DEATH WISH II (1982)

Directed By: Michael Winner 
Written By: David Engelbach 
Based On Characters Created By: Brian Garfield
Cinematography: Tom Del Ruth and Richard H. Kline 
Editor: Arnold Crust and Julian Semian 

Cast: Charles Bronson, Jill Ireland, Vincent Gardenia, Anthony Franciosa, Laurence Fishburne, Ben Frank, J.D. Cannon, Robin Sherwood, Robert F. Lyons, Silvena Gallardo 

Architect Paul Kersey once again becomes a vigilante when he tries to find the five street punks who murdered his daughter and housekeeper, this time on the dark streets of Los Angeles.


While I will admit I am not a man of the first film for many reasons. I have to say the first one is definitely better than this sequel. At least it had dramatic tension and tried to be somewhat of a character piece.

This film is exploitative even when watching the theatrical version and not the unrated edition. It’s sleazy and a retread of the original. Only without any of the drama or moral questions that might have been raised before.

No, here as soon as a tragedy happens he goes right into action without a second thought and not trying to stop crime necessarily. Here Charles Bronson’s character is on a revenge mission. So while other crimes happen around him. He lets them go. 

This seems to be more of the same, only in a new location. 

This feels more like an even more Hollywood version of the bloodletting wish-fulfillment fantasy. That the audience for this franchise wants. Whereas the first film tried to be more a character-driven thriller. This is our and our action.

One of the film’s main problems is that it feels so sleazy and exploitative. Not necessarily the violence but the sexual assaults and nudity throughout. That feels gratuitous even when edited down. Even In some scenes, there is just nudity when not really needed. 

The rape and murder of the maid seem to be shown and filmed graphically mainly to show the ugliness of not only the crime but also to make the audience mad at the brutality and show how savage these characters truly are. 

The film is under 90 minutes and is never subtle and Vincent Gardenia’s character seems wasted and only as another way to link back to the first film and explain why he is in Los Angeles instead of Chicago. Though here he seems almost like comedic relief rather than as a strong character from the first film. 

Grade: C

THE MECHANIC (1972)

Directed By: Michael Winner
Written By: Lewis John Carlino
Cinematography: Richard H. Kline and Robert Paynter (European Sequences)
Editor: Freddie Wilson and Arnold Crust Jr. (Michael Winner) 

Cast: Charles Bronson, Jan-Michael Vincent,  Keenan Wynn, Jill Ireland, Linda Edgeway, Frank De Kova, Tak Kubota, Celeste Yarnell, Enzo Fiermonte 

A professional hitman is planning to retire, always a difficult move for one in such a profession. A young apprentice appears to be eager to learn all the skills of the trade – but is that all he wants?


This was one of the Charles Bronson films I was looking forward to, as this is supposedly one of the classics for him. 

I will admit to seeing the remake with Jason Statham first. Though I enjoyed it. I thought it would be an overblown spectacle. Which it was but also improved on the material.

This, original has a great first half of the movie. As the opening 10 minutes alone are a silent masterpiece of suspense and reasoning. 

Then once he has to kill one of his friends out of duty. Even that makes sense, and with his expertise, he never makes it look like an assassination. It always looks natural or like an accident.

Though it seems in the second half of the film that is abandoned. Even when he has assistance on his assignment it is so big and doesn’t look like an accident. Then after that, his assistant who he takes on out of guilt is all of a sudden acting like an expert. When he has done one job.

The twists at the end are the only thing that saves the film. Though it is set in the 1970s at first we feel sorry for the kid but as heartless as he treats his girlfriend who is attempting suicide. Shows us how evil he is, though he passes no judgment it seems to be the quality that makes Bronson’s character accept him.

Thankfully the film is barely over 90 minutes. As whenever there is a scene with Bronson alone it becomes dull. Even though these as supposed to be moments where we get to know his character. Even though there isn’t much to be known. 

It still allows for Bronson’s charisma and Jan Michael Vincent to show off his chops early in his career. Though this film by the end felt like a disappointment for me. I can see why it has its fans. As it tries to set a tone and be moody while also having it’s Fair share of action 

Grade: C+