Chris Matheson & Ed Soloman
Cinematography By: Oliver Wood
Editor: David Finfer

Cast: Keanu Reeves, Alex Winter, William Sadler, George Carlin, Joss Ackland, Pam Grier, Hal Landon Jr., Sarah Trigger, Jim Martin, Taj Mahal, Primus 

The world of our distant future is a veritable utopia, thanks to the lyrics of two simple-minded 20th Century rock and rollers, Bill S. Preston, Esq. and Ted “Theodore” Logan. However, a would-be conquerer threatens to throw history off-track by sending “most non-non-heinous” evil robot Bill and Teds back to kill their good counterparts. Finding themselves dead, the boys must outwit the Grim Reaper and traverse Heaven and Hell to return to the land of the living, rescue their “babes” and have a “most triumphant” concert at the all-important Battle of the Bands


The original title was “Bill and Ted go to Hell” but was changed because of American objections to the use of the word “hell”.

Stephen Herek declined to return as director because he thought it was “almost a parody of a movie that was already a parody”.

This is a sequel not too many people saw coming as yes the first film was a hit, but this sequel while seeming a bit more forced. This seems to revel in the off the Wall motif of everything involved and seems giddy with the chances they have in where they can take the film. As this film is much more wild and experimental and bigger budgeted.

When it comes to this film while there is much more to love and it is more accomplished. I prefer the original for it’s newness factor. Here we are used to these characters and while the film offers a noticeably different story. It still doesn’t feel quite as fresh as the original. Though this one is stranger. It’s not a bad film just different In its own way

definitely can say that this film seems to benefit from a better budget. As the art direction is a lot more sharp and pleasing to the eye. Making the film seem more surreal overall. As the visuals stay with you.

While this film is futuristic it is also definitely a film of its time. Which is where the film’s weakness lies. This is a film where you can tell everyone had a lot of fun making. As all the actors are inspired even the leads seem more gung ho in their roles as maybe they understand the characters more.

As the leads get to play multiple versions of themselves and seem to have their characters more on a directional path. Whereas in the first film they were teenagers who got a glimpse of the future. They still had the time and plenty of room until then. Here we see them trying to get there and the otherworldly obstacles in their way.

This film has less of a necessary story than the first film which just seemed like an odd quirky high concept comedy. Here the film seems more inspired by the characters than the plot. As this film Plays more like a comedic nightmare for the characters. Though you can’t debt that the film is more vibrant if slightly more off-center. As the film beers more into star Alex winter’s early short films and show on MTV, IDIOT BOX. As well as his feature film directorial debut FREAKED, in it’s strange and surreal humor. Where scenes seem partially like sketches that tie into the overall story. Especially in the hell sequences 

William Sadler as death (his death character seemingly more inspired by Max Von Sydow in THE SEVENTH SEAL) steals the film with so much gusto and comedic highlights. That it is another performance that should have made him more in demand and lead to either more lead by roles or character actor roles. At least more comedic ones.

In this film, there is very little time travel. This is a relief as it leaves the film Not relying upon or rehashing the first film’s main focus. Making this sequel seeming fresher.

This film though does feel more creative. As it takes more chances and seems a lot more fun. It’s like a funhouse version of the first film. Whereas this film shows it’s inspirations and seems more aimed at off the wall humor. Focused on its core younger audience. This film also introduced an actual villain for the two characters to face. Even though Joss Ackland claims he only too the role because he lost a bet.

These films always feel like a precursor or an inspiration to the WAYNE’S WORLD skit and movies. Which just like this film had a more surreal and overstuffed sequel. as well as BEAVIS & BUTTHEAD was only more likable.

The film has an ending song that at the time felt iconic but listening to it now feels more melodramatic and embarrassing from the band KISS.

Grade: B-

FEELING MINNESOTA (1996)

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Written & Directed By: Steven Baigelman
Cinematography: Walt Lloyd
Editor: Martin Walsh & Thom Noble
Music By: Los Lobos 

Cast: Keanu Reeves, Cameron Diaz, Delroy Lindo, Vincent D’Onofrio, Tuesday Weld, Courtney Love, Dan Aykroyd 


Freddie is a former stripper marrying Sam to repay a debt owed to nightclub owner Red. But Freddie is in love with Jjaks, Sam’s brother. Jjaks and Freddie run off together, and Sam finds where they have been hiding and calls the cops. Meanwhile someone calls to blackmail Sam and Jjaks. In the end will it all work out?

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TO THE BONE (2017)

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Written & Directed By: Marti Noxon
Cinematography By: Richard Wong
Editor: Elliot Greenberg 


Cast: Lily J. Collins, Alex Sharp, Lili Taylor, Brooke Smith, Keanu Reeves, Retta, Kathryn Prescott, Leslie Bibb, Carrie Preston, Alanna Ubach, Maya Eshet 


Ellen is a 20 year old woman struggling with anorexia nervosa. In the midst of family problems and her own fears, she is accepted into a group home run by an unusual doctor. Through the people she meets and the journey she takes, Ellen follows a path of self discovery and acceptance that will lead her to a surprising place she never would have thought possible

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THE BAD BATCH (2017)

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Written & Directed By: Ana Lily Amirpour
Cinematography By: Lyle Vincent
Editor: Alex O’Flinn 


Cast: Suki Waterhouse, Jason Momoa, Diego Luna, Yolonda Ross, Keanu Reeves, Jim Carrey, Giovanni Ribisi 

A love story set in a community of cannibals in a future dystopia. In a desert wasteland in Texas, a muscled cannibal breaks one important rule: don’t play with your food.

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ALWAYS BE MY MAYBE (2019)

Always Be My Maybe Ali Wong, Randall Park Credit: Ed Araquel/Netflix

Directed By: Nahnatchka Khan
Written By: Ali Wong, Randall Park & Michael Golamco
Cinematography: Tim Suhrstedt
Editor: Lee Haxall 


Cast: Ali Wong, Randall Park, Keanu Reeves, Michelle Buteau, Susan Park, Vivian Bang, Charlene Yi, Daniel Dae Kim, Casey Wilson, Karan Soni, James Saito, Lyrics Born 


A pair of childhood friends end up falling for each other when they grow up.

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JOHN WICK: CHAPTER 3 – PARABELLUM (2019)

Keanu Reeves stars as 'John Wick' in JOHN WICK: CHAPTER 3 - PARABELLUM.

Directed By: Chad Stahelski
Written By: Derek Kolstad, Shay Hatten, Chris Collins & Marc Abrams
Based On Original Characters Created By & Story By: Derek Kolstad
Cinematography: Dan Laustsen
Editor: Evan Schiff 

Cast: Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Mark Dacascos, Yayan Ruhain, Jason Mantzoukas, Said Taghmaoui, Robin Lord Taylor, Jerome Flynn, Susan Blommaert  
In this third installment of the adrenaline-fueled action franchise, skilled assassin John Wick returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn. Continue reading “JOHN WICK: CHAPTER 3 – PARABELLUM (2019)”

47 RONIN (2013)

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Directed By: Carl Rinsch
Written By: Chris Morgan & Hossein Amini
Screen Story By: Chris Morgan & Walter Hamada

Based on: Chushinguara
Cinematography By: John Mathieson
Editor: Stuart Baird 

Costumes By: Penny Rose


Cast: Keanu Reeves, Hiroyuki Sanada, Ko Shibasaki, Min Tanaka, Tabanobu Asano, Jin Akanishi, Cary-Hiroyuki Tagawa Rinko Kikuchi, Natsuki Kunimoto

While hunting in the forest, Lord Asano of Ako and his samurai find a young half-breed and take him with them to live in the castle. Several years later, Lord Asano holds a tournament to welcome the Shogun to Ako. The night after the tournament, Lord Asano is bewitched into hurting Lord Kira of Nagato, and is punished into committing seppuku by the Shogun. Realizing that it was a Lord Kira’s evil plot, the samurais and the half-breed sets out for revenge against the Shogun’s order

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KNOCK KNOCK (2015)

knockknock

Directed By: Eli Roth
Written By: Eli Roth, Nicolas Lopez & Guillermo Amoedo
Story By: Anthony Overman & Michael Ronald Ross
Cinematography By: Antonio Quercia
Editor: Diego Macho 


Cast: Keanu Reeves, Lorenaa Izzo, Ana De Armas, Aaron Burns, Colleen Camp, Ignacia Allamand


When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse.

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THE NEON DEMON (2016)


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Directed & Story By: Nicolas Winding Refn
Written By: Nicolas Winding Refn, Polly Stenham & Mary Laws
Cinematography By: Natasha Braier
Editor: Matthew Newman
Music By: Cliff Martinez 


Cast: Elle Fanning, Jena Malone, Karl Glusman, Abbey Lee, Bella Heathcote, Desmond Harrington, Keanu Reeves, Christina Hendricks, Alessandro Nivola, Jamie Clayton


*Please note that some trivia and facts have been republished from imdb among other sources In this review

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