THE AMATEUR (2025)

Directed By: James Hawes 

Written By: Ken Nolan and Gary Spinelli 

Based on the Novel By: Robert Littell

Cinematography: Martin Rhue

Editor: Jonathan Amos

Cast: Rami MalekLaurence FishburneHolt McCallanyDanny SapaniJulianne NicholsonJon BernthalMichael StuhlbargRachel BrosnahanAdrian Martinez

When his supervisors at the CIA refuse to take action after his wife is killed in a London terrorist attack, a decoder takes matters into his own hands.

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You probably seen this film before it’s a pretty much a revenge tail where a character seeks revenge for the death or murder of a loved one and at first seems too weak or too meek 

Who somehow against all odds starts achieving in getting their revenge, but not always in the way in which they seek or expected .

This could’ve been a random episode of any kind of government series, or even then a full season of a limited series about the same subject in story, which would’ve at least given the film a chance to flash more of the characters out other than the lead and those who are working against him .

The film is pretty average. It stays entertaining and tries to offer some surprises that you might see coming though it’s not quite as action packed as maybe the trailer or storyline might have the audience believe there are action sequences, but they’re nothing phenomenal or breathtaking. They’re fairly average and actually pretty quick so that this plays off more as a dramatic thriller than anything else.

The twist and turns truly do show how smart that the main character is for what he might lack and physical prose, though it doesn’t help that some of the bigger supporting cast names are barely in the film for long periods of time and are severely underused 

One can understand why Rami Malek produce this and starting it as most likely there aren’t that many who would see him in this role naturally or as he plays the nerdy parts well the more physical aspects of the role would leave most in question. Which is actually one of the reasons why we might not see Rami Malik in so many films is that he’s hard to cast as he’s wiry physically and has quite a strange look and at times feels tilted and gives meek line readings.

That make him come across as a bit odd or more seeming like a character, actor, pro more eyeball rules, rather than leads or even villains. The film does pack a punch, but it’s not a lethal one. It’s more of a jab that will keep you entertained while watching though probably instantly forget once you’re done. It’s a great popcorn entertainment with a great cast that you wish had more to do.

as he just constantly sit through the film, waiting for all this to build up into something bigger and better or at least more and unfortunately, it doesn’t. It kinda goes out on a whimper rather than an extravaganza.

No, it’s not a lost cause, But  it’s nothing to write home about it. Does what it seeks out to do it entertains it makes you think you get caught up with the story and the characters but it’s just not that memorable and considering the cast that is on screen should be better.

Grade: C 

JANET PLANET (2023)

Written & Directed By: Annie Baker 

Cinematography: Maria Von Hauswolff

Editor: Lucian Johnston 

Cast: Julianne Nicholson, Zoe Ziegler, Will Patton, Elias Koates, Sophie Okonedo, Mary Shultz, Edie Moon Kearns 

In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet.


This film is a character study between a mother and her 12-year-old daughter. A coming of age story for both of them. 

One truly wants to enjoy the film as it takes objectivity to a certain level. Where we watch and wait. Yet little actually happens. 

The film seems to take place with the status and longevity of the mother’s relationships with different partners. These are usually romantic, though, never quite shown to be that way, nor do we see the more physical sides of these relationships, though they seem not to take their toll, but have some kind of meaning. 

Her mother comes across as not needing anyone but desperate for any outside relationship due to them, living in a more rural community and also seeking to have the company of another adult rather than just her young daughter. She seems to have an attachment to her mother and doesn’t truly desire too many relationships, friendships, or connections with too many others, which is already rare for her.

This film won’t be for everyone as it takes its time and is very detail-oriented. As bass and day-to-day life. Not necessarily its trivialities, but its blandness. As it also seems to find beauty in every day.

This seems to be the writer and director, Annie Baker’s interest and expertise as her plays are constructed in the same way. So that some will get into and admire it while finding meaning and others might find it a bit, dull and drowsy

However, in the end, it shows more of a daughter’s love for her mother than the other way around what we usually see in films like these.

It feels like a down-home, laid-back movie, that more exists on vibes and as a character study rather than plot. In the ’90s and 2000s would probably have won the Sundance Film Festival. 

It never feels like it quite gets started and by the end though you have traveled with these characters. You might still be wondering what happened exactly.

Grade: B- 

LITTLE BLACK BOOK (2004)

Directed By: Nick Hurran 
Written By: Melissa Carter and Elisa Bell
Cinematography: Theo Van De Sande
Editor: John Richards 

Cast: Brittany Murphy, Holly Hunter, Ron Livingston, Kathy Bates, Julianne Nicholson, Kevin Sussman, Stephen Tobolowsky, Rashida Jones, Josie Maran, Sharon Lawrence, Cress Williams, Yvette Nicole Brown, Jason Antoon, Gavin Rossdale, Dave Annabale 

A woman snoops through her boyfriend’s palm pilot and reveals his former girlfriends, which causes her to question why they’re still listed in his little black book.


This could have been an effective comedy. If it maybe had gone more silly, slapstick and screwball. As the film has an interesting premise though film offers very little follow-through on that promise.

This plays like one of those disposable movies. One where you can tell everyone involved put in a minimal amount of effort to earn their paychecks.

The late Brittany Murphy seems like she is too tired to put up much energy or even too much of a performance and seems to be just coasting on her cuteness here like a young Sandra Bullock. As we know she can do better than what she can usually do with a role like this. She just seems like she is held back here. In one of the few starring roles, she got she never seemed to showcase what made her so endearing in her supporting roles. 

Ron Livingston’s character is supposed to be this dream boyfriend, but he comes off as charmless.

The talk show she works on is horrible. The way it ties into the story could have been used more creatively.

The film isn’t even really a romantic comedy it’s more a character comedy where an annoying woman learns that feeding her fears will only lead to the worst possible scenario and has to learn self-worth. That she is enough and that anyone she is I. A relationship is lucky enough to have her and also for her to be not as trusting. 

In the end, the film just seems to be about manipulation and treachery. The characters of his ex-girlfriends are one-dimensional and come off as cruel caricatures except for Julianne Nicholson’s character. Who also wisely gets most of the screen time. She comes through as a real character even though they seem to be setting her up as a victim. Maybe if the roles were reversed and the movie was about her and Brittany Murphy’s character was one of his exes. This would have worked but alas there One goes thinking again.

Here was a chance to make an original comedic character or an original romantic comedy with some satire about media and models. As even the model ex-girlfriend never comes off as a girlfriend more like a one-night stand or friend with benefits, but certainly not a girlfriend. The less said about Rashida Jones’s character of the gynecologist the better.

Even the ever-dependable holly hunter is a let down maybe because her last-minute character ark is surprising but truly comes from nowhere. Maybe it’s because she wasn’t directed to play a believable person, More a plot point and the script is so haywire her character is like crossed wires short-circuiting.

What is most disappointing is that the film has a heavy-hitting cast and the material is so forgettable and seems more of the time. That it seemed outdated by the time it hit theaters.

Here was a chance to make a slapstick film with elements of the hardships of women working in the industry and being successful and in the end, it became more about jealousy and backstabbing to a degree.

This Movie Is A definite skip. The only reason it’s not a complete failure was Julianne Nicholson’s character who Deserves better the character and the actress.

Grade: F