FRED CLAUS (2007)

Directed By: David Dobkin

Written By: Dan Fogelman

Story By: Jessie Nelson and Dan Fogelman

Cinematography: Remi Adefarasin

Editor: Mark Livolsi

Cast: Vince Vaughn, Paul Giamatti, Kevin Spacey, Rachel Weisz, John Michael Higgins, Elizabeth Banks, Kathy Bates, Miranda Richardson, Chris ‘Ludacris’ Bridges, Bobb’e J. Thompson

Always living in the shadow of his younger and utterly popular brother, Nicholas–or the one and only, Santa Claus–the polar opposite of his holy sibling, Fred Claus, now faces an unforeseen predicament that drags him all the way up to the frozen North Pole to beg for Santa’s help. However, there’s a catch. To get off the hook, Fred must work his fingers to the bone along with the jolly elves during the hectic pre-Christmas Eve period, against the backdrop of a thorough and merciless efficiency inspection. Can the wayward brother Fred save himself, and above all, Christmas?


This film has very few factors going for it. The Christmas morning scene is the only time this film truly feels believable and shows the beauty and heartwarming side of Christmas. It’s about family, magic, happiness, and amazement, and that one scene finally touches what the whole film is supposed to be about.

What comes before is more of a shallow exercise that wants to be heartwarming but comes across as conniving and faking the funk.

The problem is that it builds up this whole fantasy realm and lower, but doesn’t exactly quite explain it or give the rules so that’s your loss so that you can just throw anything in there. sort of like Vince Vaughn is supposed to be the older brother of Santa Claus, but they never quite explain how long Santa Claus has been in his current position except that he was born for it. Even in a certain part of the movie remember that a certain character wanted a gift way back in 1968 but Vince Vaughn is the older brother has he been away from the North Pole and living in the real world and why doesn’t he age or have any certain magical powers, that he pretty much struggling for the most part and afraid to get into a romantic relationship.

That last part helps when it comes to explaining his mentality thinking he’s afraid of attachments because he’s on the out with his family so he doesn’t really trust anyone even the people he should because he’s all out for himself but throughout the movie learns to love his family, who have always just wanted the best for him And others and together for greater cause.

Which is a great message. You just wish that the film had bothered you. To find a plausible and more believable way there. it just feels like a comedy built around the holiday built around the persona of star Vince Vaughn. He is a good actor and works well as a fast-talking hustler as that is his stick so it’s no surprise to find out that most of his lines were the result of improv.

However, that style doesn’t quite match the material as it’s better in his more R-rated juvenile comedies rather than a family film as it just makes him seem more like a bumbling liar half the time or a bumbling man. One who would never believe.

Kevin Spacey makes no sense as an efficiency expert but who sent him that’s never explained. Why is he hell-bent on taking down Santa and what was he going to replace the North Pole in the factory with never explained how to get away with his plan at parts and times he even cheats to sabotage Santa. So you would think the powers that be if let’s say this word to become a religious film when they see that and Disapprove?

Understandably these are things you’re not supposed to think of when watching this film but the shenanigans that the film produces you can’t help but think that. One this is obviously made for children and families. There should still be some explanation rather than feeling like the film is like the main character making up things on the spot.

I don’t want to be a Grinch. The cast tries Vince Vaughn, whose movies can be hit or miss nearly seems like for the most part. He isn’t sleepwalking through this role, but he doesn’t seem that enthusiastic all the time to be there so he does bother to put in high energy, this just wasn’t the material for him.

It’s rare that a scene works sort of like when he goes to therapy for brothers who don’t feel they get enough credit as their more famous brothers that was funny but could have gone a bit over the top and been funnier, but it feels like it’s holding back mainly because it’s a family film, but also exposes the film as being more of a series of skits with an overall story rather than a true film.

Grade: D

PROM DATES (2024)

Directed By: Kim O. Nguyen

Written By: D.J. Mausner

Cinematography: Bradford Lipson

Editor: Daniel Reitzenstein 

Cast: Julia Lester, Antonia Gentry, Kenny Ridwan, Jordan Buhat, JT Neal, Zion Moreno, Terry Hu, John Michael Higgins, Chelsea Handler, Arianna Rivas, Emery Kelly 

“Prom Dates” follows best friends Jess and Hannah, who made a pact at 13 to have the perfect senior prom. Despite the impending changes that college will bring over the next four years, the two are committed to honoring their prom pact. But with only 24 hours left before the big event, everything falls apart when they break up with each of their dates. Jess and Hannah are left with one night to find new dates and live out their middle-school fantasies.


Automatically other films will come to mind while you watch this film most likely BOOKSMART. as it has a kind of similar structure of seemingly two days and one wild night in between with two best friends seemingly on a mission that they are united in, but slowly reveal their insecurities and problems they separate goes in their own direction.

Booksmart is probably a better well-made version of the story. This film is the more over-the-top gross wacky, comedic brand that is actually pretty fun and funny. This might be considered a low-rent version, but it is still enjoyable. 

It comes across as more sexual also while having an open-minded pro-LGBTQ plus characters throughout. With a wild night of partying, booze, drugs, and sex in between yet, the film never becomes too exploitive and still manages to be over the edge and funny.

The two leads are great Antonia Gentry is the more conventional pretty girl who for some odd reason always comes across as desperate, even though she should be in control and Julia Lester as her best friend, the kind of tomboy lesbian who gets all the best physical comedy scenes also more of the gross humor, but becomes the most identifiable character throughout.

Throughout the film, they run into challenges, but failures that do help define the night and them, and truly show the resilience of the characters.

Even though the ending is a little unexpected and offers a few little twists that one didn’t see coming, but still makes the film worthwhile and feels a little more realistic and its depiction. 

A subplot that involves one of the character’s brother and a secret hook-up or romance is needed to help flesh out his character, but also just seems tacked on and unnecessary. 

I can definitely give the film points for having a diverse cast. even having comedian Chelsea Handler in an unnecessary cameo role that helps add star power to the film, but at least gives parental representative throughout other than the principal played by John Michael Higgins.

The main characters’ parents are largely absent throughout the film, which also seemingly gives them room to really have no boundaries as there is no nagging looking for them or wondering where they are, which is one of the only parts of the film that might feel a little bit unrealistic parts of the film that it tries to present.

This is definitely a modern film, but it kind of feels like a throwback, it doesn’t offend, but it also seems like the film isn’t afraid to for a scene to work.

It’s definitely worth checking out as you will definitely have a laugh with this coming-of-age film, but it’s not necessarily things you haven’t seen before.

Grade: B- 

SHIMMER LAKE (2017)

Written & Directed By: Oren Uziel
Cinematography: Jarin Blaschke
Editor: Blake Maniquis 

Cast: Benjamin Walker, Rainn Wilson, Stephanie Sigman, John Michael Higgins, Wyatt Russell, Adam Pally, Rob Corddry, Ron Livingston, Mark Randall

An inventive crime thriller told backward, reversing day by day through a week following a local sheriff’s quest to unlock the mystery of three small-town criminals and a bank heist gone wrong.


This could have easily been a story for a season-long show BIG SKY.  Even though it takes place over and not a few days.

Written and directed by noted screenwriter Oren Uziel. The film has the originality of his usual screenplays. Only here in a little more serious thriller vein. You can see why it was on the black list of 2009 (The Blacklist is a yearly list of the best-unproduced screenplays voted on by script development executives) 

The story is told backward over a week. As we start with Friday and go back to Monday to see how a bank robbery affects a small town and its citizens.

The film is better than expected especially as a Netflix original film. Before they got distracted by having big stars and budgets and seemed to still care about storytelling.

As the film is an ensemble film. It’s also a thriller with double-crosses, twists, and backstabbings that once you think you have it figured out. It surprises you again but at least as it goes along it gives you more information to see why certain characters act the way they do or why they make the decisions they do. 

It allows for plenty of quirky characters and situations. Though it does rein it in for the seriousness of everything at hand. As well as the overall dramatic implications all over.

We even get to know most of the characters involved in some way. As each day or part of the film that focuses on that day also tends to focus on the character we begin the day with and brings us into the grander puzzle of it all. Half the joy is discovering and witnessing how it all fits together. As well as the reasoning of various characters. 

The cast all rise to the occasion to keep the audience riveted and invested. If you pay attention what happens or will happen is spoken of and told in a certain way before it happens. Even though the ending is a little hard to believe. It still works as long as you believe how cold-hearted the characters can be. Even if they show warmth, humanity, and humor before. 

Stephanie Sigman as a run-down wife in mourning who can be plain one minute, aggressive the next, and sexy out of nowhere and not really having to really try. She is a versatile actress who needs to work more, especially after her dynamic debut in the movie MISS BALA.

While the film has a lived-in quality. It still lacks a certain depth it needs a little more grit.

Can admit to watching it a second time just to make sure I understood everything. It’s not a long movie but it does pack a jab and enough intrigue to keep you guessing.

Grade: C+

PITCH PERFECT 2 (2015)

pitch

 

Directed By: Elizabeth Banks
Written By: Kay Cannon
Based On Characters Created By: Mickey Rapkin
Cinematography By: Jim Denault
Editor: Craig Alpert 


Cast: Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee Steinfeld, Anna Camp, John Michael Higgins, Elizabeth Banks, Skylar Astin, Flula Borg, Birgitte Hjort Sorensen, David Cross, Ben Platt, Adam DeVine, Alexis Knapp, Katey Segal, Keegan-Michael Key, Ester Dean, Hana Mae Lee, Jason Jones, John Hodgman, Joe Lo Truglio, Snoop Dogg, Reggie Watts, Brea Grant

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