BORDERLINE (1980)

Directed By: Jerrold Freedman
Written By: Jerrold Freedman and Steve Kline 
Cinematography: Tak Fujimoto 
Editor: John F. Link II

Cast: Charles Bronson, Bruno Kirby, Ed Harris, Bert Ramsen, Wilford Brimley, Michael Lerner, James Victor, Kenneth McMillan, John Ashton, Karim Murcelo, Enrique Castillo 

Jeb Maynard is a patrolman guarding the U.S.-Mexican border, whose partner and buddy Scooter has just been murdered. Maynard knows that a smuggler of illegal aliens is responsible for Scooter’s death, but the feds insist that drug dealers committed the crime. If this villainous smuggler is going to be caught, Maynard is going to have to do the dirty work himself.


While this film doesn’t present anything new. At the time it was a social issue that was gaining more and more interest in popularity.

What is a Charles Bronson movie if you are looking or expecting an action epic you will be disappointed as well. The film does have scenes of action. There aren’t many more plays out as a crime drama.

The film is full of naughty character actors who have supporting and small roles. At the heart of the story is just trying to investigate the death of a border agent and an innocent, immigrant teenager and finding justice for them.

Throughout the tale, Charles Bronson is gentlemanly, and just generally a good guy. The film put a face to the villains in the organization they weren’t for, and the systematic way in which this business is lucrative for them.

We also see all the dangers and perils of the immigrants, trying to get into the country, what they lose, what they risk, and the general manner in which they are treated. During a section of the film, Charles Bronson’s character even goes undercover as an immigrant to try and catch and experience what most of them have to go through, and hopefully confront or come face-to-face with the perpetrators

The film offers something different than expected and entertains throughout her house and gives us the overview to see the perpetrators and we just wait to see how Charles Bronson & company will eventually hopefully bring them down.

This is the kind of film that is not really talked about when it comes to Charles Bronson but definitely should be. This film works on his decency and charisma throughout even when it lacks action and shows what he can be capable of when he doesn’t have a gun in his hand.

Grade: B-

THE KING OF MARVIN GARDENS (1972)

Directed By: Bob Rafelson
Written By: Jacob Brackman
Story By: Bob Rafelson And Jacob Brackman
Cinematography: Laszlo Kovacs 
Editor: John F. Link II 

Cast: Jack Nicholson, Bruce Dern, Ellen Burstyn, Julia Anne Robinson, Benjamin “Scatman” Crothers, Arnold Williams, John Ryan, Sully Boyar, Josh Mostel 

A daydreamer convinces his radio personality brother to help fund one of his get-rich-quick schemes.


Will admit it took me quite some time to finally sit down and watch this film. Once I did it was probably brought upon by the director of the film. Which is a shame as this is a very powerful film. Not perfect but astonishing fun in what it achieves and also tries to do. 

Stories keep going on with no endings as they lead to another one. Yet never drop what came before. This film isn’t so much plot-oriented as character Oriented and the film allows for each of them to have their own little stories and dramas going along with one another and the narrative. 

Jack Nicholson here playing against type. As here he is more subtle, quiet, and sad as a character. He is the thinker of the two brothers. Even though they are both storytellers. Bruce Dern plays the more loud charismatic one. The problem is that they both tend to believe each other’s stories too much and soon find themselves in over their heads.

The film allows Jack Nicholson to show his range fully. 

Some might find this film slow or maybe even dull, but there are moments when the film comes alive. Though the other moments that are slower, bear more character building and help to build and showcase the characters’ dynamic. As well as illustrate the story. 

The film does offer an unexpected ending. Not much of it or the film is too predictable, at first but seems to like to throw misdirection.

Like Bruce Dern’s character. As none of the characters seems to really want to admit to what is happening or truly talk about it. 

This film is an increasing rarity of acting indulgence and taking chances with professional actors. Where they get to develop a character. As this film is more of a character study with a story to guide them to their fates. 

So that we can see their full emotional spectrum. As well as their true colors by the end. 

As the film is made up of simple moments that are lived in. 

A scheme that seems to be an ideal built of their mutual dreams. A palace or idea that they keep feeding into and want to control. A pipe dream to escape into to break up the monotony they are trying to escape.

Slowly getting seduced against better judgment and dragging two females along who are eye candy and intimates. Dangling sex and partnerships in front of the other brother, but have their own drama going on. So that the situation seems like a cult at times.

Ellen Burstyn’s Character slowly has a mental breakdown. As she realizes she might be being pushed aside for the younger model. 

The illusions drift, as both brothers are natural liars. Storytellers of some sort, one does professionally one does naturally to survive. Though all built on lies. Only one chooses to believe his own until the end. While others around them fall for it almost. As that is how charming and strong their devotion is.

The film is almost a ghost story. As these characters are free yet seem bound to their surrounding which is Atlantic City before it got renovated. So everything looks worn and beat down like the character’s Souls

An added bonus to The film is watching now legendary Actors we are used to seeing older in their younger days here.

Grade: B-