SWITCH (1991)

Written & Directed By: Blake Edwards 
Cinematography: Dick Bush 
Editor: Robert Pergament 

Cast: Ellen Barkin, Jimmy Smits, Perry King, JoBeth Williams, Lorraine Bracco, Tony Roberts, Bruce Payne, Lynette Anthony, Victoria Mahoney, Basil Hoffman, Catherine Keener, Kevin Kilner, David Wohl, Tea Leoni, Jim J. Bullock, Rick Aiello 

Steve Brooks is a sexist and the prototype macho. Unfortunately one day he is killed by one of his girlfriends. In heaven, though, there is no place for men like him and he is sent back to earth in the body of a woman so that he can see how women are treated by men like the one he once was.


Initially, it seemed this was a movie that was going to be a comedy of comeuppance and body-switching that had a kind of. Resurgence with moves like VICE VERSA, LIKE FATHER LIKE SON and 18 AGAIN or the teenage version SOMETHING SPECIAL 

This film is definitely outdated. The premise is Intriguing when it came out and caused some controversy when it did. It seems like a movie that is intentionally trying to be provocative and subtle In its own way. 

Watching it now it seems a bit tame but it does feel like a lothario male getting his come upance and Learning life lessons as having to go through life as an adult woman to try and get into heaven.

Learning through trials and tribulations. Though the film is trying to be pro-female and their rights. It still comes off as sexist. While allowing for plenty of sex scenes and nudity that it comes off as a sexual farce. 

The film does have Its fair share of funny scenes and Ellen Barkin is really Terrific in the lead role. Showing she has comedic timing and is thoroughly believable throughout. This is actually one of her better and more memorable roles. Where she isn’t necessarily the bad girl sexpot for a change. Normally this would have been more of a star-making role for her. As it is one of her unfortunately few leading roles in a film.  

Though the third act is rough. Having a child by means of drunken encounter pretty much seems at least as far as the character goes as date rape as she didn’t really give consent and finding a kind of happiness afterward with her best male friend who falls for him In Female form. 

Though ridiculous it doesn’t come off as physical or far-fetched as his previous movie SKIN DEEP. As here it seems that legendary writer/director Blake Edwards is trying and has invested interest in this film. Though he definitely seems to be trying to push some buttons when it comes to the subjects. While at times crasser than it needs to be. It definitely is more outdated than expected

There is still plenty of physical comedy throughout which is his specialty and some satire though towards the end it gets more serious and dramatic from its sillier early antics. 

Though this caused a bit of controversy at the time. This might have been a film that was made too early or too late for the times. As it is certainly a high concept and would have probably been more insulting than thought-provoking if made in the 1980s

The film also treats the killing of the main character so easily as flippant and more like a plot device rather than needed or really felt. As he never lied to these women so their murder seems madder at themselves for falling for him. Not only that but the film treats the fact that he was promiscuous as more his major sin and maybe his attitude towards women as we never Hear or even see him really treat any of the women. So the film generalized and tries to make a point figuring the audience will go with it 

Grade: C+

TEACHERS (1984)

Directed By: Arthur Hiller
Written By: W.R. McKinney
Cinematography: David M. Walsh 
Editor: Don Zimmerman 

Cast: Nick Nolte, Jobeth Williams, Judd Hirsch, Ralph Macchio, Allen Garfield, Lee Grant, Richard Mulligan, Laura Dern, Crispin Glover, Morgan Freeman, Steven Hill, William Schallert, Mary Alice, Anthony Heald Virginia Capers, Royal Dani, Art Metrano 

A teacher overcomes his frustration in a high-school full of flunkies. As he attempts to educate his students, he attempts to help them gets him into trouble with the school board, which only adds to his problems. With the support of his students, he beats the school board and his frustration.


This film is in the same vein as AND JUSTICE FOR ALL. Where it is a darkly satirical look at a system that wasn’t working. For that film, it was legal and the justice/court system. In this case public high school and just how dangerous it was for students and faculty. As you had kids who were uninterested and unmotivated. Teachers who were burnt out, scared, or don’t care and the unions and powers that be whose hands are tied or want them to do the best that they can with what they have yet offer no hope.

Now, while this film isn’t as sharp or necessarily as heavy as that film they do share a kinship. As well as with films like THE HOSPITAL and NETWORK (both of those written by Paddy Chayefsky) these are meant to be more ensemble films with a central figure in the lead who is riding on both sides until the end. Where they finally have to show where they stand and make some kind of difference even if ultimately lose.

This film is interesting as it can be funny. Especially pinpointing Richard Mulligan’s character, a teacher who gets into character to inspire his students and actually gets through to them. Before finding out he is an escaped mental patient.

What keeps the film lively is that one minute it can be gritty and dealt with seriously but then the next goes for a laugh that is more character-based comedy and less broad. 

Though there are many characters this film mainly focuses on Nick Nolte who is burnt out it actually seems to be the rare teacher who gives a damn. Though he wants to be a team player he has a reckless rebelliousness to him.

This role fits note to a The cuts an imposing figure but comes off quite intellectual. He is rugged throughout and tries his best but whenever he seems to be getting somewhere he has another bureaucratic door slammed in his face. This is a vintage performance from him where he is unpredictable but lively throughout. 

Nick Nolte is a famous actor. For me, he is an actor I discovered while looking for somebody else. He usually starred or Co-Starred in movies I initially watched for some other actor who was in the film for instance 48 HOURS I watched for Eddie Murphy and he co-Starred in it. I watched DOWN & OUT IN BEVERLY HILLS for Bette Midler he Co-Starred in it. I watched this film initially to see Ralph Macchio. He made this before KARATE KID, but I discovered it after he starred in that film.

The film has a recognizable cast. That looking back is impressive and all out to good use. The town of the film does become more serious after the death of a character.

Watching the film these days barely raises an eyebrow. But I remember when first seeing it felt scandalous like an expose almost. As it seems to try to shine a light on the problems of the then-current education system. Some of those problems still exist and some have gotten worse. It seems to try to take a bite but there is so much to chew it can only get to a certain amount of pieces presented.

This is a film that is worth watching to see how a film can make a point and bring up issues. By being gritty but also offering a light touch to round out and let the audience off somewhat. 

Grade: B

THE DAY AFTER (1983)

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Directed By: Nicholas Meyer
Written By: Edward Hume
Cinematography By: Gayne Rescher<
Editor: William Paul Dornisch & Robert Florio

Cast: Steve Guttenberg, JoBeth Williams, Jason Robards, William Allen Young, Arliss Howard, John Lithgow, Amy Madigan

The frightening story of the weeks leading up to and following a nuclear strike on the United States. The bulk of the activity centers around the town of Lawrence, Kansas.
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