GUILTY BY SUSPICION (1991)

Written & Directed By: Irwin Winkler
Cinematography: Michael Ballhaus 
Editor: Priscilla Nedd 

Cast: Robert DeNiro, Annette Benning, Patricia Wettig, Chris Cooper, George Wendt, Adam Baldwin, Tom Sizemore, Martin Scorsese, Barry Primus, Sam Wanamaker, Luke Edwards, Ben Piazza, Stuart Margolin, Roxann Biggs, Allan Rich, Illenana Douglas, Stephen Root, Jon Tenney, Jonathan Ames 

David Merrill, a successful director, has spent the last couple of years working on movies overseas. He returns right in the middle of the McCarthy-era Communist witch-hunt that was sweeping through Hollywood. When first approached by the ‘inquisitors’ he rebuffs them, not realizing how much influence they have. He soon finds that he can’t get work, having been blacklisted for failing to cooperate. However, if he will just tell them what they want to know, he can go back to work.


This might be a career-best for director Irwin  Winkler. This Is obviously an in-house passion project for Robert DeNiro and his production company bringing in friends to help make and be in the movie (Martin Scorsese and Barry Primus) it offers Scorsese one of his very few acting roles.

The film dramatizes the Hollywood blacklist from a deeply personal level of the characters who were not only involved but destroyed by it and the different ways and levels the government was going after them. 

The destruction of the blacklist even though it was truly ultimately a witch hunt that didn’t truly amount to much except for the lives it destroyed and upped the standing of certain politicians. Maybe even allowed the government to punish the stars and studios for having more of a moral code.

The film comes across as an artifact, seeing so many well-known actors of today who play smaller supporting roles.

This ends up being like a ROCKY movie in the way the House of unAmerican Activities keeps stalking Deniro’s character and questioning any of his employers or anyone he associates with. So you anticipate once he finally is in front of the committee.

We see how it destroys his career and his friends around him. As they either are willing to betray, sell out, or drop out ultimately. For something many didn’t even take seriously in their past. Some even used it as leverage for revenge against others who they feel wronged them. 

The film is a drama that at times works more like a thriller. As it is just as chilling as it happened in real life. It’s scary and no physical weapons are used just hints and accusations. 

It hit home with me as with so many characters who thought Deniro’s character would be a team player. He cares more about movies particularly his than anything or anyone around him. Even though most people in his life seem to like him and be in the business. 

The FBI agents following him seem like the agents in THE MATRIX emotionless and remind the audience of Deniro’s roles in crime pictures as they seem to relentlessly stalk him just trying to find any little thing to nail him or put him away. It offers DeNiro one of his most affable roles. 

The character of Bert Alan, a producer played by Barry Primus seems out of place as he seems more like a 1980s mobster in 1950’s Hollywood.

Watching how an old female ingenue discovery goes from seduction to scared to disgusted. Before trying to finally bribe him to go away. Shows how powerful and scary the blacklist was in its heyday 

The film tries to be an epic on the subject from the point of view of a victim’s point of view but not An overview. 

This also brings one back to a time and place when movies looked like they might have been prestige but were also made due to the lead actor’s strength and popularity as an actor. Guaranteeing that there will be an audience for the film. Not so much based on popularity it metrics of money-making.

Really a power move trying to spank those who are more successful and who they feel have more influence. Feeling like they are putting them in their place and saving the American people from the influence of the powerful they actually believe to be anti-government. Like they wouldn’t be after being persecuted for nothing really. The betrayal of friends begging him to let them inform on him to save their own skins by naming someone.

In the end, it still leaves time for a powerful speech. This is my kind of history movie.

GRADE: B

RABBIT HOLE (2010)

Directed By: John Cameron Mitchell
Written By: David Lindsey-Abaire
Cinematography By: Frank G. Demarco
Editor: Joe Klotz

Cast: Nicole Kidman, Aaron Eckhart, Sandra Oh, Diane Wiest, Giancarlo Esposito, Tammy Blanchard, Jon Tenney

The film deals with a couple whose young son was killed in a car accident. They go to group therapy with other parents who had the same thing happen to them. Throughout the film, we see how they deal with the aftermath with family, friends and themselves.

There is nothing really wrong with the film. The actors are all superb and subdued. The film feels somewhat realistic the film presents a certain cool and cold atmosphere that matches the character’s emotional state and outlook on the world.

The film has artistic touches and looks beautiful but at it’s heart, it feels small and more theatrical like it’s origins then natural though it is opened up more location wise to make the story more visual.

I give a lot of respect to it’s director John Cameron Mitchell who shows a wide range from his previous film the wild and campy HEDWIG & THE ANGRY INCH and the shocking yet dramatic SHORTBUS. Here he goes the more reserved route with this effort yet still has heart and an artistic truthfulness.

Shockingly, I was more impressed by Aaron Eckhardt’s performance. Then Nicole Kidman’s. Maybe because we’ve seen her play this type of role before, So it’s not too big a revelation that she was good in the role. I am usually impressed by Mr. Eckhardt but he makes his character fully realized but all in all a loving husband. It’s no surprise she handpicked him for the role.

The film doesn’t contain any real surprises. It actually feels basic while talking about a shocking subject, Maybe I just expected it to be as good it was and that’s exactly what It gives.

The film feels like a project than something passionate to the people who made it. So I’m not really surprised or too impressed as it achieved exactly what it set out to and what I expected from it. I would suggest it but don’t expect to be knocked out by it.

The film comes off more as a independent prestiege film. It’s serviceable. Good but not great.

GRADE: B-

THE STEPFATHER (2009)

THE STEPFATHER

Directed By: Nelson McCormick
Written By: J.S. Cardone;
Based on a earlier screenplay By: Donald E. Westlake;
Story By: Carolyn Lefcourt & Brain Garfield & Donald E. Westlake
Cinematography By: Patrick Cady
Editor: Eric L. Beason

CAST: Dylan Walsh, Penn Badgley, Amber Heard, Sela Ward, Sherry Stringfield, Paige Turco, Jon Tenney

Michael Harding returns home from military school to find his mother Susan happily in love and living with her new boyfriend David. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.

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