OUR LITTLE SECRET (2024)

Directed By: Stephen Herek

Written By: Hailey DeDominicis

Cinematography: Graham Robbins 

Editor: Heath Ryan 

Cast: Lindsay Lohan, Ian Harding, Joe Rudnitsky, Kristen Chenowith, Tim Meadows, Judy Reyes, Katie Baker, Dan Bucatinsky, Ash Santos, Henry Czerny, Chris Parnell, Kurt Yue 

Avery and Logan haven’t spoken in the 10 years since they broke up. As Christmas approaches, they discover that their new partners are siblings, and both of them have been invited to stay with the family for the holidays. Avery proposes that they keep their past a secret to avoid any awkward confrontations, but hiding the truth turns out to be more difficult than it seems–and spending time together reignites old sparks.

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The film Has the screwball comedy concept down. 

In veteran director Stephen Herek’s hands makes what could have easily been insufferable into something more memorable. Very formulaic 

It get’s a bit racy but never over the edge and stays quite clean. Though goes a few places you wouldn’t expect, but keeps its subjects and targets soft. After all it is a movie aimed at the holidays for families for the most part. 

I will admit I watched this movie mainly to see actress Lindsay Lohan. I was a fan when I was younger and was alway rooting for her through her turmoil with fame, but always thought she was talented and had the skills. Making quite the comeback here. Though not as full fledged as one would hope. Though she is trying and sells the material.

So looked forward to her many comebacks. Luckily they have recently seemed to stick, but mostly here does what is required. She comes across a bit stiff and too poised. Especially when she needs to throw herself into it more. 

The film Is filled  with reliable recognizable and reliable actors who the audience  will instantly recognize. 

It’s a Sweet romantic comedy that is a bornvoer the top yet relatable. As most of the characters throughout are holding secrets. None that small they are all quite devastating in the end. 

Which at least leaves the movie with some gravity. As most of the other gags seem forgettable and never quite Go for  the full damage or gambit of consequences, but still Manages to leave a smile on your face. 

Grade: C+

SMILE (2022)

Written & Directed By: Parker Finn

Cinematography: Charlie Sarroff

Editor: Elliot Greenberg

Cast: Sosie Bacon, Kyle Gallner, Jessie T. Usher, Kal Penn, Robin Weigert, Rob Morgan, Judy Reyes, Caitlin Stasey, Gillian Zinser 

After witnessing a bizarre, traumatic incident involving a patient, a psychiatrist becomes increasingly convinced she is being threatened by an uncanny entity.


It took me a while to watch this film as seeing the trailer repeatedly when it first came out, it seemed more run-of-the-mill. They feel more built on jump scares that you feel like you’ve seen 1000 times.

Eventually decided to give it a chance and found that it reminded me of a 1990s horror film that you discover after finally deciding to give it a chance so it was a bit meta 

 What’s surprising is that it’s quite solid and its own way. it’s better than expected even if at times is a bit predictable. Can see why he gained an audience and became successful.

The film is much more realistic than expected with a surprising amount of violence. Manages to stay grounded in a certain reality. Times one of the original Candyman, as far as a kind of folklore with a female lead character who seemingly is losing her mind.

The film relies on an unseen enemy and entity, like FALLEN with a mix of a curse like THE RING and also a bit of FINAL DESTINATION  thrown in. 

The film could easily have been a character study of someone, losing their mind through their eyes and hallucinations creating a conspiracy. Only this film acknowledges its truth and reality so it can’t exactly go down that route.

The film has equal parts jump, scares violence, and melancholy mood but manages to stay mainstream and audience, friendly. It’s nasty, but not over the top or spirited. However, it does have quite a few memorable scenes, especially the kid’s birthday party.

A good alternative title for this film would have been Psychosomatic.

The actors seem to have a fair amount of contortion to get that freak factor which is becoming common in films involving some kind of possession.

You can see the film’s influences and inspiration as there are quite a few. Which works especially as the film is far from original.

Even those who are not big film watchers will recognize different familiar recent horror films it borrows from like a recipe that calls for huge mixtures and plenty of ingredients

Grade: B-

TURTLES ALL THE WAY DOWN (2024)

Directed By: Hannah Marks

Written By: Elizabeth Berger and Issac Aptaker

Based On The Novel By: John Green

Cinematography: Brian Burgoyne 

Editor: Andrea Bottigliero

Cast: Isabela Merced, Cree, Judy Reyes, Felix Mollard, Maliq Johnson, J. Smith-Cameron, Poorna Jagannathan, Tim Gooch, Hannah Marks, Debby Ryan 

Aza Holmes. It’s not easy being Aza, but she’s trying… trying to be a good daughter, a good friend, and a good student, all while navigating an endless barrage of invasive, obsessive thoughts that she cannot control. When she reconnects with Davis, her childhood crush, Aza is confronted with fundamental questions about her potential for love, happiness, friendship, and hope in the face of her mental illness.


A nice coming-of-age story that deals with mental health primarily OCD.

Though at times the film does feel a little wish fulfillment It does feel a bit more real emotionally than some of its peers.

What I really enjoyed is that the film starts off introducing the characters and giving us what looks to be a mystery and investigation and uses it as an introduction to take us on a different journey and a different type of film and story and then kind of bring it back to our initial adventure that closure but also further the other story that was in the middle.

It’s refreshing that all of these issues and drama are tackled with a cast. That is the verse, but the main characters are mostly of Hispanic origin so there are more people of color within this film.

One thing I have to credit is that this film is based on the book by John Green and I have not read this book. I have seen most of the film adaptations of his books and each one while summer better than the others. They have all been heart-wrenching and heartbreaking and well done and I feel it because his books are a wealth of material that is easily identifiable and have an everlasting ring of truth in tragedy is still uplifting and romantic.

One has to give Director Hannah Marks great as she is an actress and Director, and for someone so young has knocked it out of the park with the films that she has directed usually our stories are always so well acted quirky, and memorable that she is a great talent that deserves to recognize more.

No, it does show that maybe I’m getting older as the lead character’s best friend I found it continuously annoying and was glad half the time when she wasn’t in scenes, but by the end, her character is so so endearing that I couldn’t imagine the film without her character without her.

As these films used to be catnip for me, and I used to be one of the first people, crying and being emotional over these films and while it still gets to a part of me, I don’t find myself as emotionally invested as I used to. I still these types of films. 

What I appreciate is that there was no big cure at the end there’s an ending that works, but there’s also the truth about the condition and the characters in that it may never be solved. Simply, you have to keep living your life and deal with it as it comes.

It’s also the first time that maybe I’ve noticed where a romantic comedy kind of looks at the male love interest through a female gaze as they’re not the center of the story, but more towards the side and are unbelievably helpful and good-looking and are there to provide moral support and the film goes out of its way to make them just the perfect love interest for the character where they’re tall their good looking they’re rich they give them what any woman would want. 

The only thing in the way is the female character and confidence. So the male here is more in the role of the dream partner in the flesh and willing and waiting. While only having eyes for them.

Grade: B