KINDA PREGNANT (2025)

Directed By: Tyler Spindel 

Written By: Amy Schumer and Julie Paiva 

Cinematography: Stuart Dryburgh 

Editor: Tom Costain and J.J. Titone

Cast: Amy Schumer, Will Forte, Brianne Howey, Jillian Bell, Damon Wayans Jr., Lizzie Broadway, Urzilla Carlson, Chris Geere, Joel David Moore, Molly Sims

When Lainy’s plan to settle down and start a family falls apart, she puts on a fake baby bump, tells a lie, and accidentally falls for her dream guy.


Not shocked by the quality of the film it comes from Adam Sandler’s production company Happy Madison Productions.

It maintains that kind of goofy stupid humor of most happy Madison productions. That seems more devoted to throwing everything you can at the audience to see what sticks and satisfies them.

So that you know going into these movies Hamlet or anything close to that though what I can give this film is that it’s simply entertaining. It’s not good but it’s not that horrible and the time passes there’s nothing that memorable about it but again you stay entertaining if you’re a fan of Amy Schumer this is the first leading role in a movie that she’s had in a while, especially in a romantic comedy

The film is not insulting and the cast does what is required of them. Though if you’re not into Adam Sandler movies or his type of comedies, I would say definitely skip as this tends to go for not necessarily the gross-out but more wacky as of course his daughter and wife have cameo roles.

Actress Urzilla Carlson gets the more over-the-top supporting role that probably in the past would’ve gone to Rebel Wilson, who would’ve either played that role or the lead. 

The one thing I can say that is likable about this film is it’s nice to see a female lead comedy that can get nasty when it needs to, but still here plays pretty much tame. 

The film is overly predictable, but at least it doesn’t insult your intelligence and everybody seems like they’re thrown at them and they seem like they generally are having fun and like one another so it is a pleasant viewing experience.

It’s not original nor good it’s just more of a comfort movie than anything that offers very few surprises. 

Grade: C-

#STUCK (AKA THE MORNING AFTER) (2014)

Written, Directed & Edited By: Stuart Acher

Story By: Dana Waxman and Neil Pollner 

Cinematography: John Matysiak 

Cast: Joel David Moore, Madeline Zima, Abraham Benrubi, Jayson Blair, Joanna Canton, Joel Michaely 

A hot one-night stand turns into an awkward morning after when GUY and HOLLY get STUCK in a dead-stopped traffic jam. As they begrudgingly get to know each other, we learn of their sexually raucous evening and then they’re led to their surprising destiny.


One might label this an MTV version of the BEFORE SUNRISE films as we watch characters learn about each other only after they have had a one-night stand and are stuck in Never-ending traffic.

While there are plenty of conversations throughout the film. There are also plenty of cutaways of other passengers and flashbacks of the precious night. Where we get to see how they got together in the first place.

So that we learn about each of the characters. As they do, which helps us in the audience to become more invested in the characters and their fates. 

The film does tend to people in other cars stuck in the traffic jam as well. Though only for minutes that feel more like filler and some distractions to keep the film from being a two-hander. Even though in the flashbacks we do see plenty of others. However, it also makes the independent production feel bigger in scope to a degree. 

It’s a cute romantic indie film with plenty of humor and the leads will charm the audience. I enjoy both lead actors but really watched the film for Madeline Zima and wasn’t disappointed.

At times the film is a bit mroe risqué than expected year manages to stay sweet throughout. Even when it tries to be cynical. It still manages to leave you with a smile on your face.

Grade: C+

FOXFIRE (1996)

Directed By: Annette Haywood-Carter
Written By: Elizabeth White
Based on the book By: Joyce Carol Oates
Cinematography By: Newton Thomas Sigel
Editor: Louise Innes

Cast: Angelina Jolie, Jenny Lewis, Hedy Burress, Jenny Shimizu, Sarah Rosenberg, John Diehl, Dash Mihok, Peter Facinelli, Chris Mulkey, Cathy Moriarty, Michelle Brookhurst, Elden Henson, Joel David Moore, Shiloh Strong

The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control


What really saves this film from being a clichéd teen girl film about finding your own inner strength and character, Is Angelina Jolie’s performance. If it had been seen by more people. It would have been a star-making role. She has a charismatic swagger in the film. Like a female James Dean that makes you desire her, Want to be like her, or just have her as a friend. She exudes coolness dripping it all over the screen.

I wish I could say such nice things about the rest of the film. The camera could just lay there except for some curious angles from time to time. The lighting of the film is annoying as there must be a certain brightness. No matter the time or location.

The acting by the rest of the cast is ok. The actresses all look too old to be playing teenagers. I was glad to see Jenny Lewis in the cast. One of my favorite Ex child actresses making a return to acting if only for a short while. (She would soon front the band RILO KILEY) She is one of the few actors I ever wrote a fan letter to as a kid (Alyssa Milano, Candace Cameron, and Soliel Moon Frye being the others) The only bad actor in the film is model Jenny Shimizu. There were rumors of her and Angelina hooking up. Which would play well into the homo-erotic subtext at the heart of this tale. It has that and a theme of independence. Defining yourself and not being afraid to stand up for yourself and of course feminism. This was a film that was rented many times by young female college students when I worked at tower video. It was considered a hot title.

I remember wanting to see it in theaters when I was in High School as I was already a fan of Angelina Jolie from CYBORG 2 and HACKERS. She enchanted me early in her career so that by the time she became popular and famous to mainstream audiences. My infatuation had already passed. I am partly still a fan. She is a good actress and irresistibly beautiful. In the ways at first, Hollywood seemed to shun her for her voluptuous body type and big lips that eventually became a Hollywood standard. She broke the mark and then set it. 

One misses the old Angelina Jolie. It was fun to see her pick various roles that showed a certain bravery and range but like most stars. Now she plays it more safely with projects and roles you would expect from her. She Is more poised now, Not the crazy more candid woman I remember. Know she is still capable of good films. Though after she won her Oscar she looked like she would be another victim of the Best Supporting Actress curse. That usually sees the winners without defined careers get high-profile roles that bomb commercially and critically and see their careers dry up. Since she picked mostly horrible films to be in, but then she found her groove not to mention her image in action films more or less.

The film is a fine rental to see Angelina’s Early work and a good feminist movie. Though it plays more like a small-town stage version of a much better work. Which might be due to the light budget and not-so-strong direction. Nor a necessarily strong script. Which feels more like an episode or short, rather than a full film

GRADE: C

THE GUEST (2014)

Theguest

Directed By: Adam Wingard
Written By: Simon Barrett
Cinematography By: Roddy Baumgartner
Music By: Steve Moore 


Cast: Dan Stevens, Maika Monroe, Sheila Kelly, Leland Orser, Joel David Moore, Ethan Embry, Brendan Meyer, Lance Reddick, AJ Bowen

A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.

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