FALSE POSITIVE (2021)

Directed By: John Lee
Written By: John Lee & Ilana Glazer 
Story By: John Lee & Alissa Nutting 
Cinematography: Pawel Pogorzelski
Editor: Jon Philpot 

Cast: Ilana Glazer, Justin Theroux, Pierce Brosnan, Gretchen Mol, Sophia Bush, Josh Hamilton, Sabina Godecki, Zainab Juh 

As if getting pregnant weren’t complicated enough, Lucy sets out to uncover the unsettling truth about her fertility doctor.


There seemed to be a trend in cinema. Where a film labels itself a horror and tries to sell itself as one but, in reality, it is more a drama with thriller elements that might get violent. So it labels itself something else. 

Whereas once you watch it, it feels like it is selling the audience false goods hoping they will come around, but the films are never quite crafty enough to win the audience over.

Especially when a film is familiar with the story. This one Might be seen as a more modern rethinking of ROSEMARY’S BABY though with a different kind of theme and ending but similar enough. luckily this film carved out enough of its own identity to stand on its own two feet.

The film keeps the audience at arm’s length and feels more clinical throughout, but then wants us to feel and identify with a character we never really got close enough to or learned enough about other than the basics.

The film Also instead of keeping us guessing. Give up answers way too soon. As it tries to keep us guessing still but is more middle ground once it offers up reveals. That in its Own way cheats itself but is understandable that it doesn’t want to copy and paste the whole is it real? Is it all in her head? Cliche 

This is one of those films that was so close to making it through with its Premise but falls short as it nears the finish line. As it gets more interesting the more outrageous it gets. A small before feels safe though at least it feels like it has some things to say 

The film has the bones of a sturdy and good movie but the follow-through unfortunately isn’t as strong. No matter how assured it believes itself to be.

The most memorable character ends up being the nurse played by Gretchen Mol. Who is in the film just enough to intrigue and make you uncomfortable but also the more you learn and see her the more you want to know about her

Creepy but tries to set itself apart from what inspires it by trying to tie in modern issues but leaves them by the wayside when it comes to its third act and explanation though in that sale act then tries to become surreal.

One interesting aspect is brought up as well as the ever-annoying line and blame of mommy brain

This feels like a film where the filmmakers wanted to say something to go along with their thriller. Which works but also feels a bit out of place or too on the nose. It also takes itself seriously while seeming to be entranced with itself that it forgets the audience. As it comes off as smug

Grade: D

INLAND EMPIRE (2006)

Edited, Cinematography, Written & Directed By: David Lynch

Cast: Laura Dern, Justin Theroux, Grace Zabriskie, Jeremy Irons, Harry Dean Stanton, Diane Ladd, Julia Ormand, Mary Steenburgen, Masiumi Max, Amanda Foreman, Terry Crews, Jordan Ladd, Ian Abercrombie, Cameron Daddo, Jerry Stahl, Nastassja Kinski

A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they’re shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.


I’m sorry I didn’t know what was going on half the time watching this film. It seems a film that is made more to test your interpretation or at least seems more like an art installation as film. Though truthfully might be the pinnacle and thesis of David Lynch’s filmography. Throwing any linear content out the window practically.

This seems more a film born out of his imagination and a kind of statement for him. As after all Supposedly This movie started with a phone call Laura Dern received from David Lynch asking if she wanted to come and experiment with him. That started the journey as the movie was filmed over several years and both of this films stars admit they don’t understand or what is going on in the film.

This movie makes every David Lynch movie from BLUE VELVET to MULLHOLLAND DRIVE look mainstream. This film is dark at times yet continuously feels unfocused for the audience while David Lynch directs with a sure hand. he does all the work here on his own for the most part it seems behind the scenes. So this is more his total creation. This is like an abstract painting brought to life on film. I think even if you are a David Lynch an this will test your boundaries of love for him.

In this movie there are scenes and shots of such beauty that only last a limited amount of time soon the film becomes tedious because it’s over two hours long. Now yes Andy Warhol would have loved it and called it a masterpiece and so will a lot of pretentious art film fans. Maybe it is. Maybe It’s just an abstract artist wavelength.

Now Mr. Lynch is a talented filmmaker, even in it’s moody overtones. Each scene breathes with life and opportunities that could take to scene and movie into parallel choices but it seems to just soldier on. Just like there are scenes where the film gets very interesting and seems to move only to be cut short abruptly and disappear.

I did really admire  the camerawork and the end credits sequence as well as some scenes and Laura Dern’s performance as she is in the whole film and has to somewhat figure out what is going on as well as be surprised as she goes along throughout. Her performance I can understand. Because she gives it her all and she is challenged at each turn and gives all she can at each turn. Bringing some kind of understanding and emotion into all of this darkness.

The reasons you think but for the fluid camera movement and music selection. This is a should have been movie especially with the ending. I believe we look for meaning or at least a linear story in David Lynch films and when he doesn’t give it to us. We try to read too much into it and maybe give little things that are non sensical more meaning that it has. It could be just a glitch but these directors who don’t speak on their films really are hiding the secret because audiences praise them as geniuses and all it is is a mistake plain and simple or something that was forgotten looked on or couldn’t afford to fix. But the audience feels the director is being subtle or that audiences just don’t get it. Maybe we do more than you but you believing yourself to be superior and needing to have something to believe in or influenced by your artistic friends taste or maybe I’m an idiot who knows this isn’t a philosophy class. I just wanted to state my beliefs.

This is one of those films I believe film lovers and fans of lynch need to see. Though I can say definitely watch it after you have seen all of his other films and can’t say you will enjoy it. Though there is nothing like it and it’s a movie I will say I will most likely only watch once. From what I can understand is that Laura Dern is playing in a movie that is a remake of cursed early black and white film. From the line between reality and film and film within a film are blurred. Sorry I didn’t like it but I do like other Lynch movies just not this one.

GRADE: C-

ZOOLANDER 2 (2016)

zoolander3

Directed By: Ben Stiller
Written By: Ben Stiller, Justin Theroux, Nicholas Stoller & John Hamburg
Based On Characters Created By: Ben Stiller & Drake Sather
Cinematography By: Daniel Mindel
Editor: Greg Hayden 


Cast: Ben Stiller, Owen Wilson, Penelope Cruz, Will Ferrell, Milla Jovovich, Justin Theroux, Kristin Wiig, Benedict Cumberbatch, Christina Hendricks, Olivia Munn, Jon Daly, Billy Zane, Andy Dick, John Malkovich, Alexander Skarsgard, Moshe Kasher, Fred Armisen, Kiefer Sutherland, Naomi Campbell, Ariana Grande, Kate Moss, Sting

Derek and Hansel are lured into modeling again, in Rome, where they find themselves the target of a sinister conspiracy.

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